Evening sentinel, Wednesday, November 11, 1925 · page 8

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*\

 

 

 

The young lady across the way says
of course women aren't as strong as men
as supposes some kinds of labor will always
man

How Do ms... to

How to Avoid Them.

By C. N. LURIE

“VERBAL” AND "ORAL"

i-llllrllt) two words, "verbal" and
T "oi-til." nrc misused frequently.

men by persons who are care~
ul In their choice of words. We
ilcui- dinlomms such as the follow-
.ng; “Did you send him a letter ac-
mptlng his terms?" "No. I gave
him a verbal reply."

For the word ”verbal." in the sen~
learn just quoted, the word "oral"
should be substituted. since "verbal"
nit-ans "consisting of words." and
"oral" means “by word of mouth."
A, verbal message may. therefore.

 

 

be given either in writing or in
speech, an oral message only in
speech. it should be said, however,

that, while. grammarians generally
make this distinction. and express a
desire for its general adoption. they

been employed so long and so gen-
erally as a synonym for “oral," that
it Is probably hopeless to try to
establish the distinction in common

 

 

 

 

U511 go.

Willhoréllli?

on...

A Series of Popular Quotations from
Famous Authors. Selected

 

1——"Trust that man In nothing who
has not a conscience in every-'
thing."

2—"For her own person

 

 

 

 

 

 

 

 

 

 

 

It beggar'd all description."

8—“The best thing I known between
France and England Is the sea."

--"There are no twin souls in God’s
universe."

5—~"A wise traveler never despises
his own country."

8—"Instinct is intelligence Incapable
of self-consciousness."

7—"Fenr has many eyes."

li—-"‘Vi’lien a man assumes a public
trust. he should consider him-
self as public property."

~——-—-—

ANSWERS

l—-—L:turcnce 5—-Goldonl

_ Sterne (iv—John Sterling

2—Sliakespeare 7—Cervsntes

3—Douglns S—Thomas
Jerrold Jefferson

‘I—~J. (.l, Holland -

 

,

 
 

 

To-Dafy’s Jewel-
(Luck-V 9 lltlliler

u. wanna "artisan.

 
 
 

 

 

TU RQUOISE

titanic gem. and legends of an-

cient Homo tell us that It is
sacred to youth and love. and sym-
bolic of a happy and successful fu-
ture. The Romans dedicated It to
Venus, the goddess of love.

The natal stone of those born on
an anniversary of today Is the lapia
lazuli. which guards Its wearer,
against mournful and morbid
thoughts.

Light blue ls today‘s fortunate
color, and particularly for weddings

are much in evidence. should it be
used.

White and pink carnationa bring
happiness to those who wear them
today.

 

WHERE iT STARTED
THE ROTARY PRINTING PRESS

_ The first rotary press was devised
by Rowland Hill. of England. In
1835. it was not considered practi-
cal. however. and It was not until
eleven ycars later that R. Hoe A:
(To. produced the first pcactlhal. r0»

fcct. William Bullock. at New York.

 

 

 

in 1865 made a press with a capacity

He». produced .the press with curved

7 stereotype plates like that of today.

'5 ’flr‘fVE-‘i.z.w.
NE. 4“,: _. -

 

 

say also that the word "verbal" has .

THE turquoise Is today’s tails--

or celebrations where young people .

tary press. Even this was not per-Q

of 10,000 copies an hour. and in I!“ '

 

The Anklet Appears as a llcguillng
Bit. of Feminine Adornment.

HE anklet Is one hit of Oriental

jewelry the lure of which ()ccl-‘

dental women have until now
resisted. Most women of America or
Eastern Europe would as iimm np-

pesr In public wearing a nose wring,

as snklets. We used to read of the

iinkllng of the anklets'of the girls

of India as they forogathcr oi. the
wells for water at close of tiny“
very picturesque and enticing no
doubt, but still it trifle barbaric.
(".ould It be that we‘ would ever

adopt this fashion along with our .

low-cut shoes. cursctless waists.
W‘m‘fs and hiniplilirvt'l costumes that
have undoubtedly Ilb't'l‘l very largely
of ilrlental Inspiruiiun'.’

Nowadays we hear a. lot about the
way that the women of (‘hina and
India and Turkcy are giving up
their own national costume and
adopting French fashions and we
think that the wsvu of influence has
all been from west to cask-little
realizing that counter influence that
has been at work carrying eastern
ideas of clothes to the fashion
centers of the (h-ridcni.

