‘ . --~r wish in make invidious
I - rs lxotwren one type of
nnvl another. because
man's hearsease is an-
’ : ‘w .if‘CbllI‘n.
s o I
M husbinds is that
1 (lxqr‘onr‘orting habit 0‘
ilmy have chosen us
unrzd and are very well
v': ‘hnir choice.
:xuxx are a bride. par-
ynti've been caught
"Hing green. there is
. l~~‘.m'.'e so readily and
v , 1: «int which you de—
! \mir heart to believe!
. . 33v it is so very painful.
2w mmos to wake up to
p ‘i in: t. that this sdmir~
:: of having made the
' rm ~i ms not prevent bur
_ Lntpilil: awntchfui Ind
. ~ - wiml 0W on the rest of
. mm lif- population.
;n the lurch. us you
which makes for
swam. as you might also
.l...lnz
.; ’-— nil. it requires a very
1 young woman to re-
, i—vml. collected and un-
~_ iv indifferent while she
lilrht of her husband's
l-- lmlng umpteen cln-
~ l-‘lng presented to on
7- ‘v nn‘m.
wont of
us. in fact.
ll‘llnfll‘i.
» way of saying that
: u love we fall in with
‘ . sumo time.
is anything on urth
: izfja the very dickens.
L.» thoroughly take the
. w" low‘. the Joy out of
u I-‘lt uf our hEart, if is
:' the love. the greater
Br am nos
—°_
manual,"
The lecture New W
—o—_
- WBWHMEMADE
Ifyousresslaveyooareawill—
ing sieve.
There is so other kind.
Daylight saving!
Ah! But there’s more in it than
that.
What better magic than the morn-
ing light to sweep all night terrors
away?
There must scarce be a sorrow
that does not seem s.
when the dawn sheds sbrosd her
gifts of renewed vigor. fresh hesrt
and fresh hope.
It is easy enough to forgive.
Ales! Ilow hard it is to forget.
O O O
I often think what would ham
if all Benedicks were mods suddenly
alive to their power over their wives
and exerted it to its utmost cspecity.
Why! We should all be sticking
the trade-mark. “Meade in Heaven.”
on our marriage lines. .
It doesn't tske much to make the
average wife happy and contented.
But it's extraordinary what s. lot
of husbands there are who con't be
bothered.
O O O ‘
The hate that was once love!
The bitterest of all hatreds.
Any fool can work hard.
The great thing in life is to work
hard at worth-while things.
0 O 0
Something to come hosts to!
What a. lot that mesns to folks!
Perhaps all the world to some of
them.
Sin pays wages.
‘ THE FILM
. ‘9
I" By [NB
1 know what is one of
war things about "l'he
I" mmnndmcnts'?" de-
i"l;ihp¢*r. finishing the
l'hri-ztmns candy. "Well.
‘ 2‘ ::i hngics, X think.
‘ " - w r1; imDonant, you
1 gm have to be ~in pic—
“ u-s and years before you
31 about them. I don't
' — much myself.
'.- 'in't move‘ about freely
‘ the camera. because st
' "-‘x the photography will be
the way a scene is
I never saw
for),
at. important.
. 'l'i’h‘irld‘. work in any other
a Mr. I»: Mills has put into
It's quite re-
.‘istnnr‘o, there's the pdl’l
larnr‘lltes are pulling that
'*:::‘.nnt across the sands.
‘ 2v they'd look to the men
-' l: (ling up on the platform
' .rnnnt is on flogging tho
wore dragging it. There
-- who!!! that are like that—
.‘T'J' take your breath away.
«we are lots of port! of the
' '.1-lll lments.’
SAYS—
KLUMPH
picture where your breath cuts up;
it's one of the most thrilling I've
ever seen during the Biblical part.
"I didn‘t care for the modern port
of the story so much. It's good. but
thefirstpartissoswfullygoodthat
anything else is dwarfed by com-
parison. And everyone I know who
has seen it feels the same way.
‘Rod Ls Rocoue is very good in-
deed; he's going to utonleh every-
body one of these days. when he gets
3 pin that fits him as that in ~11:-
Four Horsemen' titted Valentino. In
fact, he comes pretty near it in this
picture.
