cum..— .-
»- -w--W.—u-.——-.-
-...
“...—.... -..—u.
...“. - .. is... ......
’3
\lf)‘:“;‘\‘2_ I ' I .
— fi§§§\
.2
IO“
ui‘i "
Ah: ‘
‘ {74‘th
.‘Jlna .
u" ‘ ... Qaflb“
. N
.0.- fii‘
EE 3 pin arid pick it up--
Be IucI-Iy 3” the day;
But goodness knows what might occur
Ifycu should let it- Iay.
find two lucky pcrsons. Left aid: down. on grass; upper left corner
dorm. on zrass.
us. we should give closer atten-=
19:;
1 1!?”
Something to Think About
Lessons From Nature
By P. A. WALKER
and in the sky. He does these things
IF we would keep our wits sbouti where nbout him. on sod end as
awn in th‘ retillar. recurring ar-
' dries of Nature. the most exacting
"la. «1 mistress on earth. \\'a shouldf
5‘ Hit!
he; methods. note why she.
does her work so thoroughly. andi
our utmost to imitate her.
Suture goes about her work syn-l
rira'hally and vrithout. evidence of?
one or flurn'. She is slwayli
;.r..;.~;p:_ slwats diligent. Pruitt:
flowers and grains come in theiri
«germ. the showers fail to water1
them and the sun shines to givei
the-m \‘imlittv.
Nature krows neither terror nor“
from dawn ‘
Hark rtl'."1 in “fifth flit”? fillhd with ml5-‘
which ca use his undoxng.fsmtion. soured. disappointed and im-
f"l‘ll"l“°,.
Kl". ings.
h‘lt man
Tfi
from force r-f habit. or from im-
Proper instruction.
Look about you. and you will ob-
serve that most. of the downright
’dircctly to’ stubborn opposition to
our natural bents. Mon Jump into
professional careers: for vhlch they
were never intcnded. Thcy study
modicine. sock to loam how to saw
off s. leg. when they should he saw-
ing logs or swinging a hoe.
in every generation. thousands
, swap no their talents in the prover-
ial napkin, throw them away. and
so limping down the highway and
end ihcir days On a little rrkdvater
lie is srivised to hate faith end to pm'erishcd.
uric in
V ll".’l
swt‘
“713
n
r‘?
:ine‘l power.
a
side
but
he opposes
m"! his foot.
everything hinting a"!
_ he disrv‘garvls
-:—_soi and prefers to rrh' on man
“1;"; and threadbare prer'opts 1 We can attain only mmlirw‘rs success.
he is: “'9 lack the innate ability that mice:
Nature,
in spite of his
Rubbing his bruises i
Iii-ls al-out himself shame-faced-. or her
,--.«l blames the imagined Fates sure at mid-life to be found living
Gear in Naturc's teachings 1m mmd and able to
,‘r vhouscs the hardest roads cat-ery-
ihis wise' suits.
“'6 may he industrious in our pur-
luit if we aro not. nsturnllt'
equiprm-l to fillow them to the end.
in mayor".
Tho 1m;- or girl who will use his
natural talents is Vll’tulll."
‘in his or her fi‘t‘n home. cont-med
neathcr the
gain 1'! a rainy Clare.
“w i :3:
just as if r 'nnew what she:
"i mean. aboutm
""‘ ' "IZZ’.’ 71‘ I iIIZTLTTmJT'.
‘ THEWFILM
FLAPPER
SAYS—
By lNEZ KLUMPH
WHEN IT COMES TO DOING STUNTS. '
{in To: think about ...p also ru=iH .;,. i“e tan-.9 s'mi
3310"] the Flsmwr. “(uh far ins l'l
viking shout. . .
....,.- 1113i“: the stunts she‘s r‘lmzilos i‘n'uv‘r- long, and not lm so
suni w an insfcad of timing aichildish about it.
. .lu iimn.‘
‘.m an" lhe other as? i saw
...
;~ ‘f'il”.
