Norwalk Chronicler

Evening sentinel, Thursday, June 17, 1926 · page 7

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‘mr.mvoua—-m ""'

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sits—Dias" lauds.

s:l|-Iassbsli cost-as.

7100—3“.qu hm“ Ull-

‘l:l0—-Moysr Dayls' Orcbastra.

awe—Katalsandtswart. pianist.

8:: "lilrs'a Ransom“

0:0 iicuot Club Bastian.
10:00—dllvsrtown Cord Orchestra.
ll-ll—‘l‘ha Duhlodlaua’ Dance Or-

obestra.
wrs. NEW roux—us

“P.3d.

1.. nada- a

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hop—Vanderbilt Orchestra.
tub—dud" ir.
his—Announcements.
his—sporting news by Paul
White. .
Izod—Voice of the silent drama.
“Puppets."
lab—United States Marine Band.
iszso—ltoyal salon Orchestra.
limo—Tbs Record Boys.
limo—Swan» Dance Orchestra.
W638, NEW rosin-41o.
P. bi.
too-Uncle Gaebss.
sac—rho independent.

this—William C. Pike's Orchestra.

1:15-—Herald Tribune News Dulle-
tin.
his—Seville Orchestra.
tit-Teresa Santora. soprano.
szso-“Footlight and Lampllgbt."
moo—Giuseppe Leone. barytons.
s:lb-—Norrnan Bacon. pianist.
szso—Revus from "The Planta~
tion."
10:80-Gcorgo Hall's Arcadianc.
WEN. NEW YORK—3M.
P. hi.
zoo-Silver Moon Orthestra.
:so—Babbl bl. Bchuchatowltz.
:ts—Cantor Louis Yelsy. songs.
:iS—Frank Ocha. tenor;
Poarlman, pianist.
too—Will Oakland’s Chateau.
szzo—Loew's Gates Theater
cheatra.
too—Odierno's Ladiss' Trio.
Milo—Loews The ire Orchestra.
10:00—“Tha Two ills." songs.
load—Belle Osborne. contralto.
load—Leroy Smith‘s Orchestra.
11:00-—Club Alabam Orchestra.
11:30—Evergladea Orchestra.
13 midnight—Sophie Tucker's
chectra.
“'MCA. NEW YORK—8d!
P. M.
tbs—Talk by H. L. Btratton.
Tzoo—Hoibrau Hauc Entertainers-
1:db-—Used Car News.
Szoo—Roemcr'c Homers.

7
7
7
7

Or-

Or-

Better Films Association

through its secretary.

Gives “The Big Parade”
100 Per Cent Endorsement
The Norwalk Better Films Asso-

ciation in a statement issued today
Mrs. C. F.

 

North. enthusiastically e n d o r s e a

week.

"The Big Parade" which opens a

mited engagement at the Regent
eatro today. The statement fol-
lows:

“Members and friends of the Bet-
ter Films Association will be lll'l°
usually interested in ‘Tho Big Pa-

rade.’ one of the greatest motion pic-

ture illms of the year. which is be-
ing presented here in Norwalk this
No member who has not al-
readyviseen this great picture will

wish to miss it.

“Classed as a great film by all

‘ critics. acclaimed by many as the

.-.d.-‘-.-.

 
 
 
 
 
 
 
 
 

”a...

‘A o- 4.». -is

in part:

:_ lions 18.1938

greatest picture ever produced. it. is.
of course. listed as an exceptional
photoplay in the bulletin of the Na-
tional Board of Rexicw, uhich says

" ‘So much has been Written about
this illm that it is dialcult to know

what _to say andiwherc to begin:
anyway it is a great thing that at

last here in America a film has been
made that not only deserves. but im-
pcis. continued comment or the most
thoughtful kind.