And now we have the anklct. or at
least enough women have worn
anklcts here and there to make
women

form of jewelry us earrings or
bangles. To begin with, it may l|u\'c
been the motion picture slurs that
Wore them. but very recently nnklcts
have appeared around the slender
ankles through which run blood as
blue and an aristocratic as anyone
might Wish. To be sure Ihesc unit‘-

lets have been rather inconspicumts.‘

They were of slondcr links and worn
beneath
fineness. And the effect seemed
anything but barbaric. (If course
they did not ilnklo like those worn
by the inlrlitus-lm.v datnscls of India.

For the “mild“ who hasn't quite
the courage to wear the real anklet
there are stockings with openwork
circles round tho ankle which take
the place of the regular clox. Thero’
are metal gonzo stockingsaof
French origin of course—and those

are usually cmbcllislmd with an out-1

broideretl nnitlrt Mn
anklet on the gold sttwkings.

Of course only one anklet is worn
and that on the left ankle. A cer-
‘tain well-known film star has been
seen recently wearing an anklet of
emeralds and platinum with bracelet
to match-«the anklet on her left
ankle and the bracelet on her right
arm. lflmcrnlmgreen satin slippers
she wore, but she left her stockings
at home. Another well—known pic-
ture star wears anklcts of diamonds.
pearls and sapphires. For your part.
you may prefer the more conserva-
ive links of silver. gold or platinum.

Someone commented the other day
that anklets were really the most
decoroue of accessories. since they
tended to detract attention from tho
knees and garters which have taken
such prominence since fashion issued
her decree in favor of very short
skirts.

 

 
 
 

WISE AND
ommmss

COLORS 0F. SMABTNESS
PERIWINKLE or prevenche

 

blue Is a color that French
women do not seem to tire

of. and quite recently at many
smart gatherings lathe French
capital this lovely shade has been
spoken of as. next to beige. the
most highly favored hue to be
an. In fact it is said that it has
been well-nigh Impossible to buy
pervenche blue materials in the

. shops~4so largo has been the de-

mand from the dressmakers for
this color.

 

The word "nude." like "flesh."
has certain disadvantages as a
color name. To a Chinese lady
either of these words would mesa

ask themselves whether orj
not It will eventually be as usual at1

the stocking of culm'ehby‘

I
l
l
l

r.“

l
l
l

i

l

.
l

 

i
i
I
l

i
l

i

 

 

.‘L‘l

 

”--

Tltr anklct A film star
iwmrn the emerald and platinum
.bmrclct shown at top as an anklcl
with mom satin slippers and no
lstocklnan. Then there is the fins
loom chain that holds an Initiuled
lrlaquc about the ankle, and the
lankloi cmbroidcrcd In rm! and gold
lthread on flesh-colored oMflmt stock-

flied.

l Inga,

Kolil one, on.
silver metal stockings and a silver'

onelthing, to a Parisian another.

In New York you would get one

terestlngly enough the shade that
the French call "nude" is not the
shade that we would give to the
name. for though there are plenty
of dark complexions on this side
of the Atlantic. and we are by no
means a race of blondes, still the
native American seldom has the
flesh tints of that even. mellow
brunette tone that is characteristic
of the French woman. and that Is
the tons had in mind when they
speak of “nude." One of the new
‘tones that Is spoken of quite a lot
lat present Is Csllot nude. It is a
Elovely shade between a cream and
is blego that Callot has been using
quite a lot and that is very smart
in the new hats.

 

 

{wuss THERE'S
l ' nan
W

Lain-omit

Lamb Croquettes

Two cups cold cooked lamb. one
cup thick cream sauce. one tea-
spoon salt. bread crumbs. one ta—
blespoon table sauce. one our. one
tablespoon _ cut parsley. one-fourth
teaspoon paprika. Boil the neck
and breast: strain the stock for
soap and discard all particles of
fat. Put the meat through a food
chopper: add the sauce and sea-
soning. Spread on a platter; when
stiff mould a spoonful with floured
hands. Dip first Into an egg
beaten with one tsblesporm of cold
milk, then Into bread crumbs. Fry
in deep but fat.

Shepherd's Pie

Cut, lamb of beef left—overs Into
nest. small pieces and simmer uuo
til tender In water with whatever
gravy Is left. When tender put
into a baking dish and cover with
the gravy. slightly thickened. Add
a thick layer of mashed potatoes
and bake brown.

