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LATEST FASHIONS
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all allusion
lot GlitltOililNl
lCE CREAM CANDY.
, children, as it is not made of over-'
rich ingredients. Put into a preserving
~ ‘kettle three cupfuls of granulated
sugar, five level teaspoonfuls of corn
syrup, a pinch of salt, and one cupt‘ul
of hot water. Stir until it begins to
boil; then wipe down the sides of the3
kettle, cover and steam for three min—
' utes. Uncover and boil until it makes“
a firm ball when tested in cold wat-
or. Add slowly half a cupful of sweet
broom and boil gently, stirring slow-.
31y until brittle when tried again in
cold water. Pour on two large but;
‘tered plates or a marble slab and tia-
ivor with two teaspoonsful of vanilla.‘
‘Fold in the edges of the candy as it:
,_cools and when cold pull until white. 5
This makes a taffy like the ice cream}
tally sold at country fairs. l
Creamed Asparagus. 1
auto one-inch lengths and boil untili
tender. Drain and put into rich whltsi
.-sauce, rather thick, for the asparagus
contains water that thins it; beat'
tlibroughly, season with salt and pup-
;I'iyl and serve very hot.
’ RICE cusraao PUDDING 1
M'aterlals——Oue- -quarter cup rice,
reggs, whites; two cups lnilk. one- third 1
:cup sugar, two eggs, y;ollts One- eighth
teaspoon salt, onehall teaspoouiul lan—
, ‘h‘ ..
Utensils+Double boiler,
Vilowlhplate for whites...
Dil‘ec’tious~\l'ash‘ ricb,e mix with
'milk and cook in double boiler llntill
soft tabout 30 minutes.) Beat egg;
yolks, mix with sugar and salt, and
add enough rice and milk to make a!
pouring mixture 'l‘uln this into dou-1
»bls boiler with the rest. Stil con-
psialltmly until it thickens and costs that
spoon. Remove from the heat. add
tallilla and told in the beaten whites.
9t
l
llliting‘
ffmay be used ill place of the raw lite
its this recipe
boiled Salt
.- mackerel over night in cold water.
\l‘ H' lib] 1L w-va}:
This candy is especially good for _
'Cut a bunch or two of asparagus ‘/
Wipe very dry and broil over a quick
tire
Sweet Mufliins~Mix one cup of milk”
two cups of flour, one egg, half a cup
of sugar two teaspoons of baking pow-
der and one of butter. Bake in a hot
oven fifteen minutes.
SOUR CREAM CAKE.
To two eggs and one cup of sugar
leaten together, add one cup of sour
cream, two cups of flour. with which
one teaspoon of baking powder and:
tone level teaspoon of soda and. a
pinch of salt have been sifted. Flavor
twith one—half teaspoon each of lemon
and vanilla.
USE “ill” If fill
ACHE, BURN, Pllff UP
Can't Beat “TIZ” for Sore, Tired,
Sweaty, Cslloused Feet or Corns.
ll 3 .1” “Sure! I use 'I'IZ'
:wll'u ‘/ every time for any
7 , ; humble.”
You can be happy- footed just like
me. Use "T17." and never suffer with
tender. raw, burning, bllstered, swol-L
len, tired. smelly feet. “T12" and
only "T12" takes the pain and sore
ness out of coma, callouses alld bunt
lone. ‘ "
As soon as you put your feet in a
"TIZ" bath, "9“ just feel the hap'pl-
ness soaking In. ll0w good your poor
old feet feel They want to dance for
joy "le” is grand “TIZ” instantly
draws out all the poisonous exudations 1
which puff up your feet and cause
sore, inflamed, aching, sweaty, smelly
feet.
=14“he very cold ”‘ ”1” sherbet glas~1 Get a 25 cont box of “TIZ” at any posed at the ends of the parallel andY
gees. Threequarters clip left-over rice drug store or department store Get military bands of black silk braid. A
instant foot relief. Laugh at foot sut-
ferers who complain. Because your
the feet are never, never going to bother adorned and is combined with the
“ rut-be \ou limp any more.