.m' ...-up of Gloria. Swanson's
‘Bluebcnrd's
Eighth
l". “l‘ll‘h she is supposed to
2h '31“ P.
l rlon't know whether she
horonlf m- not; it was such
'r: wot that you couldn‘t tell. I
~
l
'83'9.
I rather imsgine thst
‘z :t. because such a dive isn‘t
"corpus. and Gloria_ does every-
~~ of that sort so beautifully
she wouldn‘t I! ll] mind doing
.... ....“ of us like jumpinz from ,
moving trains.
..4
'l tho: '.‘
‘v
i do object to having in}:
7;»... do dangerous stunts. “ hf"
1 don't Want them to
"Mir Ii\es for the sake of en-
2:12:11; me. .
3,».-. are people who are trained
things that seem dangerous
' ‘l
.: down steep banks. and all
11's to
n-v
L
"llllF.
of thing. Acrobats don't
n ‘\.1\‘ the rest of us do about
I And they get pretty
“'ld for ‘alouhling,’ so why
"1‘: may do it?
"vl'll‘fi".
lots of people resent
int-i that their favorites have
1': for some of their stunts.
mat about slaughter you if
'n! them that. Douglas Fair-
2 ad “‘llliam
S. Hart and
that use doubles for some
~ gurus.
1 don't see why-
' - so men do a. lot at things
liml in;
people never could do.
.‘t is too old to do some of
"If chi-ca then.
that either of these men
.ilxgn.
and Fairbanks hurt his
.v 3. cars ago and it’s been
They’d dAre do an)"
Ru: their lives are valuable.
isn't fair to the public for
. ..z to risk their lives When mule-tidilfllm’ffl
and;
dig is going to lair-I
on this matter
Ithifik ll‘“ r“.
u'isei' s'a'i-i «)7
Then thr- slats
won‘t mind lilting i‘c-r-l'le know
l'x'l‘o their doubles arc. and ti»
doubles nill get. crcdit {or “1'91?
gwork.
5 "\thn a man Who was doubling
:for Pcar‘. “hits in her inst scrhi
iwns killed pcople made a circadf~zi
’fuss ni-mzt it; said that he do} we
1dsngcrv‘rzis slut? and didn’t 1:»: any
credit for it. “'ell. it‘s the P'll‘lléc's
fault to a great extant that doublcs
don‘t get credit. and some at:
they'll realize it. \K‘hen the stars
find that. their audiences aren't so»
in: to bxpert thorn to be acrnl-ats
39-well as actresses they‘ll take a.
difl’crcnt stand too."
_ ___.
xx
A DISH OF SPANISH
TOMATOES.
? HERE is a delicious Ira;- of
l SPY.\‘lng eggs and tomatoes
dear to the heart of the
Spanish cook. llerqis a. somewhat
modifies! and simplified method of
r-rcparing it. quite suitablc to the
Amvrlcan kitchen. Simmt-r a. rap
of canned or stcwod tonmtoos with
three tablespoons of sugar for five
;mlnutcs. Melt thrco tablespoons of
lhutter in a. saucepan and add the
ltomatocs and flour slightly but...“
'eggrs. Cook until it‘ is creamy,
stirring constantly.- and cooking
slowly. Pour on squares of crisp,
buttered whole-wheat toast.
WHY NECKLACE?
This article of adornment la
England often took the form a: a
ihand of lace worn about the neck.
lAnd so it. was quite naturally called
.a neck-lace.
fcoilar or chain came to he called
,4 a. necklace.
3
And then any jeweled
More the general use
of the word necklace .for such
a they were called “collars.
failures in the world can be tmced'
§
\
. \
7 C2 K‘
J r,' i; \\
Wm 7/;V \
3 “/1, / ,.
$4 1
hummus-Thwar-
LET US KNOW.
’I'ro tourney may be hard and long
That rather: have to so.
And other nice may do us wrong.
1‘!) “rfing and new-er know
A". {triury is often done
\Vzt‘nout s thought or plsn:
Th- cloud that drifts scross the sun
llas little thought of men.
