. -. l' ‘P! 0"“
7w. of Greens.
”-2 ‘.- srnsrg when and
I :4 Chinese.
- lr‘i
’- l to wns.
a * difference
1
- ~«~mlvlcs Chinese Inc-l
.‘uuus st the (:rnnd!
. osrly this summer;
.- rmlnt for all the
Chinese and In-l
.- in. And straight-
up with something
<:~. l-y milliners and
I. ”‘r-re was nothing in
Fashion—
?‘mvre as well as in
.“n for several years
_-‘ ~- «so dressing tables
w‘ ... of this color.’
r-ei :r. red Chinese
\ i'wl‘. this
... .L mmmonplsce.
w' l Pris hall did not
~ a-er! Go to Chins for Color
stlsbly Use
Red, Chinese Blue sad
1 the mantis- of
‘ L‘k to My Patricia
.9 never more ndmirod
. .rtnx one of her much
Your Eng-
“all You sll shout it
~ ‘~l \ xnt'batten and the
. . knock as also de-,
. umpliment to I‘dyl
. -snd a lot more to
g , - - Whlf‘h doesn't seen
to In
. :ffnring from acute
‘ WT red it 'vns an‘
‘.— Ni for dsyume
“: one! As lttrnc-
'~ .. frocks” street
'7 his made Ln eve-
:v: evening pm with
Sport coat of fur lined with plaid.
lmaksrs hsve suddenly waksd up to
the importance of lining as s selling
fsctnr that this season often us
such a. vrtrrty of striking snd clever
linings—some too strilnnl.r and too
‘le‘xer to suit the taste of the con-
8".“‘VallVe. There was the much-
talkml-nbout ermine wrap IlIhovs'n s
tow weeks ego—dyed orchid with s.
:.!e green satin lining trimmed with
ermme tails. Purple velvet has also
ylreen us-I'l to line some of the new
‘es-mzne Wraps. in fact, velvet seems
Ito have been h.: upon by many of
the furriers as a. lining likely to ap-
pea.) to the taste of tho woman out
to buy n fur wrap. One wrap of
sable ls lined with bottle green crepe
math two wide ban-is of plaid velvet
ribbon—green. red and yellow—at
the bottom.
Some of thtI sumthus fur wraps
show velvet lining“ with ornamenta-
l.nr. --.’ rhinestones. .\ wrap of er-
mine ui-sed benrr has a. burnt oramre
velvet lions. ani another wrap of
the sumo wrt of far has a. lining of
burnt orange brocade.
Less "movie but quite as smart
u. the new sport coats of dsrk fur.
nracu'. nozabty, “21h linings of plaid
wcot. These (oats sre of three-
quarter length
For mnny sermons now the French
rcssmnkors have been expoun-iinf'
their notion that s smart effect can
be gained by lining s. wrap thh
materisl of the same sort that is
used to make the frock with which
it is worn. Little summer frocks of
figured crepe are still won: with
cspelets of black lined with the fix'
ureri crepe. For autumn and winter
Chanel has made a rigidly plain and
rsther scant Wk velvet coat lined
with white crepe bonded by spplica-
tions of black velvet. Benenth is
worn s frock of matching white
.crepe trimmed with black velvet.
This very sintple little black velvet
1 mp of Chancl'e inbound in be seen
iagsin end sguin.
l The idea. of lining sn.Arnericnn
-v-~p— sup under tunic: Beauty velvet cost with blush rose
J arr: green orna-
o
usilk or satin. or sapphire blue with
’baby blue. or bottle green with let-
”"m 5'“ "mg" l tuce. has been csrried out by severe!
Irrsnch designers. The idea is to
‘seek the psstel tone of the color
-:u"n'.: of I Chinese‘ m m 339 mp. Tho result ll ex-
. 7 of gold tissue.
Icellent, and women seem to like
”imam is DlMOd “ mess delicately toned linings better
i "in!” 0‘ mniuma the neured crepe- the! be“
I
‘ front spron-wiso.
:vi with red best.
‘ , matching earrings!
A remarkable g0”.
. an example of the 3 from
’ ' ' .vld colors in eve-
- would find.
nu had almost as:
used for several sessons.
The fnvorlte Jacket lining of the
three-piece suit for autumn is made
' the sune material used to
fashion the bodice or blouse worn
beneath.
One of the plsid-lined sport costs
1
w the ores-makers ' is shown in‘the sketch.
‘ red and the green!