«luminous lBtllll 1
THE All or lllsslll
; French sentiment takes the soldier
coat of King Albert of Belgium and
transforms it into a spring fashion,
and it has been brought over by one
of the importers of Nev? York. It is
made of dark blue gabardine in a
graceful flaring contour and is brigh-
itened by a red cloth collar and cults
iBlua and white silk braid, spelled in'
military alabesoues, fastens the front
and stripes the collar, epaulettes and
cuffs The sleeve has a decidedly new,
.and smart detail ill the way it forms
,a point as it is applied to the coat, a
ldetail seen on several other Paris
. models.
Chinon inset ts do wondels in light ,a
enlng up the iaille and taffeta dress-
es. In'the dark blue l’aillo Jenny mod .
el they are inserted in the skirt and
waist: a little fine faille pleating peeps
tout from ulldel the dress edges over
lthese insets. Undersleet cs are a new
1style lecture and may be leading the
1 way to a shorter sleeve, These under-
?sleeves are noticeable on a number.
of Paris models. They are solnetimesi
lot chiffon and sometimes of white
I lawn.
Another contrast of materials in the'
spring Paris llnportatlons is tulle alldt
sparking beads or paillettes. A per-l
feet. thistledow alike evening gown,1
.sketched here, is of white pleated netl
shaped by broad bands of brilliant bu-j
gls bead embroidery. Like twinkling
stars, these bright beads dot the skirt
'hem. Two splashes of color are made
'by the roses thrust into the waist
llbnnd and posed darlngly‘ right in the
icentre of the spreading flouncs. The
w rap worn with this gown shows part
lot' its lining on the outside. The lin
.ing is blue faille, and the outside oil
twhitp. futile-3H cut awut to show broad
‘bllnds of the blue. ell olixcs are posed
for cape edge fastenillgs.
l
l
l
l
The smart tailored suit ill blue gab
lardine has natural olite wood buttons
:sand colored collar—ebluc and sand is
the llew color contrast—is also braid
t
e
...
PAW KNOWS EVERYTHING,
‘ Willie—~Paw, what is a man’s better
illulf‘?
Paw—A woman who tries ta be the
.whole thing, my son.
Maw—~il'lllie, you go out and’ take
new square neck. that is often seen
in both coats and dresses ‘IMPORIANT Iflm
llox pleats, according to Paris, seem
to hale been used more than pleat-1 All snouw KNOW
in gs in the skirts this spring, perhapsb . ,
because they lend themsell es to the; =
new solhouette better. In the sum-E PRETTINESS AND BEAUTY,
mery pink and white cotton voile mod 1
el sketched, box pleats and raffles are l 0" " Superficial wm" "“3 Other "
combined in the skirt. 1 From w'th'm
Wide brimmod sailors like that worn That which 1s beautiful is always
with the Nudserge, are the most DOD- pretty in the broad sense of the term,
ular shapes for early spring; later we but much that the world in general
are promised very wide capelines, counts as We“) is anything but been
with wonderful brim‘curves and un- , tlful 1° the aesthetic eye.
dulating edges Straw and chiffon arel Prettiness is of the face and obvious
taking the place of straw and fallle. but beauty is of the soul and mm
and ill some of the new hats the brim 1"“3- more “DUB SOme \ery (‘rudely
is of chiffon, plain or figured, or two 0010?“ calendars Wl" appeal to many
thicknesses of plain chiffon, with flat as being beautiful though to ”'9 ‘3“-
fiowen pressed between Chin "mp“, tured eye that are far from suggestive
streamer ends, the latest pass through Of 87909 in ellhel' “we 01‘ form.
aslash in the brim—and wing s placedt There have been many attempts to
on the but so that they really give define beauty. yet it cannot be said.
