Norwalk Chronicler

Evening sentinel, Wednesday, July 8, 1925 · page 11

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nits steel tracks. so commercial

airplanes before long may be
provided with tracks in the air that
will lead them safely to their desti-
nations through fog and storm.

Some time ago there was proposed
a system of so-celled "leader" cabled
laid overland to guide airplanes
along definite routes. By electrical
influence extending above the cable
the pilot would know when he was
off his course; for his instrument.
would indicate whenever he pa-ed
out of the zone of influence.

While such a. cable system has
proved its effectiveness in guiding
ships through fog in treacherous
waters. it undoubtedly would be ex-
irinlt‘iy costly for transcontinental
routes.

What appears to be a more prac-
tical scheme of aerial highways. re-
cently proposed. makes use of the
new beam wireless transmission. A
directed wireless beam would form
an invisible track. say. from New
York to Chicago or San Francisco.
A detecting instrument in the cock-
pit of the airplane would warn the
pilot instantly if his machine should
stray outside the beam.

JUST as railway trains follow defi-

 

When it comes to rlghts-of—way.
rndlo takes first place. if Wisconsin
farmers have anything to say about
it. Residents in the villages of Lake
and Oak Creek recently banded
themselves together to fight a peti-
tion of the Milwaukee Electric
Company for the right of way for
high tension power wires over their
lands. The chief rmson they give
for raising such a protest is that
the wires will interfere materially
.with the operation of their radio
sale! They contend that the wires
would cause interference that would
make it almost impossible for them
to receive market reports and news
of the world by radio.

 

Wiring homes for rmiio is becom-
ing an increasingly general practice,
but the inclusion of complete built-in
radio equipment in the specifications
of a. fifty-apartment building is
quite a new undertaking. This
elaborate service feature is included
in a. new apartmentvhouse nearing
completion at Washington. D. C. The

 

occupants of and d the fifty apart»
menu will be emitted of their daily
proclam- shoply by classics in a
loud speakc. much as your wife
might plug in an electric iron or

operated by the
Janitor.

 

TM! RAD\iO PRIMER 1
One Daily Post for Listeners

Shielding of panels and other parts
ofaradiosetisadcv‘icotopnevent
the disturbance of the set by the
presence nearby of anything. II. for
example, the human body. that will
absorb some of the radio waves.

Whenever the radio currents are
flowing in the wiring of a set-—ee is
essential. of course. whenever the
set is in operation-some of the
energy is being continually sent out
into the nearby space in the form of
other waves and continually got
back from this nearby space in the
same form. There is a continual
relation. that is. between the cur-
rents flowing in tho not and the
other waves vibrating in the space
near the set.

Now suppose that you bring your
hand or your body close to such a
set. Your body is a more or less
good conductor for electricity. It
tends to absorb the ether waves.
This absorption of the wane not
only decreases the energy in the set.
it also alters the waves so that it
distorts the signal or changes the
tuning of the set. That is why some
sets are so easily disturbed if you
place a hand anywhere close to
them.

If you put a metal sheet around
such a set—a so-called IMHO“
will stop a lot of this Mon and
disturbance. The metal shield ab-
sorbs the stray waves. The shield is
grounded so that there is no distor-
tion.

However. the shield itself may ab-
sorb a good deal of energy and thus
make the signals weaker. The mod—
ern tendency is to avoid the didieul-
ties in some other way and not to
use metal shields very much.

~

‘LlNHAT’S [N A NAME;

 

Facts about your name, Its history; Its meaning; whence it was de-
rived; lie significance; your lucky day and lucky Jewel.

 

modems

none the less lovely and pos-

sessing of a good deal of
poetic charm. is Imogene. The name
has no definite history, and etymol-
ogists find it difficult to account for
it. but the generally accepted theory
is that it is another form of the
imagine which is found in Germany
in early times.

There was an Imagine. of Limburg
in 1400. and various other instances
of the use of the name by German
women. How England secured the
name of Imogene is open to specu-
lation. It is possible that Shake-
speare's heroine established her
vogue there. though etymologists
contend that it was used by British
ladies before the master playwright
wrote his vension of the old story
of the deserted and betrayed wife.
which he so strangely placed at the
court of the last independent British
prince.