. ’11.? green is gener-
zhs can?” Of 80‘
Lsmvgn. who would
~.\ thnut green. is us—
. ‘01. different from
ulted with her nuns.
l ‘ 1.! s sort of Who.
l wool sod Jenny are said
w: to bottle green.
. “ens be n good se-
.‘ run and whilst. '0!
~‘- :I It light can!“
- z'oen thst will doubt-
cheruit
.'-'orest in this lottuce
.Lm one s cyclamen
pinks sell!) to M"
. l uu,
l westher.
the front.
as? Follow. {M W'
— -~ will donbtiess fed-
. q - :a-- o.’ fashion '1“! ‘5.
n irrr. weather. Thor. b
- ..- purple in the color
' ~ » «noose decorum;
l ' .- 2- why this firs: cow
l , '1an is so it“! .0
”the. thus for odd-Id
l?”
- ‘H Snort Costs of M In. '
-- Ln-hz. snd ss nsny m
to.
~s
’ ~‘i‘xmatoresps_bssl'
zn' :ecause d m Mo!
”' -"-~n:m been. ‘ W
O.
y' " -'-* drnb or my.
“'r ll»! it is be... the
. "muyln‘ something'
“ " " Lacs sumptuous Investing
“‘32! 1‘ EMU”. w Held M
("5.
ll“ is for Mildred who wanted to draw.
To paint or to sketch whatever she saw. \
”Motheranist; Upnde downsizing letting
.‘dwnslmgslcuandbudetsmdowmcnhur
la
Something to
A Chance
4
gives utterance to a base
thought which is likely to:
blacken the fair name or injure‘
the lite-prmpect of a fellow-hemz. i
is throwing a dangerous boomfi
erang.
I: may for a while accomplish
the purpose intended. but it will'
recoil with saven~fold strength
snd fall the hovheaded caiumina—
tor to earth in eplte of his iancmdi
HE who in a. moment 0398551011 '
power and Sv‘C‘Il'lfY. ‘ _
19 who sows mil is destined to;
reap Pi'll.
Alas for the man or woman whofi
dons itl ‘
Otir remit human hearts and:
wagxiuz tongues are ever netting
us into trouble and making trouble
for oxhcrs. Yet in our pursuit of
worldly can and :lor). w» seld \m
:ive our wanton emotion attention-
or conslder the i’l‘il‘t‘l’ilt‘l they are
causnz in the 13‘s of o'hnrs and
oursoltes as well .
To avoxl an O’casmn for rev‘
pentan-o or remorse. when the‘
frost of winter wh;tens our hair
and causes our hands to tremble.
let us in the spring—time of our
exx=7nncv cast out from our vocal--
ulary all words that bite and burn.
Let us r» as thoughtful of tlm
sensibilities of our friends and
enemies as we are of our own. ‘
By P. A. WALKER
Think About
Explosion
It may be a dimcult thing to do
as we are setting out upon life's
brief journey. rash. imprudent
and thoughtless. bst ss we wend
our way snd step smong the shsd~
owe. we shsll by doing it move
with s light heart in the conscious-
ness that we have remembered
and practiced the golden rule._
it is better to push forward
piuckily on the rizbt road. and
make a fall now and then. than
‘not to try at all.
A slight bruise sometimes brings
Us to our senses. and makes of us
no'nler men and women. better
qualified to understand the obliga-
tions we ovre our neighbors sud
society at large.
Without some such spirit as this
we cannot hope for content, nor
can We in the dark hour, which is
hastening to all of us. rehch out
and clasp the hand of Faith. when
all material things are tumbling
noisily about us.
We all sre erring humane, given
to hasty words snd acts. but let
us strive our utmost to err not in
explosive speech which may be
C(‘f‘ls'rilt‘d to defame 1. sweet char-
acter. firing pain to a trusting
lzwart ~r blight the life of :1 soul
who is doing his or her best to
pull azalnst the stream!
n V
The Household
THE FAD FOR GINGER.
l-I hear that quite s. fad among
W clevv-r pomple in E"5‘:lflntl
nowadays: is the use of gznn
gar—'zsunl'y Klnt‘ r prcserved in
syrup. and not ti.» ordznztry candied.
vnrlety. Sometimes it is used in‘
combination with raw fruit for des-
sert. and again :tiorc at the end of
luncheon or dinner. Any welt
equipped "Oriental" store has little;
oets of ivory forks—shaped like very:
small stnwberry forks—which are
the Chinese implements for eating
ginger in syrup and other preserved
fruit of the sort. If you do not wieh
to get these then use small forks—
the two-tined strawberry torks pref- .
ersbly. I
It is not difficult to make delicious!
candied ginger that may be used in‘
this way. Buy the raw ginger root.l
Scald it and then peel and cut in'
suitsbie sizes for eating. it should;
be put in saucepan or kettle of cold‘
wnter snd brought to s boil and then
allowed to boil a.few minutes. This
should be done three times. Measure
it with a cup or pint measure. and
for every cup messure s cup of
sugsr and a. cup of warm wster.