the wearer an air of birdlike lightness. that any definition has thrown much
are used but sparingly. There is no light upon the, subject. it n1anlfests|
overtrimmlng, like the hat described itself in such all infinite variety of‘)
by a New Yorkers in her travels, who forms, though there is a general
wrote back from a small town:—-“'i‘ho agreement that its highest expression
hats here remind me of the advertlae- is in the female “form divine. Even
ments of ocean liners, ‘weight 12,000 here the diversity" is so extensively
tons!"’ «New Yor Herald. that the people of no two races, let
~— 'alone nations, have ever agreed upon
“Would you get up to give a lady the some type. The Madonnas of the
a seat In a street car?" .world's artists are striking instances
"1 never had a chance to think'of the different conceptions of the ut-
the lllutter oter. On the line i most spiritual grace.
patronize l'm lle\el' lucky enough to This much is certain: more pretti-
"“ 413“" i" ”1" “l?“ 1’1“"9 "‘"Wl‘hh ness, whether in woman, painting.
"1810“ Btar. ,sculpture, music, poetry or litera-
‘Itlre is either a primal or artificial
”1 am ““1“th ltalys course harmony in nowlse pleasing to those
WM‘ "“10" Interest." remarked the who have come to know the best.
30‘1”1 American dlctator. and much of the best Is not so very
"Whit“ the idea?" Inquired the difficult to appreciate. it is largely a
state treasurer. ‘ W 1“ matter of education arid of habit.
“l was 1118! wondering if we Some people perceive harmony with
couldn't 00“em a little rake-oil ‘0‘ readiness in certain forms and are Yet.
remaining neutnl"—1Auisvflle 0“" oblivious to it in others. There are
{er-Journal color- blind musicians and stonedcnf
OUFtTAIlI SPECIAL. s:ulptors.——Plttsburg Dispatch.
Too manv appetizers will spoil an
appetite.‘
MOTHER GRAY‘S
SWEET POWERS
FOR CHILDRENnI
AOU’NO‘I‘oIieHorFf vorlsh
I «- (I n to
S?."&‘.i¥“'vl"r'i:uu'u,n not In.’ a, walk
)lnorq cTrn, and t‘rby
rm Maire-k n Cold- 1
Trade Mark in “hours. TAt allnrulxum 1-, Slot- l —AdVe.rtiee III ““1 Sentinel.
000' laccopt an‘nlu' mulled FREE .
.nyou'uil' 11‘” 0 0' “STE“. LCROY. N.Y. 1
.00zz0000z00
o 0
Q» oQoQoQoQoQ 99:90:00 «zoo.
Mrs George illgelsull was awakened
in the niahto by :1 sound on the floor he 3
low ' \‘t. 1: fill: up ill llt‘tl, silo exc lainletl
E’shnflilyz.
'1“ llllt‘ s that?" '
11151 husband having been awakened
llslel'avi fol :1 You moments. tlleullskedt
a". iluputil :ltlt; . ,
.1 Twit: "Ilsttl. . ~_ 7'. .. 7-. .
"l in (kitltlil of it. " 1 ' 1
There 1.5.". .._oth«,-1'soundnvhich one
this time llczull ill \ll illglnsoil. He
got on: or i:._.l .11: i lih‘slllg‘gll his trour
sersyapellml I‘ lo. 11.: u‘. “out out innit! i'e
fhltli niul K1111. ”.cl on a. it ul‘é ttlftc light. il-
lithium: tllc Lgtl a of ‘1'. 1:13.11. The
. Jeiktu 1:11 hi; tip. :3; twill... is, lit the
time tiallc tiller." .11: (we: 1. his tout and
display ll,‘ .1 ,t-E~vi.clllnllslbiii33¢ Step-
rig? up to lunch ~:.~oll litinrhis‘pered:
.“Tt'nn out; that. llllfi'lt quioL."-=-
“Angolan" turned the button: He. did
not need t.'ll'.'t»xph1uution. fer it was
plain that tilt in was something \\ rong
_ ‘03”.‘03003003
OUR net-mm
A Geniletrallly Burglar
By Eunice Blake
”:OQoQbQoQoQoo' oQoQan'oQo
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”3”3”:”3“.”3”3”3”2« 's’
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as he leaves the house he will step into
the arms of one of. my men. 3 i would
bed] for that matter. [’11: inspectort'
Haynes. Perhaps you‘ve heard of me.