“ "the Big Parade is not properly
to be compared with most other mo-
tion pictures. it is related to the very

v

 

 

. You Can

Get It Here

You probably know, by ad-
vertisement or by reputation,
something about the real com—

fort and attractive style of .

the

Cantilever
‘ Shoe
enact...

gunmmw

Center

Morris

moo—loin Iolsists.
tau—Columbia fark Entertainers.
10.00—Woodmlnston Orchestra.
Soak-California Ramblers.
limo—Ernie Golden's Orchestra.
llzoo—lmdway Nito.

wm. haw soup-ass no nuaicsl Farce «In nor no): ”mm. REN A
Putt-slat.“ Circle. Dr. Isaac “XWIVES” ARNOLD
signifier... Minx “WEED“
till—Frank Garbarinl. dccordlan. 6131.8 1;:ng m; FOLEY BOYS
two-starlight. Pzrkirgg and :3;- pmgg 13311333:an
...t.i.°.':'.’.’lif.‘i.‘“a‘..'§..a.l. ‘ “‘ 1...... W MARIE CORELLI & co mo,
sub—Radio, Questions and Answers m ATKLETIO guirmssjs
lilo—gill?“ Trio; Dust." Dr. T. _
foo-0.33:.- Slogan.” . — ON run census -

IEEEEZEY‘fil’fi-SS. ,3...“ ;h ‘ MARGTIEEII'FI‘DY DnfierMmti'I'r E , sarcasm
: — era "in. “to“ 0 . _ Il‘l .

“gfiéwugg ‘ I N “THE GIRL WHO WILLIAM FAIRBANKS III

P- 3‘ WOULDN’T WORK” “THE HANDSOME BRUTE"

tool-Knickerbocker 'l‘rio.
moo—Orchestra.
szso—J. Vincent Moore. nose Fish.

 

er.
mill—Milton Yoksman. tenor.
s:00——Orcbsstra.
Duo—Silver Voiced Tenor.
sub—Laurens. Reynolds. songs.
tome—Studio program.
loath—Milton Yoksman. labor.
“7511‘, NEW YORK-bud

s

P. hi.

moo—"Keeping Fit." Joe Ruddy.
s: til—Harman Neuman. pianist.
6:30—"Willlam Watson‘s Styia."

Prof. Lewis Mott.
6:50—Markat hllh spots.
7:00—Herman Riedrich. barytono.
7:15—Dick Hughes. ukulele.
hail—Police alarms.
7:85——Resume of meeting of the

Board oi Estimate.
roe-Michael Daly. tenor.
zit—Baseball results.
:zo—Harold Lieberman. violinist.
:bo—Matilda Lindsay. soprano.
:iO—Concert hour by artists.
:io—Lsctura by Winter Russell.

L—-L-——_

now playing at the Rialto theatre.
continues to give the audiences a
rollicking evening oi entertainment.
it is the most absorbing and hum-
orous comedy. presented at the Ri-
alto in some time. Colleen is tun-
nior than over. She was great
"daily." wonderful in "Irons." but
she is better than ever in “Ella Cin-
ders." Colleen-as a little poor mop
glrl,. rises to 'the heights of success
by being awarded first prize in a.
beauty contest.
she goes and there she has the op-

Ws' FOR “

 

 

WALK THEATRE-GOERS

 

 

 

I3A¥LJAJ3EE

A BIG BILL OF KEITH VAUDEVILLE

ROGER WILLIAMS

NOW PLAYING

 

2 :15 and 7 :15

listiusa sill Daily.

lgnumijrmmnm

Evanlu Performances ‘lzib and 0:00

1

 

 

 

 

 

 

 

 

NOW PLAYING
2:15, 7.15 and 9

 

 

 

J

SATURDAY

 

THEATRE NOTES?

”ALTO

Colleen Moore in “Elia Cinders."

 

 

in

Out to Hollywood

 

again capture the Palace stage
three days beginning today. The mo-
tion picture attraction for today and
tomorrow will be
Wouldn't Work."
gucvito Dela Motto. This is a com-
bination that can't be
vaudeville is the cream of the show
business and the live
here will be hard to
program
Wives." Roger Williams. the Dixie

9

‘

poriunlty to make her triumph.
What ensues is too rich with combdy
to uniurl. That will be left for the
reader to witness. It is the great-
est laughing hit of the week.

 

PALACE

 

Keith's popular vaudeville

d1}!