 

 

 

WHAT’S IN A Milli: “f

Facts about your name; its history; Its moaning; whence It was de-

rived; its significance; your

lucky day and lucky jewel. .

—.———————

AGNES

HE Greek word ages. signifying

a matter or religious awe. gave

the adjective agm. meaning
sacred. pure. and it. In turn. names
the tree whose twigs the Greek
matrons strewed on their beds dur-
Ing the festival of Demeter, which
the Romans called Agnus Cactus.

Incidentally. the Latin word for
lamb .is agnus. and since this animal
was used M the scored purpose of
sacrifice. Agnes comes by her herit-
age of purityhand sanctity logically.

‘One of the first women. to bear
the name of Agnes was the gentle
Roman. maiden whose martyrdom
named the Church of St. Agnes. it
is said to have been built by Con.
atantine on the spot where she was
put to the utmoat proof. and retains
an old mosaic picturing her clad
only In her nearing hair, being
dragged along by brutal soldiers.
Another ancient church covers the
catacomb where she was interred.
and the story goes that while her
relatives and pilgrims who came to
pay their homage were weeping
there one day. she appeared and-
denly in radiant glory with a lamb
or spotless whiteness. .

The gospel for St. Agnes' day was
the parable of the ten virgins. and
since she was accused of magic arts.
English superstition arose that by
v‘ratehing“and fasting on the St.

.Agnss Eve. maidens could discover

 
 

“lived. I 'f -

their fate In marriage: by praying
nine times to the moon and fasting
threes Eves In succession. they could
secure whom they would. Keats. In
his exquisite poem "The Eve of St.
Agnes," refers to this superstition:

mI'h'ey told her how upon St. Agnea’
Eve.

of delight. . . ,
If ceremonies due they did arlght;
As, supperless to bed they must re-
tire. '
And couch supine their beauties.
lilyvrhlte;
Nor look behind. nor sideways. but
require
0: Heaven with upward eyes for all
that they desire!"

Agnes is popular in England. Scot-
land. and as a royal name In France
and Germany. France calls her
Agnles; Agneta Is an English form;
Agnese, Agnesca. and Agnete are
Italian. The “’elsh form In Nest.
The Jewel assigned to Agnes is the
agate. which gives courage and
guards its wearer from danger.
It is considered a cure for in-
somnia and insures plpasant dreams.
Thursday is a fortunate day for
Agnes and 2 her talismnnlc number.
If she dreams of her Jewel. It is a
sign of a. journey. Her flower Is
the wild rose signifying simplicity.

 

’ mt last May.

shade, in mid-Africa. another. “1- ,

Young virgins might have visions.

transmission and reception are
developing a demand for a
new type of receiving set. combin—
ing in a single outfit two distinct
receivers—mus for long waves, the
other for the short wavos.

An ingenious lot of this type, re-
cently constructed by It It. Mayo of
New York, contains a three-circuit
honeycomb coil, set for long w“.
reception, and a. neutrodyne set. for‘
the short waves. One set of tubes
In used for both receivers. and is
connected. Into either hook-up by 3
system, of change-over switches,

EXPERIMENTS in short wave

W

Can radio waves cause tilmutrons
explosions?

.General Negrsi. director of the
technical department 'of tho itu.
martian Arm)? believes Ihltt they
cl“. "0 W” quoted rt‘f‘Nllly an
«pressing the belief that radio may
have been responsible for the catas-
trophe at the Ariny Base in lluchg.
I-Io ottpiained that
radio-Waves produce minute Charge;-
of electricity In certain pieces of
iron. such as Iron rings. These Iron
rings ‘act as condensers to store up
energy radiated by wireless stations,
After continuous charging of this
kind over a long period the ring
might discharge Its load In the form
of a spark, tiny in size. yet sufficient
to cause a terrific explosion it it
should come in contact with grainr
of powder.

This theory, says General Nomi-l,
may explain mysterious explosions,
the causes of which have been llll-t
known.

Dr. Lutlvik Blibmteln. of Ruth
ester. N. ‘1, has flgurctl It on!
that it would take Kill) billion light
years for radio waves. trawling
at a speed of ”(£000 miles A non
onul. to make a complete trip
around the universe and back In
earth.

By the time they finished tho trip
there wouldn't be any earth.