11 much prefer to handle this matter
without any interference.
"Oh, yes. l’ve heard of Inspector
Hay lies. Every one knows about. him.”
By this time Inspector Haynes had
gently pushed. lugeusoll tufthe door
through w-hich he' had come from his.
bedroom and opening it urged him in.
As soon as this was accomplished be
shut the door.
“What is it?" asked Mrs. Ingersoll
nervously
‘.“Hllsh!”
lngersoll went to the bed, treading
' softly. and sat down on it; then. put-
ting his lips near his wife’s ear, he
whispered:
. “Handy Andy is in the house!" »
“,Oh, heavens!"
-“But this will be his last burglary.
oh the premises and 11 top was at work
{nap a lien to righting it. Neverthe-
hc nskt (I ill .1 whisper: '
MW hat a the matter?" . . _
‘f‘We got. wind today that- Handy
Andy; this monk who Is going about
getting into houses and leaving polite
. ofes after taking the valuables, was
intending to do you tonight and we ve
Mia trap for him.” =3 » . 3e
. ou’d better look out. ll‘ve read a,
. sumac '
1' 'tlon’t beafins‘thln‘g below," said
tlié premises after list first
4 '2“
' ball Narmada-Might. He
. have been frightened. But it
He won‘t be leaving any more notes
, pinned to ladies' pluousuions. Who do
i you suppose i found in the hall?"
AlWhol I!
l "Inspector Haynes."
. “Inspector Haynes!
i in the house ‘1"
1 “Got wind of Handy Andy’s blended
How came he
‘ l raid and has linden trap for‘ film.” . '-
“You don? mean it! I hope ha’ll es-
fact
ilairealm
will:
damn) men 1'
o o .
9:” coll sympathetically.
o
advise'your to go back tayour room. to. 3
“ left on the sideboard far daily use had-
y of the silv or, i
I've read a lot about them. They all:
Handy Andy writes beautiful poetry."
At that moment there was asount‘
below w-hlth the imagination of Mr
ingots-oil interpreted to mean a’ scuttle
”film" to getting him.” he said.
“Poor fellow. '" exclaimed Mrs. lager
Thele was a trend as of a man loav~
.lng tho' house and walking across the
{front porch; tlleu the footsteps dlsd
a'w ay In the distance.
“My jewels are, locked in the top
bureau drawer in the west room."
said Mrs. Ingersoll. “i'm going to see
.lf they're all right.” ‘
“I'll go with you." said her husband.
1 turned on a light. The drawer hi ques-
tion stood open. and the jewels Were
was a bit of paper on which was
Herithed in pencil:
t “5'
be- on the promise: All larvanltyu That
lthe wearer of those jewels be no-
me. So Ions
(Alias. Inspector Home‘s)
ed Mrs. lngersoll. .
‘ “Stung. by thunder!" cried her has
band.
Mr. lagers’oli went downstairs, when.
he found that what silver had been
been taken and a polite note iofé re
1 grettlng the necessity for its appropri-
atlon.
" “if we must lose our valuables," said
Mrs Ingel-soll “it's nice to have them
taken by so gentlelnanly a burglar”
Handy Andy. not long after this was
captured by a' neat strata’gem which
. was perfected .by the real Inspector
l Haynes and after serving a part or I
mum died in profit .
They went to the guest room; and '
gone. 0n the lace cover of the dresser l' 3
Dear Friends—Pundit; reel- ‘3; dis- . . _
(tithing you during than t. t eves : .
this up Mvo- awakenedtsny lady. that may :
longer vain I will take them away with .