"Tho Girl
lecturing

Who
Mar-
boat. The
offered
The
"X

acts
match.

contains the farce

 

Richard Talmadge

hov, Bernice min and the Foley
B035. Marlo Corelli & Company in
an act or athletic prowess and Rena
.Arnold m "The Village Girl." The
photoplhy attraction is a commen-

also
Ohapter 0 “Casey oi the

._in.... 0'

“The Better Man”

dahle one and will be
cntcrtuli 111:.

found very

(least Guards"

 

HONDA? EVIMNG

EVELYN BRENT

—.in.._

“THE IMPOSTER”

 

 

HARVARD CLOTHING FOB
REFL'GEES

turn] by the Near East.

and 600 pairs of socks.

 

 

 

 

have four eyes.

.\IOSCO\\'.—-A contribution of five
tons of refugee clothing from stu-
dents at. llarmrd and other New
England universities will he diatrib-
Ilolict to
r.. eriy students in Southern Armenia.
The shipment includes 2.000 suits of
men's clothing, a ton of underwear

("m-min hnrtlrs that MW in swamps
u."

 

 

 

 

caveman.

zao—Police alarms: weather.
\mG. NEW YORK—218

P. It.

62-00—Dotty McLean. Loo Ford.
6:15wAutomobile routes.

dzso—Maiesiic String Ensemble.
7:00—Yorkvilio Radio Entertain-

era.
W08. NEWARK—loo

P. M.
duh—Bill Wathsy. "Sports."

6:30—Jacqucc Jacob's Ensemble.
1:20—Newa bulletin.

l
1

best that the theatre. legitimate or
cinema. can offer as drama oi a
moving and important kind. Yet it
is astounding. that it renews faith in
the cinema form and creates an en-
thusiasm for its destiny.

“‘It will not seriously he ques-
tioned that it tells the truth about
the into war. perhaps more vividly.
comprehensively and surprisingly
than it has been told heretofore.
either on stage or in books. by mili-
tariat or paciilst. But what is still
more important is that, for most of
its time, whatever else it is doing.
the film tells a whole lot about hu-
man nature not only under the in-
fluence or war or peace. but just
under the influence of human na»
ture. That is why it, is a dramatic
picture and a true picture.

" ‘Thcrs are many scenes that in.
divldually deserve attention. too
many to more than hint at . . . .
And after all it is the impression
the film makes as a whole. rather
than the brilliant details. that leaves
one something that does not vanish
with the darkening of the screen.

“ ‘Lot it be said. then. as sum- .
mary. that thc'direction is excellent.
the story enthralling. the cast cur~
prising. the love interest gripping
and the hu man‘ interact more

gripping.‘ "
........-—~—-——----—-—-—

Baby Needs Silos
WASHINGTON. -’I‘hs tariit rats
on satin. baby hunting and silk
baby shoes has been reduced by a.
decision of ‘he United atates 8u~
prsmc Court which held that these
articles. embroidered in part of
braid. are not dutiabls at ths higher

rate that prevails on shoes.

 

 

want your LEADERS our

 

 

 
 
 

' 2 angry-"H.711”...
115;";WNW/11")“-trut'u:
rt'."f-’!.'m

v ' . rat/11.24

Lyndon. gutters. tin roofs and
sheet metal work promptly at.-
toudsd to.

LET US SERVE you

hash. Raymond
& Dean Co.

stmafltlusss'
lunchtime”.

 

 

.5MDfiTMM.$flWV
. uwwmmn' '

For the Benefit Of A. A.
Junior High Auditorium

 
 

:15 P. M.

 

 

 

 

 

BEGIN HIRE 'I'ODA!

JOHN and FAY MILIIURN
buy a hm of their own shortly
after theirbabygirl lsbornand
the advertising my in which
John to partner and copy writer.
lands a new contract. '

Previous chapters told how
John. a romantic individual. was
iasolnatsd on meeting NEIL
ORME. oi whom PAT FORBESJ
one of John's best friends. hints
that aha is having trouble with
her husband.

DB. DICK MINEFEE snap
ries MARGARET WAYNE. and
John is best man. Margaret's
younger sister. CIARA. runs
away and marries CLIFTON
ENE. whom John cordially dis

PI.