NOT so frequent in usage. but

 

At any rate. Shakespeare called
his heroine Imogene. ‘thue establish-
ing her vogue forever. The name is
still a great favorite in England. but
has never had widespread popularity
here. due. perhaps. to its poetic asso-
ciations. Also. it usually degener-
ates into 'Gene. A few devoted ad-
miren cf Shakespeare (and others
unwittingly) give the name to girl
babies in helium. probably ignorant
of the fact t as Y”. the
name was once bestowed on adangh-
ter of Emperor Pandmue of Greece.
and the wife of Brutus. according to
Geoffrey of Monmouth. She wu
mentioned to Anne of Brittany’s fun-
eral oration in isle.

Imogene‘s talismsnio stone is the
Jacinth. It is said to protect her
from dangor. especially of lightning.
Worn when travelling. it will insure
her a. happy. successful Journey.
Wednesday is her lucky day and I
her lucky number.

.‘4

:3:

When You Are An Employer

Some employers seem to feel
that the time of a worker out of
work is worth nothing. So when
applicants come in answer to an
advertisement for a position the
employer of this sort invariably
puts her off. Even if he is quite
sure that he will not consider the
applicant. he says: "Several young
women have applied for the posi-
tion. 0! course we shall have to
consider them all. If you will
come back again tomorrow I can
let you know.“

Obviously this is a face-saving
expedient. The employer wants to

 

THE YOUNG ilili am will

 

 

 

 

 

 

The young lady sacc- fbe way says
mpcopieeeuntofiiokgubc" Jane‘s
’ 'aaim mt l
zmwnromuw"

o

I; a

 

 

save his on face and therefore
avoids telling the would-be eta-
ployee that she does not qualify
for the position. and he also wants
to give the employee a chance to
save her face. He doesn't want
to embarrass her by telling her
point blank that she won't do. So
the girl in search of a Job goes
home. possibly seeks work no more
that day. and spends a. good part
of the next day to follow up this
job, only to be told by the receiv-
ing clerk in the cities where she
had hoped for work. that "some-
one else has been employed." -

wno WROJE mm

A Series of Popular Quotations from
Famous Authors. Selected

 

By J. WILSON ROY

l—J'Witha-nilsonherlimanda‘
tesrinhcroye." '

8—“Suspioion ‘alwn‘ys' haunts the

guilty mind. \'

The thief doth fear each bush on
ofiioar.“ "

Ab-

We mulflwde is he». in the -

wrong."
e—“Both were yotmg. and one was
beautiful.’_' . ‘

5—Waior eonsbts in the power of
self-recovery.” .

c—“At iesrning's fountain it is sweet
to drink.

‘tis a nobler privilege to
think."

7—"The devil can cite scripture for
his purpoee."

8—"A lost good name is ne'er re-
trieved."

But

 

ANSWERS
1—Walter Scott E—RAIph Waldo
24hskespeare Emerson
3—Wentworth Dil- 6—3. G. Sake
lon 7-Shakespesre
i—Lord Byron S—John Gay
I

does DANG New"
as: m oom’

 

 

 
 
 
 

co!
P _,

 

 

v» vetecaacaw 'b

m WK.

su—s-sosu! taco outst-

/ pews mom' on a W: 9N“- 5‘“

as our 001,000' a W“- 99“"
wa‘ae meta-

\ Hm W TV“

By. DWig

 
 
 
 

Russel caveman,

 
 

WSW”

 

 

 

 

 

 

AMITHYST

ODAY'S talismanio gem. the

amethyst. is likely to make its

wearers headstrong and move
them to make rssh‘promiees. This
“Money is somewhat discounted by
its wor to endow them with keen
int igenoe and unusual ability in
business.

The beryl is today's natal stone.
.and is said to bring success in all
legal encounters. with the exception
of, divorce canon to those whose
birthstone it is.

Gauge is today's colort it is espe-
cially potent in bringinggood luck
to those engaged in sporting con-
tests where success depends on
mental ability as well as on physical
strength.

Pink sweet peas-re today‘s flowers.

 

How Do You
Say_It? m

Oovmnen Errors in English and Motsi
to Avoid Them

BY G- N. LURIE

'LEGIBLE" AND “ELIGI BLE'

111300133 these two words are
A quite different in meaning.
they are sometimes confused by
Write" and speakers. This is due. of
nouns. to the similarity in pronun-
Mon.

