. E
I
BILLY WHI§KERS .
B! muons .mmo HOMER!
*A‘ 4
"By no means!
.‘5 putting acquainted with
- :mimnls at the motion nothing about the
h
I see you know
production of
.1 mu. moving-pictures, so I wil explain to
..v lint, a
him-l»: hear, you that when the movie people
“ want a. circus, house, mountsin. or
anything else in their picture. they
go to the mount-4n. circus. or
whatever it'ia they require tor their
picture snd take the whole troops of
animals. people and so firth to the
place where their back ground is.
They ssve a. lot of money tn this
iway. They pay so much to the owner
[or the privilege or phowsnphing
it and using it in their picture. “'45
will all be taught our parts here and
then taken to the circus to" a. last
rehearsal When the director thinks
the actors have their parts well
learned, the camera man shoots it."
"Shoots it?" said Billy. “And
why does he shoot it. I should like
to know?"
(Toadies explains the shooting to
Billy in the next story.)
InltsPropex-Plsm.
nickel 7
Willie—Yon gave it to me for the
heathen. -_ -
Mother—Then why did you keep
it?
\Villio—Wcli, teacher sold I was s.
heathen.
‘
mmuatsmsmm
*. u ng-on poll parrot. and
'<. n inhy viophnnt. and last
‘ ' 1 3. M2; white goosie
. .iii :xprextm] thematzh'és :LS
.iiwy to meet Billy and hoped .
.ui r‘njru' pcrtormlng with
.— the introductions were over
- and Billy walked over to
rr‘rv‘r of tho stable {and are
v\n dinnrrs. And this is
\‘irk round thum when h'll
, xtvt thvm for a new por-
- thA-y won-o about to put on
"llll".
i‘uiy, our trmibir‘s art about
" said Tmnllr‘s, “fnr w..- are
40 infir the aimim and re-
- uur parts imfure they take
vtm‘: 1% {or ”A film produc-
' )nsi huiv l‘l‘}l('3rbals for some
. t nnim’nis are an slow, or they
'.?»‘norn and won't go through
pans, and it is very tiresome
. who hzno :o wait."
.":4: til) you suppose we will
to do this mnrning?” asked
lwli‘ it is to rehearse a circus
~rmm» where the two baby
'zi-is’ (IT! to be dirt-350d up. one
\vmmn‘n clothes and the other
man's. The one who repre-
- .1, woman is to Larry a big doll
u! as a baby in long clothes.
, 'hw oihr-r is in l'nrv'y a mlChoi.
tirrssoti thw‘y are to stand on
hind in-zs nml wnil: in the
mmnin': pumvio. iiwry person
:lmnl in the purmic 11:le in do
Mill”. it they can be taught
l" t-nt, they are to Wall: around
»:. nnywny."
you inc-rm to (vii me that
a: r- . aumpany owns 0. wholl-
< mtnmls. Bareback rldr-rs.
'ns. um am" asked 11:21:;- i
l
l
YHI' YOUNG LADY Access 70"
WAY.
The young lady sense the no son
now that it's the tow at the lend every.
body should sbido by it rear-die“
who! she thinks of it Ind every we
ought to vote. whether registered or
an -
._.._.__..._‘.__ —. ..... . __ - -
5‘0er ”41.11”” W. ”W WE:
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HAVE YOU GOT .
SOMETHING PUT .,
AWAY A
RAINY DAY '3
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By ALBERTINE RANDKLD
AND 'som‘ ETHING m
MY CELLAR FORA /
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DOROTHY DARNIT
i“Ht?tittitififlllflflflflfl|
By CHARLES M’MAN US
ALWAYS TALKIN'
ABOUT THE'HIGH .
Cos-r OF LlViN'
PEOPLE MAKE ME TIRED
IT DON'T
t BOTHERMS
A DOLLAR WM.
.00 JUST A5 FAR
TO DAY A5 '1'
EVER WOULD
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,t sculptor, is busy dig- to the tuna; becsnse they. noted
' ’“dsome statue at Me» something in Mac’- head to symbol. ~
V ., politician. Some at he theme: that homo sire-ten;
1;;5 relaxed to subscribel rent. The: Wt‘auihunt
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You KNOW Me Al.
" How Woven
r W’ "R: 1Q comp
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3:1“ MB NB“ was:
9 "p‘u‘cKS
/
Adventures. , or In '
eefe
~ say 165‘! a ,, ,.
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{4/4
Norwalk Chronicler