A party Is given by NOEL and
VERA BOYD. and Vera shows
an interest in John which no
does not return. but which *
arouses Day’s Jealousy. Noel
Boyd later boasts. in John's
presence. of an arrangement be
"can him and his wife Vera
whereby each is left free by the
other to do as he leases.

Fay sad the by go to
Washington to visit Fay's
people. and John knocks around
with Pat l'orbos. whose wlfa also
is away. .

John gets a phone call one
morning from DOROTHY FRAN-
Ols.aglrlhausodtolmowin
his college days and who is in
town with a musical comedy.
She says she wants to see him
and he makes a dinner engage
most with her.

NOW 00 ON WITH THE STORY

(The nausea and situations is this
stow are fictitious.)

CHAPTER XXVI!

I OBN spool a luxurious hour in
’ tho barber's chair. and at six

o'clock ho was calling up Miss
Ireneis on the hotel telephone.

lbs received him in her roots.
which struck him as a rather dar-
ing informality. but her manner was
soaasuredsstomakobimthinb
that. after all. she must have re
solved dcssns of other men under
the same circumstances-newspaper
man. perhaps.

Ibobadysllowbair.andbsrbigh-
archsd black eyebrows and long
lashes n'amcd startling man eyes

"I wanted." sbs'bspau when they
had exchanged brie: umlnlnancss.
“to discuss thaatrlcsl publicity with
you. roomlrsmssibsrthatsvsn
as a student at college you had some
splendid ideas on the subject. its
number your own advauturas is stu-
dent dramaticst“

John did. He remembered. also.
that when Dorothy had left the little
collage town to go ou the stage she
had taken ssvacal press clippings of

.13.
at
.‘a‘

 

i

 

 

.a...

\

the ordering to you. Louis.” and
thrust a bill into his hand.

"Something light for ma, please.m
put in Miss Francis. and tbs waiter
bowed again. “Yes, madam."

The orchestra was playing. and
John. pushing back his chair. said.
“Int's sea. the last time you and l
danced together was at one of the
Junior Proms. wasn't it? it's been
entirely too long to wait.“

She laughed “!ou always wore
original about asking for a danos.
All right.” and she rose.

”Toll ins.“ he said as he took her
arm. ”how you've come along. We
seen your name in the papers once
in a whiia. How do you tilts ill"

“I like it tremendously. i don't
think I could be happy of! the stage."

“No." he agreed. “1 don’t believe
you could. There are c u people.
you know, who are born it. You're
one at them. Now that you are lead-
ing lady in a musical show, what's
the next stop?"

"Why. don't you know? Bow can
i ask advice of a man who needs to
be told that the secret yearning or
every musical comedy maid is the
drama!"

"Forgive “my cranes.“ he
laughed. “Still. 1 . 't so. why it
should be. Why should musical
coniady be forced to less you?"

“Ella. my dash.” abs smiled. “The
secrstbopaofallotusistodo
something serious that will bring the
critics to their knees.“

“You worn i" be exclaimed scaly.
"Advantp all of you.“

"Why adventurersi" she asked.

“Looking for new worlds to con-
cusr.‘ he answered. and was about
to say something more when he
spied a in face smiling at hits.
it was t lbrbas and John. to his
intense disgust. saw he was dancins
with his friend. Cora.

from the violent isrklngs of
head. John gathered tbs!
Pat was invitiu him over to his
tabla. la n to lot Pat know

understood. and the

i

 

 

 

"You've splendid taste. old man. Who was she?"

EIGHEORS' WIVES

ERNESI‘LYNN. authenofiTHE'YELLOW sws .

 

day that am encountered as striking
a looking girl as Dorothy Francis.
He tried it. directing a few flattering
pleasantries at her. but she parriod
thorn skillfully. and he rcaliud that
hers was a girl who worshiped only
one god—success. A girl diplomatic

enough. it was true. to realise the
impurtsnos of graciousncca to man
who could help her but who. he was
convinced. would push any others
out of bar pa . .