"And I hke book .11 the mean
things I've said about Estelle 'l‘sy-
lor. She is simply greet us Miriam.
one of the Israelites.
to think she could set. but now I
know I was mistaken.
"of courso. the opening of the Rod
See. and its closing sre marvelous:
that's one of the biggest scenes ever
made. I believe. In fact. the picture
could rest on that alone.“
"Why don‘t you go on and tell me
the whole story the picture?” I
asked. mu .
"Oh, that might spoil it for you.
You already know thst their is. a
Biblical halfofthestorysndcmod-
ern half. and that the theme is that
if you break the Ten Commandments
they break you. end the picture is
one of the biggest things that’s ever
been made? What more could any-
one want to know?"
RUBY
«ntandm why has excep-
"a? power today. since if 1‘
H the mnemonic and new
- According to ancient I99"
' 1’ will preserve the pod!!!
~ . ""xl health of its mm. W
km from contagious.”
scams!“-
‘1‘.” him immune to
r‘: .ntrm‘ersies.
.mm Mandcvflm m 1"“
rang. bracelet or brooch-3“
f .. 1'. 0:: the left side.
5 Park is the hue W"
' j “"r.’ for wear 0!) MW»
. ‘ arm‘. to give WI
mvi fortitude M. .
min: is today‘s -
' W?! are secured If NJ“? "‘
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e
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¥ ¥ 5qu
By CLARISSA MACKIE
“ 3. Fran. have you heard the
news—of course you would
. hear it—perhaps." Adelis
Robb paused. embarrassed. She sin-
cfl'fly wished that her friends would
not break off their engagements and
create awkward situations.
"What new-1" asked Francesca.
making room for Adolfo on the win-
dow seat.
“About Doctor Grays and that
position in Porto Hi I hear that
be hes given up an ught of going
there, and will settle abar home here
and practice medicine.”
"Yes?" Francesca's voice held just
the right shade of indifference to ex-
ssperate her friend.
“I thought you would like to
know.” remarked Adena maliciously.
9'so that you could still accept that
teaching position down there. “It is
still open. I hear. and now that Dick
Grsye has changed his plsns. it
won't be awkward at all for you to
carry out your plum for ,tesching."
"How splendid of you to think of
thst. Adeiis; I will send e'. message
01 at once. I am so bored—after
everything—I did not feel like set-
tling down here in Miss Whistler’s
school. with all» those girls knowing
about my broken engagement and
changed plans."
"I surely am glsd if it suits you
to go—I wouldn't mind trailing on
with you to that tropic isle. only—
thsre's John." , -
”Of course." sympathifl Fran-
cesco. dreamliy. '
"I must go—let me know when it
h sll settled. You won't have any
clothes to buy—it’s nice to be ready-
-—~uothing but the voyage to look
forward to." '
Adelia floated away about her own i
affairs, and Francesca. went to her,
desk. There was no hesitation
about what she was going to do.
Events had moved rapidly with her
lately—the plan for her marriage to;
Dick Graye. and their departure fax-l
Porto Rico. where he was to take
charge of a small hospital there“
Francesca was to leach school thorn
—her Spanish made that prflsihiev'
the first year. Then came the rift
that widened to a breach. :1 terrible:
misunderstanding of simple articns.’
I. little Jeaiousy. and tho engage-g
men! was ended! Rho had hastilyl
cancelled her acceptance of the
teaching position. and she had
proudly withdrawn from any possi-
ble source of infon'nation regurdingl
Doctor Graye's plans. It had not'
occurrcd to her that he. too. might,
not care to go to Porto Rico alone—n
he would probably settle down to
regular practice.
home.
"Oh. well. I may as well have my‘
dream of tropic islands come true."
sighed Francesca. as she wrote the'
message that was to decide her dos--
tiny. A week later she was selling
out of New York Bay. her eyes so,
dimmed with tears that she. could
not see the majestic figure of the
Statue of Liberty. lt was a little
rough outside. and Francesca, un-
used to the sea. retired to her state—E
room feeling very miserable indeedl
The next morning she felt better.i
.
l
.
l
and have a.