 

THE RADIO PRIMER

Ono Daily Fact for Listeners

Distortion in loudspeakers Is a
trouble that must be reckoned with
by a radio fan who wants in mi
perfect reproduction or the program
that the» broadcasting ntatinn In
sending out. It probably Is not the
commonest or the must serious tuttise
of a distorted reception of the prw
gram. but it does a good deal of
harm. especially In the reception of
the music of an orchestra.

The distortion Is introduced in
two places. tine is in the electrical
part of the apparatus. Many of
the cheaper loudspeakers now on
the American market will not rc-
produce well the higher frequencies.
which means the higher tones of
the orchestra. The electrical unil
of the loudspeaker will not let them
through, Others drop out the lower
tones. making the music harsh and
"tinny." Many speakers fall to lot
through either the high tones or
the low ones, leaving only the mid-
dle tones to be heard.

Another cause of distortion Is the
resonance of the horn. lly reso«
hence we mean the strengthening
of come of the. tones by reverbera-
tion. With the majority of loutl~
speaker horns this happens chiefly
with the low-pitched notes. Accord-
ingly there will be a sort of rumble
in the horn.

Sometimes this Is really beneficial.
Many kinds of audio frequency am‘
pili‘iers weaken these lower notes
considerably. If. then. titers In some
reverberation of them In the born.
that will tend to restore the music
somewhat to what it ought. ’to be.
(me form of distortion correct. in
part. for another kind.

’ WHY

is “RAGTIME” DIFFERENT
FROM OTHER MUSIC?

lbs: of measures in the writing

of music is to place the strong-
est accent on the first best. But.
sometimes. to produce an unusual
:itect, the composer shifts this ac-
cent to a best which would other~
wise be unemphssized. For exam-
ple. he may tie the first note in a
measure to the last note in the pre-
ceding measure. or the third best in
what is called a 4/4 measure to tho
second. thus throwing the accent to
the cocond or ftl'iirth beat. The
musical name for such a shifting or
accent is "syncopation." though the
public seems to prefer the term
"ragtime" or "jazz"——the former
from the fact that the time is rugged
or changed. the letter from the name
of a negro headmaster who first
specialised in compositions of this

Till-1 regular rulc for the accent-

’ RAI'III'O.

In short. ragtime or syncopation is
nothing more or less than music of
a. fantastic. unusual meter. accented
on other than the regular beats,
Many musicians deplore the wide-
spread popularity or this type of
composition. but others profess to
believe that it will. In time. develop
Into a separate class of music which
Is extremely worth while. seeing in
it what they refer to as "the uncon-
scious expression of the spirit of the
times."

FIVE VASES TOGETHER

A most attractive flower-holder
consists of five little glass vases in
five small sliver standards, all
fastened together by Jointed silver
ban. so that the vases may be ar-
ranged In any sort of alignment—
atralght. If you wish. or even like
an old~fuhloned rail fence. .In a
m am J

 

 

 

 

 

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Mm \N
all? P

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N )tuloossni ALBM _..

 
 
 

 

.7611
f JOHN“) ‘

 

 

By ‘
‘ DOUGLAS MALLOCH
an" (ID/"7

DREAM 0N

With years or grow :1 lot more nine.
“'9, rend. “0 “NW, ww ru‘i‘ so much.
Ami )‘t‘t l have Ill.” Illilllllil: «lira-I.
We never quite lit-t out of lunch
“’Iili f‘lllltlliidltl tiny-4 {illll I'llllillltltitl
things.
Whittcver wisdom foi'ftmt‘ ivrinu’s,
If childhood faith mn livlp our
grieving,
l ltnpc our hearts go on believing.

“'Ilh years “‘u grow :t Iui more sail.
So much we love. so much “close.
And yet. \vlintovrr loss We lllltl.
('lnc joy is always ours to choose:
“'htiiM‘t-r hands tun) (Ill its iii.
For i linvc found tint .wmn howls
will.
Amid tlv»
shoving.
I hope our hearts t'nn goon loving,

graspinc. ~hmttinu.

With more

years we grow a lid
stcrn.
We grow so old. or grow so wise:
And yct i hope we never lcnrn
Sn llllli‘ll.(lf fact that fancy tit-\s.
Though cv'ry fairy cumin wall
We build in youth in ago may fall.
I hope we soc new iurrcta
gleaming «««««
I hope our hearts 1 .‘lll no I ll
dreaming.