In other rds. he thought, she
was the sama‘old Dorothy Francis

who used to aooapt from among her .

many invitations to college social
events the one that would do her
mostgoodtowoapt. . . . Witha
rusful smile John rcmembcrsd that
ho had cueceedsd in landing her for
two Junior Proms. but at ths ilrst
he had been prom committee chair
man and at the last he had been
enioying a mild furore a! popularity
due to his prominence in student
dramatics and yournaiism.

Diplomatically. but deteruussdly.
shs forced the conversation into her
own channel.

“Have you spoken to any pro
ducera about your ambitions?" John
asked her.

“Oh. I've sent out a foalsr new and
than. but ths baht way is to malts
them come to you. Now. it 1 bad
sutlicisnt publicity. they'd all be after
use and they wouldn't think any part
too difficult for no. I need some-
thlsg like that. or somebody to write
a play for ma. l'iu afraid if i wait
for the producers to discover the
genius that bum in ma wait a
long time. I'm afraid l'll vs to
force their hands."

John laughed “You will. never
fear." He began to toy with
fork. "Are you going to be
Broadway this cant“ be asked.

"Isa. he already signed a son-
traet. A new musical production.“

“Well. our class reunion and ban-
quet is golhgto be bold in New [at
early in the football season If i
could but this over. it would help.“
and be issued across the tabla and
began talking sagsrly. '

‘1 have enough influence iu the
class—and. basidaa. they all caucu-
bar you anyway-to got the boys
to vote for you as savorlts
tress. Now. then. . . 8 That's
much of a story is ltadf.
only put I if.
Rule!

is
Biggie

on one of
other one
induehtial young the

Bar grsa ayes wars tlasd

gs
it;

 
 

those eyes of hers: they seemed to
have the power to charm anycna
who looked at them.

John noticed the intensity of her
look and chivered in mock fear.
"Stop trying to vamp me." he
laughed.

She smiled. and the green eyes
dnced and sparkled for a brief sec-
ond. “Go on." she commanded.

uWell." said John. "the thing
might work and it might not. it's
only a rough suggestion now-in its
finished form it might prove to be
a good stunt. Anyway. my idea is
to have you come in after the show
and entertain the boys. And instead
lot giving them a song and dance.
give them a dramatic reading of
some sort. Get it? You're well
enough known so the thing would
esuss a little surprise—and Harley
George would be there to give you
a nice writs-up Besides. under the
influence of a few drinks. Harley
would malts me any promise—and
keep it. too."

The green eyes seemed to snap.
"Splendid!" she enthused. "And your
friend who knows the producers
could spread the good word for me.
too.

“Exactly. and of course you sea
the importance of l-larlay George
saying something in his dramatic
column to the effect that Dorothy
Francis. the famous musical comedy
star. seems to have an even greater
talent for the serious drama. Natur-
ally. you'd have to take care that
your reading was good enough to
impress him-which. of course. it
would be.” he added hastiig, and she
bowed prottily.

“l‘d sea to that. all right." she
smiled. “1 can't expect to get along
without producing the goods. as you
advertising men would say. Serious.
iy. though. I think Lean do the
thing I'm after very well."

She glanced at her wrist.
I must be going."

“One more dance.” ha bagged.
"isn't my advice worth that much?”

“I have been offered a great deal
for a dance—on various occasions.”
aha smiled. "but I value your bid u‘
little higher than any of them.”

‘ "Same old Dorothy." he laughed.
pulling back her chair.

”What do you mean?"

"Ob. nothing-ascent that 1 End-
denly was reminded of a Junior
Prom."

Ten minutes later ho was follow
ing bar out of the restaurant and
signaling to the frantic Pat Forbes
that he would be back. bias: the
door a voice from a table bailed him.
and be recognised Paul Davidson.
and the familiar face basids blur as
that of Martha Booth. who wasGsll
known to Day.

it insures him a little that n.
pianations would have to be made.
and be was not in the mood for as-
planstions. He was half sorry that

"Myl

 

 

ii
1&5

9_a hia~Ona wasa little

 

;
1

 

THE BIG PARADE OPENS TODAY
EXACTLY AS PRESENTED INN. Y.