Put this all in the kettle snd stunner
it gently until it is very tender.
Drain end roll the pieces in fine
grsnulated sugar and spresd on oiled
paper until dry. Some of the ginger
my be bottled in the syrup in which
it has been boded.
Almost my cut up or sliced fruit
my be given s little piqnancy by
the addition of s little thinly shaved
ginger. Orsnges or grapefruit or s.
cup d mixed dined orange. grape-
fruit end bsnanas sre Wed to
sngnr.whitssoftwosgss.ahsi!cup
grunge juice. one tsblespooniesnon
juice. whipping cram. s Hf cup
umehowedsinswsndoflend
the Katine mixture into the
\\‘l‘.fpp.«‘l cro‘nm mixture and pour it
mm a. mnu‘d to stiffen. You may
usn a piece of preserved ginger us a
garnish.
warms AND YOLKS
choosing your recipes mks it n
point to use up all egg whites
and egg yolks. 11 possible select
recipes that dispose of the eggs
evenly. It not. choose recipes that
complement each other. To be sure
it is possible to ssve left-over egg
whites and egg yolks. They should
be put away in the refrigerator. A
little wnter should be poured over
the top of the yolks so that they
will not become dried. But the
chances are that, once in the refrig-
erator, you will forget that you have
them on hand, sud s by or so laten
when you look over the contents of
your refrigerstor you will have to
throw them awny. '
In preparing much. In
foods to fry in deep at. it
IS planning your meals and in
ill
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is
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tothsenstud. Mwfitoist
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i
Andthenthegrentestjoytnknown.
Thejoyotchildrenofofiown.
Thsfltue-criflcesrnnde.
ThehoursofpesceJhehom-safrait
In spiteottoii. in splteoftenrs.
Thessaiwsyssrethe happy you:
But. tune flows on: our little ones
Are soon our daughters end our
sons,
And eyes are bright snd hearts best
fast.
And they in turn are wad at last.
And well we know this way is best.
However empty is the nest.
The birds are fledged. the bira have
down.
And here st last we sit alone.
And dsys are dark snd lips an
dumb—
And then the children’n children
come.
7HE FLOOR.
There lies a land right nee: at hand.
end never far sway.
It seems s lot have quite forgot—the
place the children play.
You big folks choose a house. and
use the windows. stair and door.
he roof end wall, and yet you sit
forget about the floor.
The floor below. right near, you
know, the country at your feet.
Rss autos, too. the some as you. and
many folks you meet.
Like Columbine sad Valentine snd
msnlktns and kin-I.
And men in line and ladies tine-—
and. oh, such lots of things.
If you If. old snd kind of cold. and
weary of up there.
It isn't far to where we are. the
children ev'rywhet-e.
There's lots of fun for ev‘ryine down
here upon the. floor:
Get down some day and join our pl”
-that's what the floor is for.
PUTTING THINGS AWAY
blather was bury all the dsy:
She wouldn't rock me, wouldn't play.
And I on Just the lonesomest
That nnybody ever guessed.
She said. “I just can’t play with you
Today. I have so much to do.
To find the hangem. bogs and scrim
And put sway the summer things."
So, while around the house she
walked. -
I went along, and thin she talked
And told me Mother Nsturs. too.
Getsontherrosesin thespring,
And grass and lenves snd ev'rythi
Bntwhenthsskyisgettinggray
In autumn puts them nil any.
F33
tnsn make under the circumstances
her to get cut end wnlk beck!
I‘m willing to guarantee that little
girl won't. look mother flapper
snatcher in the eye for some time
to come!
Let the paint the perils which lie
in wait for the foolish misses who
accept the sttentions of unknown
men in oars.
Now. what do you suppose these
men are up to who seem to hsve
nothing to do but sit at the wheel
of their Tin Linies and crawl up
and down the highwst and bywa-
looking over the pretty girls?
Up to no good. you nus be sure.