Asnd wrapped in the heavy topcoati
that was a. part of her frmix'smlu.‘
with a small hat pulled closely on»:-1
her face. she trumped valiantly!
around the deck. oicing in tht‘g
fresh sen alr, and lgathing in nowi
coursge with every brcalh‘
of delight. She knew {ow of her
fellow passengers. Mada frirndfi
with a little old lady, who invited
her to eat at her own mhln. After
the arrangement was made. Fran—
cesca did not feel so lonely—she felt
es though someone really wantedl
her. ’ E
If Francesco had only known!
there was someone else aboard that
good ship who was thinking about;
her continually—who muttered un-‘
der his breath one day when Franfi
cescs. flitted across his path. He;
could only see her back. and she'
looked so like the girl he had loved
sud lost. One cduldn't blame him if
he did mutter under his breath.
What fate kept them apart in the
dining saloon I do not know. but
they did not meet. One night when
there was a heavy swell. and the
lure of the moon was too great.
Francesca crept out and nt for a
lonely walk around the d A few
others braved the motion of the boat
Just to see the outlines of their is—
land lifting in the distance. There
was the sound of music and dancing
from below. hilt Francesca. cared lit-
tle for that nOw—she wanted to be
alone with her dreams, broken ss
they were. she was not accustomed
to the new rfition of the boat. and
st the first turn it threw her OR I!"
test. A pdr of strong arms caught
her. nod for an instant they elm
together.
“Are you hurt?" he asked kindly.
not! something in the timbre ofrhis
voice clutched at Francuca's heart.
thank you."
ndrnwn
sighed. "So like little Fran,” he
thought wearily as he resumed his
tramp. ”Better go below—it will be
better in the morning." he advised.
but Francesco pursued her welt.
nowthinkingofthemsnwhowss
so like Dick Grays. in his bigness,
the tone'of his voice, and the very
fsintscentofgoodciglrsthstcluag
totheblgovercost.
Flveminuuslsterrrsncescawss
momma: overcostes
newcomer-rescued another
tumbfi.
“I on sorry—I will go below.”
~ apologisedrrsn.
rwm tabs'my sr'm—confouud thst
iA
. and because they
"Yes. please." and I'm hsd the
pleasureofsrealtrsmpsroundsnd
around the deck. upmld by a very
strong am. After awhile he spoke:
"Excuse me for not introducing
myself—I cm s. New W doc-
tor going down to Porto Rico."
"AndIsms'NewEnMschool-
ms'rn bound for the some place."
“That's very odd." he said sharply.
The moon burst through A cloud
just then. and her new acclaim-nee
swung Francesca about until they
faced it. * . ’
"Look at me, please." be said in s.
professional tone. and lifted
her head in the close but and looked.
“Dick. oh. Dick! I never dreamed .
it might be you!" she struggled
away from his grasp. but he reached
out and caught her to him. ,
"Never again. little Fran.” he tri-
umphed. “Here you are. and here
you'll stay! What Are you doing
here?" »
"G-going to teach in Porto Rico-
Adelis. said you had given up the
medical position. and so I csbied
that I would take the teaching posi-
tion. after all."
"I‘ve had no intention of settling
down at home. and my Cousin Adena
probably made up that yarn to bring
this about—"
"The clear thing!" cried mm
"As soon as we land in the morn-
ing." said the practical Dr. Dick. "I
will try to find a minister to marry
us. and you. darling. con send g,
cable to the folks at home. and up
1"
for their blessing .
WISE AND
OTHERWISE
By MARY MARSHALL
SHOPPING LBOUND
NO ’ELTY that will attract
your attention at the lace
counters consists of strips
of Belgian hand embroidery on
very coarse net. The colors are
vivid but not crude. and the strips
are used for starts or as trimming
,on frocks. They might also be
used in an interesting .way in
decorating lounge cushions or
other decorative accessories.