‘hgi'blef' and "eligible" are both
adjectives. Theformsr moons. "That
may be read; especially. read easily.”
as in the sentence "His handwriting
is cramped and therefore not legi-
ble.” The sdiective "eligible" means
“suitable for choice or selection;
worthy of being chosen or elected.‘
as in the untenoe. "The Senate seat
becoming vacant. the party sought
an eligible cuididate."

mom. the great French writer
who was also a famous critic. said

that “the chief aim of style ought '

be absolute precision. There is on!
one noun that can expanse your idea.
only one verb that can set that idea
in motion, and only one adiective
that is the proper epithet for that
helm."

 

BATHSAIII‘S

ATH salts are put up in all the
B colors of the toilet rainbow.
. now. Violet and yellow,
green. rose. and green are among

the shades that are popular. The
.yellcw varies from amber to
lemon.

So you can choose salts that
match the coloring of your bath-
room. or salts that match the

need you are in. Whichever you '

do. you can find the right colors
in the shops.

Sometimes they are sold in glass
jars of appropriate color. too.
which give an added color nore to
the bathroom shelf. Sometimes
the salts are packed in transparent
heavy paper. enough for four
baths. perhaps. in each package.

They are also packed in trans-
parent glas’ in strata of different
colors. that suggest the rocks of
the canyons of the Yellowstone.

The smell of the salts some-
times besrs a relation to their
color. sometimes not. You can
find your favorite scent. Just as

you can find your favorite color.

 

 

Smock Your Own Blouse If You
Are a Good Needlewoman.

count smocklng as one of your

weemplishmonts. the making of
one of the new smocked tunic
blouses ought to be a fairly simple
task. Rinocking never goes entirely
out of fashion in the sense that a
certain fabric or a certain type of
silhouette goes out of fashion. but
still there are times when it is
smarter than at other times. Just
at present it has come back into
high fever. One of the ways that
drossmaksrs have found smacking
very useful is in gathering the full-
ness of skirts closely to the hips.
it is also used when bodice: are cut
in peasant style. gracefully dispos-
ing of fullness on the shoulders.

In season and out smocking is
considered one of the smartest and
prettiest of trimmings for baby's
clothes. The mother who can smock
will find that a little flock or 'sult
of pongse or similar silk. with
emocking at neck and shoulders is
excellent for warm weather wear.

The white crepe de chine blouse
shown in the sketch has smocking
in red. blue and yellow. giving it a
touch. of peasant crudonese. In this
case the slip and blouse are both
made of white crepe de chine, but it
would be quite as satisfactory to
wear the blouse with a separate
skirtproviding it were of some light
harmonious material.

Last season. or a. season before. a
blouse designed for sport er general
outdoor wear like this would not
have had lorig sleeves. but there is
a. persistent movement on the part
of the dressmakers and designers to
launch long and sometimes compli-
cated sleeves at once. and many
women have given up entirely the
sleeveless frock and the frock with
very abbreviated sleeves save for
evening wear.

ll" you are fortunate enough to

 

 
 

" WISE aANb
menwnss

 

THAT VEGETAEDE DINNER

WENTY years are most people
wouldn't have known Just
what you meant if you had

spoken of a vegetable dinner. Of
coursethey would have surmised
that it was \a dinner consisting of
vegetables. But it would have
had no special significance and it
would have been only at the very
rare vegetarian restaurant that
you would “have been able to find
a vegetarian dinner waiting for
you on the bill of fare.

New. interestingly enough. the
vegetarian dinner has become with

one exception the most popular W

dish fo luncheon among New York
restaurant frequenters. At least
when the United Restaurant
Owners' Association recently took

. a vote for the favorite luncheon

dish corned beef -and cabbage
came out first and vegetable din-
ner second.

This ought to be a gratifying
conclusion to those who have
preached a crusade for safer and
saner eating habits. To be sure

'the greater popularity of the

corned beef and cabbage is per~
haps regretabie. But then we are
assured now that there is much
merit is cooked. as in raw. cab-
bage. and it inay be that those who
lunch on corned. beef and cabbage
do not have a heavy meal at night.