On the prowl. to put it brutally.
1nAnd to pick you up. it you‘re will- >
I. ’
It only takes s sideiong glance. s!
turn of the hood, s slowing-down.
and a. fee- well-chosen words—
"Hsven't I met you before at the
Phlais de Dunne?" or some such
rubbish. and before you know where
you are you accept his pleasant
AIUR ES
Wm”
mww-‘s‘
-.-‘——
IEWARI 0' FLAPPER
CNA‘I’CHERO.
1. of s maids—Just s little one.
Aalyegwheuhstothinhthe
ban of ”body—end pot the most
mun complexion on mint
—srs enthsr comforted by the secret
notion that
took of your beautiful eyes irresisti-
ble. and thst. msybe. he's one of
dose
9. he found the
lonely males who don't get a
cm to bash in the sunshine of
any nles giris' smiles.
Amy. he looks dtflemt?
And you feel sure he is!
Y... m 6.x. they n11 look dif-
ferent. That's why they're so shle
to get away with this dapper-
snazchtng. If dapper: weren't so
simple. they'd have to invent some
other pastnns.
Don‘t encounge the damper
mm. m my be harmless.
Some In. out be chaufleurs mas-
querndtag on their nights on ss
the owners of the- mschines they
drive. meaning no harm. snd only
out for s little amusement.
But it's not your businen to make
distinctions And you are not likely
to discover the bad ones until it's
too late to worry shout anything
but your own troubles.
Never let yourself be picked up
bysnanw‘lthscsr.
You'll be at his mercy.
Picked up one hour.
And let down badly the next.
That's the why it g.-
And let down. too. with such a
~bsng that something or other is
nesrly sure to get damaged. A
heart. Insybe.
mining young cueer.
horns.
A reputation. A
A happy
A free ride.
Free kisses.
And. who knows. perhaps bee
tesrsroreverrnore.
ggORTSTORY
Their
Roles
oversea
By CLARA DELAFIELD.
Copyright. 192:, by The 100% Newspaper Syndicate.
EXRY HORACE PEASEY bent 1
H over the washtub. The steam-;
in; water made his hands as'
red as a boiled lobster. and there
was .1 frightful Crick in his back.
Upstairs he heard his wife clicking
sway on his- typewriter. Henry
Horace was—had been—an suthor.
lt sll happened in this why. The
plots wouldn't come, and the bunk
belance was melting like April snow.
There was a tragic glsre in Hsry
Annsbel's eyes When they met oss-
uaily on the stairs.
Henry Horsce could endure thst
repronchful look no longer.
"I know you think I‘m idling while
you're working. Diary Annabel.” he
said. “but I tell you l'm sweeting
blood over that machine."
"I wish you'd change Jobs with
me,” said Mary Annabel. "I'd rather
ss l'rn doing now.‘
“Washing may be hsrd work. but
neon-11y it's child's play compared
with what I‘m doing." .14! H. H.
"W’on't you take on the child's
play end let me write your story.
deer?” asked nary Annabel with
ominous fleet...
“You? Ha. ha! Why. you mid-
Mm (KW.
flmdhmm‘
W_M"-t~um
ousiy. "But——but why hasn't the
story come back. my deer?“ she
asked.
"Ha. ha?" sud Henry Horace.
my dear. I told you st the time."
"But—but surely sn editor would-
n'ttearupastoryjustbecnuses
stamped envelope wasn't enclosed?”
"Oh. wouldn't he! They're devils,
those editors. Heme of ask—I
mean of stone. I know 'em! They
take n fiendish plessu-e in tearing
up manuscripts. Sometimes they
pretend they've lost them."
Rat-tat. hung—ling! It was the
ma. He bsnded Mary Annshel
a letter. Mary Annabel opened it.
"A check for two hundred dollars
for my story." she announced-
"What!” shouted Henry Horace.
“And." Illd Xsry Annsbel. reed-
ing. “he wants some more of the
same kind. He ‘31 my story Was
so appealing. so true to life.
“What did you write shout 7"
gssped H. R.
“Write about? on,
wsshtnh. deer.”
Hour! Horace Pessey bent over
the wushtub. Tb stunting wster
nutshhhanhasrsdasaboued
lobster snd there wss a frightful
crlchinhbbsch Upstsirsbehesrd
IsryAnnnbelpoundingonhhtyve-
writer. lbsbdmadeseven hun-
drsddnnanthstnonth.
about the
Norwalk Chronicler