.flAN DYANDY
"011,-my goodnessgraeioasl’“exeltibn. 1 '
Arch of Rising Sun as Crowned
By “Nations of the East"
a
MAGNIFICENT architectural monument at the world's greatest Expos!-
tzlon, the huge Arch of the Rising Sun. symbolizing Oriental civilization.
placed upon the east side of the Court of- the Universe at the Panama-
Paclflc international Exposition at San Francisco. Facing this arch upontgle
I
west side of the court ls‘ an arch of similar dimensiOns,
tions of the West. symbolizing western civilization. The Arch of the Risinfl
Sun is 160 feet in height» being identical in
Trioln'pb‘e in Paris ., , .
not) out“
”who. 5,1,1 hum] :.b
crowned by tbeJSll‘: ..
height with "3“ (about A” w“?
' d . ‘ I o) ' A
4 ' ', .u‘o
’naseatbbsl 91.‘ '
"1*
for the trimming.
cmrmccums 6195
I ' "' V
fiery évfiol’dcfiCdl ,
flame Drerr lid/(mg
.Cerronr
Prepared Erpttially For This Newspaper
by Pictorial Review
WIRE COAT IN PONGEE SILK.
Pongee suit with Empire coat and
plain. circular skirt. Taffeta is used
v I l is. : ‘ t .
«9 lil' .z‘ihirdln'b‘dmdmmxn
WY“
The problem of what to wear is ap-
preciably simplified in this talloredi
suit for women of youthful figure. The;
design is carried out in shot pongee,
silk, dark blue or natural color being
equally fashionable. For the belt andi
cuffs plain satin or taffeta is suggested.
The coat may be made very long or
moderately short and is worn with a
plain, -circular skirt. The model. in
medium size calls for 6 yards of 54-
inch material.
In addition to the pongee there will=
be needed for the coat 1 yard of belt-
ing 1 inch wide for staytund ls yardi
86- inch silk for trimming.
Tile skirt of the coat is in three sec-
tions, the back section being cut on a
lengthwise fold of the goods, and the
from section on a lengthwise thread.
The belt is cut crosswise, but laid along
the fold of pongee. The collar and
facing, laid on a lengthwise thread, are
placed on the silk in the space created
by sloping the upper part of the back
section of the skirt. Five parts of the
pattern, the upper sleeve section, front.
cuff. back and strap are arranged on
the silk between the back and front
skirt sections, and of these only the.
Empire back is placed olva fold of tho-
goods. The lower edge of the under-
slecve section touches the fold, but the
pattern is placed over a lengthwise
thread.
A little ingenuity will suggest sev-
eral finishes for the lower edge of the
skirt of the coat -'
Never has footWear of exclusive type
held a more important position in re-
latlon to costume. With the short-
skirted tumour of conservative type
are worn beautifully shaped buttoned.
boots with high, curved‘ heels and'
rather tall tops of light colored cloth.
Various fanciful but attractively smart
variations on the conservative but~
toned boot are shown for wear with
ultra smart tailleurs for the afternoon,
and there are even special military
~ boots with high, beautifully fitting
cloth tops having sixteen and even
eighteen small brass buttons stamped
with Freedom's bird. These eagle
brass buttons also add a lively regi-l
mental touch to smartly cut, braid».
trimmed costumes.
\ ' '
Pictorial Review Coat No. 6193. Sizes 14, 16, 18 and 20 years. Price, l5
cents.
;~Sklrt No. 597E. Sizes 14. til 18 and 20. ' Price. 15 cents.
Read the Classified Ads. on Third
Page; Try Them} For- - Results,
limit '
. "5"“. bill“:
Militant
Killian it;
Easter Fashion
Number "'
.PICTORIAL‘
1- REVlEW_
.. will tlul- all ”ll
" :3 snowman-wt wivmlw '
".‘J M‘lPIdMAMlWaQ lil‘ ti 1 r
‘ Patient Agencies ‘ I .J 1
ovum ad 301‘
South ”Norwallt Conn.
Norwalk Chronicler