In your own house you would

 
 

 

White crepe doohm blouse with
moohhginrcdondbhiemwiimo.

probably find a "vegetarian dih-
ner" well received from time to
time. The fact that it varies from
noon to «seen adds to its inter-
est. Whether or not you have s
poached egg with this dinner
should be left to your own dis-
cretion and the taste of those for.
whom you are prepsiug the dish.
Save when potatoes are quite new
it is a good plan to have them
mashed—very thoroughly and sea-
soned with just enough milk. but-
ter and salt. Have as many of the
other vegetables as possible fresh.
One fried vegetable. especially
when no egg is included. is e good
plan. Thus you may have one
egg plant. a fried corn fritter or a
tomato.

m
MAN SALAD

Scrub entail new potatoes, or
smallest of old ones- of'the waxy
variety. Boil them tender. ' but
not long enough to break easily.
Peel while hot and out in dice and
mix with an equal amount of
cucumber dice. Dress with little
oil. vinegar. salt. pepper and
onion Juice and let stand fifteen
minutes. Then mix with a boiled
or bottled salad dressing. turn into
a dish lined with lettuce and
sprinkle minced parsley over the

 

topandserve.

 

 

 

.44“ ‘

SHORT

§TORY

 

LITTLE; HANGING
BOOKSHELVES

By RUBY DOUGLAS
__.—....—.—aas

PATTERSON LOW waaan

C interior decorator. It was

. suspected that the capital C.

at the beginning of his name stood

far Clarence but no one had been
able to verify it.

0. Much. Is he was called by
client: and colleagues. was a very
elegant person and a. very e'uocessful
member of his profession. He was
bornup Bostonway.sndiflteex-
asset-sud hie‘own type a little it
was only because he felt that a. do-
cided individuality was a sort of
trademark. .

“If C. Patterson barked." one of
his friends very aptly put it. “you
could say his bark was worse tint:
his bite."

In other words. C.’ Pattorson‘epoes
was the worst thing about him.
Fundamentally. he was pretty. nearly
100 per cent. human being.

He was ensconced. at this mo-
ment. among the lovely purple pila
ion on the great couch in his
studio. He studied a grouping of
colors that he had arranged from

bits of silk. The knocker sounded.
"Come in." he called without
moving.

Clients and workers came and
wont informally. Also. the artist
was very kind about taking things
on consignment from struggling stu-
dents who wanted to get their handi-
work beforo the public while they
continued their studies at art school.

A slim young girl opened the door
cautiously. She hesitated. drawing in
her breath quickly at the sudden
beauty of the studio. She carried a
large and awkward package that
evidently was not heavy.

C. Patterson. observing that she
wane stranger-and a girl—dumped
quickly to his foot. "Come right in."
he reiterated. hospitably.

"Are you Mr. C. Patterson
my the girl asked, timidly.

“I am that person." he said. smil-
ing. " Usually the sound of his own
full name impressed him and was
the cue for a. bit of up-etege manner.
Not so. in this case. He.was his
real self in the presence of this shy
and lovely young stranger.

He offered her a comfortable chair
while she unwrapped the large
package. ‘

"I came from way up in New
England—near Boston—to show yen
this." she began. “I seem to have
such confidence in it.”

“What is it?" asked C. Patterson.
his curiosity amused while his ad-
miration continued to grow.

"A little hanging bookshelf." ex-
plained the girl. "I have been mak-
ing them by the dozen for two years
and not until I heard of you through
a friend of your mother did I see‘a
way to market them. I feel that
they are just what is needed in this
day of small spaces in city dwell-
inga."

The decorator nodded. “They are

in some of my work. I see their
hang like a picture. Very clever.
iou say you make them?"

’ “Yes—J, was always handy with
tools and I have a. carpenter shop
in father's old barn."

“Your name?" asked 0. Patterson
ccurteously.

"Daisy Wier.” replied the 1.
Something irresistible in t e hold
his habit had on C. Patterson Lomax
made him revert for a moment to
his superior manner and to remark:
“I have just been asked to submit
some of my ideas for the 39601118 of
Buckingham Palace in London."

Daisy was duly impressed but her

first glimpse of the man's kindness
was very strong and this moment
of exterior‘ vanity did not register
against him.
They went on planning the shelves
and by the time the girl was ready
to leave her heart was singing at
the prospect of her success.

Order after order for her little
hanging bookshelves reached her in
her quiet rural workshop and she
found it necessary to make a trip or
two to the city to consult. person-
ally. with the decorator.

“The great C. Patterson is in love
at last,“ whispered the gossips.

At present she was filling an
order for a. client of his who wanted
a little hanging bookshelf for the
side of each of the twin beds in all
of her sleeping-rooms. There was to
be an old blue lacquered one for a.
mahogany and blue room, a white
one for a young girl‘s bed and so on
through the entire house. It really
was not necessary for the decorator
to see the young woman who was
making the shelves. but somehow he
felt that she should study his plans
with him so as to be able to carry
cut the lines in harmony.