BOOKS WITHOUT PICTURES

My daddy has just books and books.
Books old and new and bit: and
small
lint there‘s another thine. that looks
To me the funniest of oil;
Why folks who rcud Ill(‘lll
begin them.
Without, fl. slnizlc picture in them.

should

Books without pictures. they are like
Homes without lovlnu. friends
who frown.
And not a rose nlnnc ihc pikc.
And not a garden in the town;
Rooks without pictures have about
The nicest part of all left out. .

When l grow up l'd like In ho
An artist. more than anything.
Because- it always seemed to me
Flow'rs were the pictures of tha‘
spring.
And moon and
alight
The pretty pictures of the night.

stars and lamps

I‘d like to go. when l‘m of age.
Through life with fairy bratfili and
pen
And put a picture on each page.
A smile on every face again.
I think that's all the \\ orld Is need-
in;
To make it very pleasant reading,

 

LOOKS

At ten we wish for twcnty's days-

It. musi be fine to bc :1 man
0r woman. fine a lot of ways;

And so. as soon as mortal can,
The older clothes we start to wear.
The older clothes and older air;
And. my. we're happy when we're

told
“'9 look at least. well. twice as old.

At. thirty—now we step and think;
That's quite a lot. It‘s thirty years;

And when you put it down in ink
How rather aged it appears!

Of course we're men and women

now.

Yet not much older. anyhow,

And not quite sure we. want to grow

Much older so much faster. though.

At fifty-well. we're glad to say
We feel like twenty—maybe not.
But-well,.liko thirty anyway; ‘
This talk of getting old Is rot.
But now the thing that makes us
glad
Is for some friend we‘ve always had
To scratch his head. or dron her
book.
And say. "My. my. lio‘w young you
look!" if

 

“Lyrics of Life

 

 

SHORT STORY

 

The Inconvenience

cf Wéalth

Ii) II. IRVING lthi

lllilllilliilli'i' and. like "immin-
umnd. thc him; of l‘nlnclatd.
had our full" (laughter llllll no Ullli"l'

JUNVI‘HAN mxvttus was. a

child.” \i'lir'n this happens in
lillliin' :md millionaires it behooves
”twin to be especially curt-fill Willi
rrxul‘d in the young nn-n who
t'iinlr navooinit. Jonathan was

mortally afraid of fortune hunters
and had imloctrinutcd his llltllllt‘f‘
less daughter with the. some fear.
'l‘hcrr \vcru many young: inch. of
conrsc. \‘.’lil\ fortunes of thuir own
who ll'iliilll aspire to th” hand oi
the fair llorttbca littnvcrs “album
lu'illK accused of doing so bummer
of her i‘niln'r‘s nioncy. Snvcrni of
them had paid hvr mnrkmi niiml'
lion. and father and tlnurhlcr. in

rut-rot cunclavo. bud canvmiwl
thcit‘ (iliillillt‘ullntir’.
Thcrc Wits l‘nul llnlthn llis

fulhcr had left
fortune;
country pinch. and a steam yacht;
lacsldcs which he was goodlnnkinc
and good-natured. lint l’nui was

him an immense

a trill.1 "rapid." and Jonathan did‘

not ich "rapid" young men.
Selthcr did his daughter. Father
and daughter agreed wondcrfully
\vcll on tho qualification question.
Frederick lilaisdoll was all right ,
cxccpt’ that he was: stupid and in-
clined to bc lltnl'tm'. lllck Cunu
mcrfnrd might have done. but
thcr
suit
nxitlo lady. The chr'lnit'ul beauty
lost llt'l‘ case. it is true. and it was
proved that the wbolc thini: hmi
born a "frame-up."

It will be wen that Jonathan
and his daughter bcingso hard to
sult-—~and all impecunious young
men being warned off-the premises
~~the prospects for “ Dorctbca‘s
speedily becoming a bride were, not
rosy. And Jonathan did so long
to sec his daughter well settled in
life. and to have a few grandchil-
dren to pat. on the head. before he
went hence.

"0h. dad." said Dorothea in one
of their conferences, "Isn't it. a sin
and a shame that we helrcsses
can't, no right out and marry the
first man we fall in love with. or
who falls in low with us. without
being afraid all the time that ho is
ni‘icr our ltloucy‘.‘ l soniclintcs
wish i WNW at milkmnid. iui. they
don‘t. have milkinuids any morc.
do they? All the. milking down at
our country place is done by ma-
chinery. I believe."

“The situation. Dolly." ropiied
Jonathan. "is. indeed. a confound-
cdly annoying one. I wouldn't
care. how poor the man was who
married you. provided I could be
absolutely sure that he. was in love
with you and not with my money."