But we can lose and we can smile
And we can bravely roam
If we are c-ruin all the while
Th-y‘re all all right at home.
The thing that makes the journey
herd
Is not alone the quest.
ls nnt the worn; afterward.
The business and the rest.
The. battle is the hattle's helm,
“'ho lights is not. afraid;
But after battle comes the calm.
And when the deal is made.
And then we. wonder. then we grove,
Thcn day is at the ulnam. .
And then we pray and then we hope
They're all all right. at home.
Yes. tether: roam and mothers hide
And children romp end play;
The journey's long. the river wide.
And home is far away.
We hour the roar of many feet.
The pattering or none_
Each voice that comes from yonder
11109!
An unfamiliar one.
The makes the journey lonely-30
li-m‘mber while we roam.
Ami drop a line and let us know
Tho: ‘re all all right at home.
SOME FATHER’S DAUGHTER.
I new-r see the lights of sin,
That burn so much too brightly.
I new-r hcar a man hrzm
To speak at women lzghtlr. »
“UK that l Wonder. aftrr 3“.
5mm all of us ara- human,
I.’ ever hc may not ”Fall
its mother was a “omen?
l rut-0r see 1 south as well.
A :n-i in his cmbrares.
“Elli something the: I cannot let
imprinted on their faces.
Pm: that I wonder. even when
lie h-lrl her Mos-.- and kissed her.
Ii.- dd nut see ht‘fore him then _
A \l‘if‘l‘l of his sister. '
l’ HSTQF 99- A man of years
“‘hn lrcads the path of tour.
A path made sad with women's tears
And women's melancholy.
Fur shut I wonder. does he pause.
When in his arm: he‘s caught her,
AM just remember that she was
Some other father’s daughter?
11,. 50,5: Jewggl.
.1: (fix will?
‘ u 3' Flower
,, ' . V .
’*..'f.'.'-Pl'§3."...‘.._.”“.‘iu-.
STAR SAPPHIRE.
atone which legend assigns for
today. It is the star sapphire.
an exquisite gem of purest. blue in
whose depths is lit s tiny gleaming
star. The Ssngaless naively believe
that the star. which moves as the
sapphire is turned this “13.» ".4
that. serves to protect its wrest-er
from harm and the influence ofuthe
evil eye, which we modern: term
misfortune.
Lents lazuli. sometimes carelessly
rinsed as a species 0: sapphire. is
today‘s natal stone. 1: possesses
the unique property 0: guarding its
wear-e1: from disease. an especially
valuable quslttr’. since those who
are born within the span of the bin.
stone's influence. are destined to
travel and adventure in strange
lands.
Yellow. the sacred color of India.
RARE indeed is the migrants
is the hue prescribed by the Hindu: .
for west today. These who observe
this mystic rule will find success at
the end at any journey unda'tshen
today end they will be untroubled
b; accident. or delal‘.
Reflecting the blue of the sacred
stones for today is its significant
flower. the *lsrkspur. For m
functions which have material ad»
wattage as ”consumerism; mouth
the We is
_ husband
_ The T m Critics
I)! H. IRVI
what she chose to call “The
Artistic Temperament.“ That
Wasn’t it at alioit was her size. Shc
was only nineteen. Othcrwise Anne
was all that could he desired an
John Forbes was willing. na,v,.ex on
anxious. in join her artistic tcmy
perameht and all» {or a wife. A: .1
John “as not to he «lc~
spised. lie was a straightforward
young man of twenty-five and had
inherited one of the finest farms in
tfioverdale—which is saying a good
deal. .
a NNE BLAH was possessed of
Arms took lessons In drawing and
plintlng from a teacher of‘szz-‘l.
mutter! in It neighboring ton n, and
produced nlcturcs which both 5hr
Ind John thought mssterpieces.
The fact was that John did rwt
like tlis'pirmres at all but he did
like Anne and. unknown to himsei.‘ .
he got her and her pictures mlxr‘d
up when he thought abnut them.