War Picture With Wonderful Love Story Called Great-
est Entertainment Shown Tn Norwalk—l-Ias Made
Big Hit Wherever It Has Been Screened.

 

The combat thrills of 1917-18.
when America Joined the war. are
realistically and intimately rclived
at the Regent theatre. where this
afternoon. "The Big Parade," began
its engagement of three days. The
grandeur. the marvel or this master-
piecs of nlmdom. can only be realiz-
ed by witnessing it. .

This is not a war picture, though
there is war in it. Not the ordinary
war of the motion picture studio.
but war as it was fought at the Ar-
gonne and Bellcy-on-Santerre. But
greater than strife. the conflict. of
arms. the thunder of the guns, the
mud and the stink. and the cooties.
the tanks—greater than these. is
the love back of it all. For wars
may come and wars may go, but
love lives on forever.

It is the doughboy‘s story and the
story of the girl back of the lines.
The heart rendering scenes are re-
lieved by the comedy which runs
through the production, showing
comical situations which occurred
among the boys. These too have
been portrayed as accurately as pos-
sible, As a whole “The Big Parade."
is one of the biggest and most enter-
taining pictures brought to the
screen since the introduction of mo-
tion pictures as a public amusement.

The musical score and the effects
were specially arranged. The musi-
cal score contains many catchy
songs the boys enjoyed. The eitects
are operated by a special force.
Every shot tired. every interesting
and exciting part of the production,
those eifects are operated and they
bring the realism of war closer to
home and a realization that war is
all that Sherman said it was.

”You see a machine gun firing. its
firing is made realistic by the ac-
companying discharge of effects
hack stage. You see a. big Bertha.
bombs and all that made \var hor-
rible. and not only do you see them
but you hear them. And when the
tanks go over the top. your whole
body will be electrified with patrio-
tism and you will find it dlil'ieuit to
refrain from cheering. “The Big
Parade." is described as the greatest
entertainment Norwalk has ever
seen. It is super entertainment. pro.
sented in Norwalk exactly as it is
in New York. .

 

REGENT

3 Days ONLY sranrtno
TO-DAY—2_:30, 8:15

Tl‘ICE DAILY RACE DAY

 
 

Bi

ABA'

New York's favorite hit now in
its 7th capacity month at Astor
theatre.

 

 
 

 

16
Shot

Prices: Mats. 50c to $1.00
Nights line to $1.50
All seats reserved. Secure now
in advance.

s

 

Note:

The Big Parade will not
be shown again this season in
the vicinity of South Nut-walk.
Don't miss it.

 

 

 

 

by

 
 

(.

Ben F rinklin
Started This

with a key and a kite-string: ant!‘
thereby hangs a tail. The samof
principle gives you the iceloss,
wonder ‘

Frigidaire .
uscraic -it E, imam

that keeps allfooda as no inching.“
wasting cake of ice can do it. No

watching. no starting. no stopping. ?
Come in and see it demonstrated. 1

The N orwalks’ Electric Co.

20 No. Main St. South Norwalk
Phone 2978

 

 

 

 

Tune Up Your Uke

If you haven’t one get one
and have a barrel of fun.
Banjo likes $1.35; Ukec $2.00
Talking Machines Spec. $9.00
Bring in your instruments and
let us restring and adjust.
Expert repairing of all kinda,I
Popular Sheet Music, Records
and Orchestrations, 3 for 81.00

Expert piano tuning and
repairing.

Svec’s Music Shop

8 Monroe In, South Norwalk
‘ Phone 303-2

 

 

 

 

 

Developing & Printing
24 HOUR SERVICE -.-‘

pat—-

The Hamilton Shop

Wall ‘t. Nomi];
Open Evenings

 

 

 

Y

ROTON POINT PARK

Dancing every evening .'( except Sunday);
Reduced rates to clubs, fraternities ,1
and private parties

FIREWORKS EVERY TUESDAY AND 4
FRIDAY 3

Band Concert Every Sunday Afternoon and
Evening

omens aim axons mass .. tum soon
Phone 500 Nuwalk

 

 

 

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