“Why don't you come down and
spend a few days in the city at the-
same time?" he wrote ther. “And
bring your mother. I will turn over
my apartments off the studio to you
and mu will be most comfortable."

Daisy was delighted at the prospect
and. seeing how much she wanted to
go. her mother consented to accom-
pany her.

The night before Daisy was to
leave for home to hurry along the
big new order for shelves, Mrs. Wier
was tired out. but she suggested
that the young people spend a few
hours out together. Perhaps she
saw the inevitable result and re-
membered that she, too. had been
young and in love.

"I wonder if it is the secret of
achievement." said Daisy, half to
herself. \

“What?" asked her companion. ~

“The—the inexplsinsbie happiness
I feel." she told him.

“It might be—just that—Daisy.“
ventured the artist. Then he drew
near to her. His voice was low.
rich. resonant. “And it might be the
warmth of my love—that you feel.“

"Oh." said Daisy.

And after that it took a. long time
to find a moment in which to talk of

 

Just what I am‘needing at present

all the work they had undertaken.

 

L

Lyrics

.THB BASHFUL AGE ‘

the wife and I don‘t talk a lot
About—well. most of us do not.
We go along from day to day

And think of things we never say
That lots of younger couples would—
We sort of leave it understood.

No. I don't say a lot. you see.
Bhedcesn‘tseyelottome.
You're differentst seventeen
About—well. you know‘ what I mean.

The wife and I ain't much for talk.
We do more thinkin' when we walk
The. taikin‘. Just like most folks do.
I mean like folks like me and you.
Andyetwenoverpasssferm'
But what we see some feilow‘s am
Around some girl. or mighty near.
Him sayin' things..they like to hear,
.Yee. ocoin’ like a turtie~dove
About—well. what I‘m lpeakin' of.

m young folks seldom hesitate"
At speakin' out. and talkin‘ straight
And aayin' what is on their mind
.Whagstomecne that they like they

You'read a lot of "balhi'ul youth."

And yet. by gosh. and here's the
truth, . .,

If you would see a bashful pair.

That never speak. and never dare.

Just wait until some pair appears

That hays been married thirty years.

c

 

common As ots'r
As common as dirt is this Mend of

mine. . '

No purse and no crown and no
raiment tine. .

Eishendsareasroughssthemd
he went. \

His brow~ is wrinkled, his back is
bent.

And he wears no collar upon his
shirt—

Ee‘s one of the kind as common is
dirt.

. But. you see. I know how beget that

way:

If his back is a. little bit. bent today

It's from lifting loader—not his own
so bad

' But the loads "he found that the

others had: .
It's from doing his. work pnd
snot” too. ‘ '

of Life

 

That he got so wrinkled..ns such
folks do.

He speaks in a kind of a common
tongue.

For he hadn‘t much cbanoamsn he
was young.

But he sawtoit thatflmntfieones
got

The kind of a. cincgjhavhc could
not.

He speaks with ne‘er; common
speech.

The only kind mathe- um will
teach.

Accommonasdirtsoxhesrfolkn

ear.

Andrusedtoambutl 1W.

As common as dirt. yesgoghey ‘cali
him so.

And I'm gindfhcvdo ifyou want
to ow.

For I ow :he treasure that dirt

‘ csnhoidi'

He's an oosnmon as dirt—where men
and sold.

 

 

if

TWO YOUR OWN EAT

\
OME of the shops sell lengths
S of malice ready to wrap
around the big straw hat. One.
end of the maline is looped and

- Wired into a big chou or rosette.

The maline is then wrapped once
or twice around the crown of the
hat. a few stitches are.“ to
hold. the chou in place. and 0!
your hat is trimmed—or re-
trimmed. if an old hat is the
foundation of this arrangement.

Another trick is to buy one of
the china ornaments for bats and
fasten it on the crown of a straw
or felt hat. These ornaments are
decidedly smart. So. too. are lac-
quered metal ornaments. Some-
times the lacquered ornaments are
flowers—poppies or roses in good
strong shades of yellow and red.

You can produce charming
flowers that look lacquered by
painting ordinary cotton artificial
flowers with melted sealing wax.
These are as fresh and smart as
you can imagine.

 

 

 

, Y
“7‘

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