If Anne had draw-n s came-l with
six legs and three humps Jolm
would have considered it beautiful
Under such auspicious cnndzggnn,
. one would have thought that the
course of tyre lair" might run
smooth: but Anne. sufl'crxttt from
too much praise from John. Logan
lo’l'e Imhllin’l! as “'cll as artistic
and to "long for hither things". 1:
she marrlml and settlr dnwn on
John: farm sf‘m («glide lh- long
years stretching before her in rural
pears and Wynn—“and hunvlrurv '
To l-c a :rnnd arms? ‘hc iflznn to
fer-l Was her mission on llE‘S 2
tis‘. globe Anl hos- rr‘flr‘i
it as l‘armcr l‘ortws‘s Wife?
She must go out
seek the aritsilc rcntgns 311.; “HT...”
associated “.121 ill“ chI' :tr‘!,<t arm
would at once receive lac:- imu litmu-
chcrmed circle. This v13 linr mic-
non. her fate; to le.‘ she must
sacrifice n or} thin; Risa.
This more she thought 3‘. over the
more she felt that size rugs: give 3;.
John or Art and after .1 {cw sleep-
less nights the resolved to leC up
John,
the broke the nos-s him .15
gently as she could. beggin: hit:
tearfulltr to forgive her; init her
mission was above all personal (-95-
siderstzons. John m-k :2 bettnr
than she had expected; in fact shr
was a little untried that he did not”
make more fuss a‘rout it. He did
3.1}- some naughty nerd-r» :zn-lcr his
l~reruh it is true. and ash-d \\ hr in.
the World she could uni. :isiunisii’
mankind by her zooms as his “fife
as well as by suits to the Great
City as sh‘e propose-d. She explained
to him gently, that sho must. in
order to bring out h-r full valiant.
have the companionship of other
great geniuses. Now John “‘11! by
no means a {calculi though he,
liked Anne's rim-arcs immensely—-
because Ann- pnintmi 1hr niwlio was
not. (finite so stirs that sun v. as :nih;
:'7'r--
51:4" (1"
iv“) tiin wag-Li.
9n
to set. the world on t.” uni: LI-r
Alt.
"\l‘ol". Anne." said h" at l»n‘:il:.:
“I don't want to staml in the “3)-
of sour turret“. as 3w: r..il at. 1
know you would nrwt‘r 1A0 ham'w
settled down on tho {.1 7.9-.)
thovrzht 3t»: int-412:2} . Jun“
else." He “.1!- un honrrt :v- Hit and
he meant “in: he said. i: “Mini
h. hard to fine up .\nnc~-1‘."f;i‘.l3.-
hard. Lilo to him “mild F'wor tm
the same again. But ‘1'" ’mt‘cll ’10:“
to Well that. he was Willing to gunm-
nnythlng in her behalf. lla rt’liild
new-r ‘ce happy 20an through the
years with the (cells: that he had
been the cause of her missing a
great and glorious career. The: was
the reason he did not urge the.
sspiring girl to fire up hcr design
mith the’ tenor and earnestness
‘strv-nz and usually white.
NG mine
'which Anne had expected and d.—
‘gsirrrl of him. '
A nei- his lint explosions John re-‘
mazned silent and mediutivs for
Mllr' tWo minutes. Anne “M in-
cliznsnt "13’9“!" Bald lb. It length
sharply,
"Uh-er- 1 R11 turning thing's ot'er
in mz- mind." replied John. "W'hose
the Mann of these painter tellers
in New York?" Anne mentioned
the name of s very great and world-
rcnouncrl artist. "Let's go and see
him and see what he thinks.”
"0h John, he—l am strait! he
wouldn‘t see me. You see. as yet. I
am unknown."
‘ lic‘Zl sce us fast enough.“ replied
John. "I knew him. He did some
sketchin‘, in my orchard last fall.
and we got real well acquainted:
said my plppins were the best he
evrr tasted."
“Uh. John!
m...