“Same here. Dad." sighed Dore-
then.

”Do you know of any poor young ‘

men you would like to marry. pro-
vided. of course, you were not an
heiress?"

“Yes." replied Dorothea blush-
Ing: "there‘s Clinton. I think lli‘.
is Just wonderful."

“What!" cried the fond parent;
"Clinton Weaver. my secretary?"

"Oh. don't be alarmed." said
Dorothea: “he has never made
love. to me not I to him. We are
just the best of friends—~tbat's

all. Let's'givc all our money to'

build a college and go and live on
the farm down on Staten Island.
Oh. dear! I wish I was dead!"
And Dorothea burst into hysterical
weeping—which was unprecedent-

ed for Dorothea and alarmed Iona-l

than exceedingly.

 

 

 

 

 

ho had it town house. a.

as that breach of promise1
ought nuuhnt him ln':1por-‘

llut still» .3'

l.'lililnh \K'wnrr hall inch in
.lnnettlu-tn‘s employ in: .‘lllillll throw
yours and had prmml hixnscli cili-
rient. reliable and pimw'r-s‘i‘tl of u
rooti grasp of bump-n. l‘utzl bi“
'titlk with llurotlnu. Jonathan
would in) more lizuw thought of
him in cuttncr'tion with hr. tlillllzll-
‘icr than he would hm” tho Home

slutuallc of Marcus .\lil‘l'l‘.‘l»‘. on
‘thn library tnblo. lint tho may.
:ncr in which llot‘r'Ilnn had um
fussed hcr prctiollctlon for tlm
young man had shown linr in 'wr
that it was hotnclhiuu L-li‘iil -‘
than a prctit-llrtloii "i‘xy ,jlmmi‘
by.“ thought the millionaire, "the
girl's in low with him. I \iomlcr
ii‘ li‘.‘ l< in low with bur. i must
have that, young man looked up."

By spending moncv entilluh you
run find out almost anything. In
two weeks Jonathan knew
'tnn's history from the, time. of his
ibirth. Then he sprain: his mine.
“Weaver." hc inuulrcd‘ suddenly
one day. “how much money have
"you got?"

 

 

.pllcd Clinton promptly.

"llutn! not much.” said Jona—
‘Iliah. “Do you lovc my (lung-hi:
tcr?" .
‘ Clinton started, blushed. anti
ihcsitatcd. "Yes. sir." said be.
"but the circumstances arc such— ,
lthore is such a gulf between at
:tlialw-v"

snapped the millionaire. “Shirk-
11“ love with you so Iiilii'l hot if
*you want to. llut. mind one thing
» ncllhcr of you acts n. ccnt. of mg.
imoney. The. day you two are Intir~
tried I shall make a will icuvini;
everything I possess to an orphan
asylum."

“Oh. that's quite all right, sir."
answered Clinton joyfully. "it‘::
just as I could wish. May l Lin
and tell Dorcthea now?"

“Yes. go along." snapped .lonn—
than.

3 They were married very quietly.

and after the wedding Jonathan
lsaid: “Young folks, I have lwf‘l.
disappointed about that orphan
asylum. I guess you'll have to
{take my money after all.” And.
'will you believe it. the infatuated
young couplc paid hardly any ill-
;Ienilon to what he said.

THE RUBBER BATHMA‘I‘

i Have you seen one of the attract—
live now rubber bathmnts?

I They are made of that: soft, por-
ous rubber fabric from which rub-
ber sponges are mode-mud the
lovely. cuddly rubber animals that
are sold for small children to take
with them to their bath.

The bathmnts are specially dc-
slgned for children. and :m attract<
ivo set would consist of bailimnt.
sponge and bath animal. The colors:
that this fabric takes upon itself
are soft and really lovely, and mum
be chosen to harmonize with
bathroom. There is sontctimm a
border of a different color. and then
a center decoration. like a dog, of
the color of the border.

These mats are small. some
eighteen inches square, some slight-
ly oblong.

PAINTED rarnu rays
There are. some most diverting
painted black paper fans. The
scenes depicted are of ii” sorts,
varying front a few ileitl flowers to

,0. whole countryside. ’
These fans are not very big. anti
‘ give excellent relief from the llI‘ilI.

 

(Tilti- '

“Ten thousand dollars. sir." ref

“Never mind the explanations." '

 

 

 

 

 

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