‘Whv I didn't know: you see. I
thought he was like all the rest of
.Pm ..
Arms was greatly excited at. the
ivosrwct of being brought in contact
“ith the great man. Here was her
rhanrc. at last. She packed one of
he:- rhoicest productions and she
and John journeyed to the Great
City? The great artist saw them.
thouth visibly annoyed at the in-
trusmn. "Hum" said he when Ann;
had disclosed Il'?!‘ wares." quite .
p:r~it:ro_"
"“‘hst had ‘I’ better do with it?”
snd you nave: told
‘asked Anne eith visions of an ex.
:l.l'i?l"‘7‘,
‘i‘urvi it." snaps"! the great man.
Anne was in tears as they left the
s! who but John comforted her,
~g. '1‘: 3m; r-ry'. dearte." said I"!
ruminciv. 'hr- doesn't know what
2:".- Hiking about. Thst is the
i‘r‘ffl‘fst picture I ever saw in my
31"." i
"Uh John." schhed Anne. "you are
'he uni-r person in the world who
really appreciates me."
I
WISE AND
OTHERWISE
By MARY MAR‘HALL
WHY caerhnucz
.\ .\‘ Y of us use the words
. chlniz and cretonne inter-
changeably. “'e ask to be
directed to the cretonne department
mail when Ult‘l‘o often as}: for
figure-l chintzes. having no very
Kilt-l id»: at the difference of the
mo terms.
Thn'ich there may be no hard
and fast lines today u to where
unr- sort of fabric begins and the
'vlltt‘l‘ ends. still as the origin of the
“unis gov-x there is very “ide (it-'-
Tcrcvcc. \‘retcnne “as the name of
.1 Fruich textile worker who first
invented a. sort 0 fsheic of hemp
R‘.u\'t’n “‘31“ line . It‘sms very
its great
strength made it desirable for up~
twinning. lt ens later nrintcd in
all $01!! of surf-Mire designs. it
«as not glazed and now it is not
‘t‘u’llfl accurate lo spmk c: giszed
t‘rfitrtnna,
l‘ut Chintz “(often glazed. This
material was origin-ll? imported
from the East Indies. and the name
is derived from a word in llln‘lus-
(an: meaning spotted. Thus the
first Chintz brought to Ezlrove as.
printed in bright and “liking de—
sign. It was regarded as sweeten?
suitable for upholstering chairs and
was usually glazed.
SCHOOL DAYS, -
. I
Vite THAT WYA-
vu. Slow ’W ““9
mite summ’ dome? '-
i seen Germ? mat ‘
g. ucnwi.no and:
res evens. ”9
m w as 60‘4"-
I'Va QT W's
L“? W
White Wash em. Blouses
Chosen fer W'If With Tailored
Cloth Suit.
THE tailored suit were with a
blouse or shirt waist is pre-
cminently a fashion that av’
peels t6 the American women. And
no one wears this particular sort of
costume us well as line-Xe Sam's
Wife. When we adopted the tailored
suit. surly in the spring us did so
with more eagerness. doubtless. be-
cause we were. assured that smartly
dressed French women had 214303th
it. It seemed "autbemic"—-"corrcct."
And now interestingly- enough
word comes from Paris that among
smart women
only ones who wear the tailored suit
are the Americans. The
women have trsnsferred their affec-
tions to the tailored frock. That is.
if they Ilsh to present s tsilered
exterior thev wear this one-piece
tailored frock. and if they wish to.
wear a suit it is tie-unlis- the costume '
suit. thst isn't tulored in appear-
ance at all.
Still they admire the tailored suit.
and many of the best of French
tailors are, still making it—but they»
count on their smut American cus- ;
tumors to wear it. For some reason
or other the Wench woman never
takes a lasting fancy to the sevei-elv
made nit the: is worn with a. aim.-
r~le blouse. This is probably be-
cause she seldom wears it to such
good advantage as the American
women.
Wench women. howex‘er. set the
fashion for the white crepe blouse
As an adjunct to the tailored suit
for the brie! time urn! they did hear
it. “'ith the cosh. e suit them is
usually a. blouse nude especially to
wear with that. suit and with no
other.
Many things go to contribute tn
this present-day preference for the
white silk crepe blouse. The pl"-
in: of the custom of starchlng‘
lingerie doubtless makes the hating
sud swlss blouse less desirable. be-
cause less attractive. snrl starching
went out of fashion when we began
b-u
WM“ when. arm do chute;
Nous trimmed with hemmehw.
It 1's m with a jacket suit.
Ii
::
Arc
in France about the'
French .
i
l
i
l
l
i
i
l
I
Q
i
i!
i
l
rm masseuse dc sole frock
trimmed with lace. There is a
m silver her: Mam tarth
rose: of the material.
to insist on soft, clinging lines.
The strictly mannieh white silk
blouse is the favorite of many. but
for certain women this is slurs
difficult to veer. Fortunately the
,shopa ere new meeting the demand
{for more feminine but still simple
sill: blouses. The sketch shows one
of these a: white washable crepe do
chine trimmed with hemstitching
and s. bo‘rknot o.’ rzbbon for a tie.
{The Pure White Frock ls Stamped
f With Fashion's Special Favor.
t
“ ERELY to I'-~‘nk of white
frocks." nus a French
3 woman. “H to recognize
{that summer has SC'TZRS'UY arrived—-
it is to wish to be attractive in s.
jdmcrcnt manner. in a mmner more
.glorlous. more southful.”
i For the French woman is less lnv
Eclined to indulge in the extrava-
igsnc'e of "ONE: vhite frocks. hats
and wraps in the city thsn are
American women. She reserves
feline for days spent under sunny
..skies at the seashore or in pic-
turesque country Villages.
, For as many seasons as you can
remember you have doubtless been
told. m: white was going to b.
“especially lmlrt this summer.” or
iterds to that el'l'ect. Every summer
l‘brinxs 'sbout nn "unprecedented
.‘vegue for while, an unequeled de-
;".“““3. for shite frocks. hats and
«finite accessories."
. A‘nd. indeed. 2'? any fashion is ever
in” to launch it is this fashion for
mu!" white in summer. It is s {ssh-
:lon, too. that no amount of popular-
:ity will render commenrlsce. For
,the wearing of pure white always
.1113 been and always will be, until
this world's! ours is final rid of
2cosl smoke. dust and dirt. s privilege
got the few or of special occasions.
It is s fashion that appeals most
strongly to the women of fastidious
3tsste. a fashion that exacts too
much care and precision for the
the women who is not punctllioul
in matters of dress.
The shape show all sorts of new
;white fahrlcs this summer—many of
i'h’m bxisg or the slightly cream
tint th t French women find so
much more becoming than the white
that verses on the blue. Many of
these white mater-leis are of cotton.
end fine linen is used in combine-
llon with lace and hemstitching.
More desirable in the estimation of
some women are the crepe silk
fabrics. The_al‘etch show. I. .frocl-r
of white moussellne dc sole trimmed
with. lace and a narrow silver belt.
decorated with roses made of the
white thou-sense.
W
DID YOU KNOW-.2
That really well dressed Iron-zen
I'ho ride are choosing summer cos-
itumes consisting of white linen
breech” and rather short sleeve-
shirts?
Becsuse— it butts out. Savages
The ancient Greeks and the Romans
used strings and girdles. Buttons
erg a product of modem civilization
and took their name because they
are illegally little knobs that but:
out treat the surface or the clothes.
(that the hvortte type or Mites
n M, is of the tailor-ea ulc-
slat I”! In“. up in um Muriel?
'7’" m?!” 3‘03!!! Woman on
for her holidays in mountain. 1.29
coincides-econ when an arm.
“has «mint and any moraines
may be chilly ands thlsruae mum
9
less coats worn over white messiah
use strings to tie ”their clothes Qn. '
choice.“
4,- -..... .. ..