At the stocking counters or in
the specialty shops where stock-
ings are sold you will see now—
adays the new fiber and lisle
samples. They are quite as ex-
pensive as good quality silk. but
are preferred by many women
‘who see, them because they are
firmer and more dursble than silk
are distinctly
suitable for sport wear. They are
made in two tones in rather
striking sport designs or in solid
beige or gray in fine ribbed eflect.
some of them with a fine open
stripe between groups of ribs.
Alpaca is one of the smartest
fabrics seen in the shops where
goods by the yard is sold. For the
black afternoon frock black silk
alpaca is excellent. It is soft.
shimmery and rather heavy, fall-
ing close to the figure. Wool
alpaca. which is less expensive, is
quite as smart and recommends
itself to a more severe type of
frork~~a trim little street frock for
spring. '
Black silk alpaca would be an
excellent material for the all
black frock trimmed only with
white or ecrue lingerie or lace col-
lars and cuffs.
Machine embroidered crepe mgy
be bought by the yard suitable
for making Spanish shawls. It
comes in flfty-two-inch width and
fifty-two inches should be bought
so as to make a square. Long
silk fringe can then be sewed
around the edges. A shswi of
this sort has not, of course. Quite
the appearance of a real hand em-
broidered Spanish shawl. but it is
very much less expensive and is
really very attractive. It would
make an excellent spring and sum-
mer evening wrap.
umwmumm
THAT'S LIFE
Up hills I never knew were there.
Down voles I never knew to be.
I followed life. went ev'rywhers
' The path of life might beckon me.
And took what who. nor mourned
what went;
Since this was life, was well content.
And if I eve. had a‘creed
To write and hang upon a well.
Some motto for my daily need.
It Just was that, and that was all.
Take life the way you and it. son.
Nor mourn for some imagined one.
Life isn't what a mortal dreams.
Though smell or great thst dream
of his:
Life isn‘t over what it seems.
Life. after all. is whet it is.
Has both its hills and values to go.
use both its laughter and its woe.
We life; now live it as you m.
Andakethejoy.sndbesrtbo
pain.
And. sometimes fool but always man.
Accept the mountsln and the
vie-in:
And. when you meet your hour of
strife.
Remember. sfter all. thot's life.
a
THE GREAT WHITE WAY
A million lamps. I guess there were.
A million jewels. so it seemed.
Saluted every trsveler, ,
From every roof and windo
gleaned.
This foiryiand. I hard them ‘7.
The world had named the Great
White Way.
The Great White Why? I drew
more near.
I looked in many wesry eyes.
And fu- swsy. l knevf. from here
The great w way forever lies.
I knew that somewhere else tonight
There burned for all a brighter light.
Somewhere tonight. perhaps in truth.
Perhaps in only memory.
Still stands the cottage of our youth.
And from its little window—aeol—
One faihful lamp its gentle glow
Throws out acrou the drifting snow.
And even while electric gleam.
gnu surging thousands idly reels.
Their hearts recall the lovely been
at mother's lamp in mother’s
home. ,
AndpraytoGodtbgosomedsy
And walk again her Great White
Way.
, .
Something to m About
Eyes of Your Neighbors
.._____oy as. .
N either side of you. Across the
way,_ and a. little further up
and down the street. the eyes
of your neighbors on keenly watch-
ing your department. moods sod
manners. '
They hsve a way of mounting
up your affairs. temper-most and
sctivities which at times is almost
uncanny." They seem to know"
whether you are living beyond your
means. whether you are s kindly
husband or wife. whether you are
"binding“ or playing the guns
life squarely. . -' .
And these neighbors cookie and
ingwhenthcymeetyou.sslfyou‘—
weretheenltedoneinaosstprww.
. Ifyousre
you; if you are poor they
you. Butiflsryshould hsv.
munor‘iohn be. taken
measles. Meal-mg.
whatever rsncor we may have in
our breasts. it keeps us believing in
our kind. in the bounty of life and
the goodness of hearts. even though
eyes are envious and lips are m
to gossip.
There is nothing more amusing
than the inconsistencies of humon-
ity. always keeping us
Who of us can tell what we shell
do under stresses of ‘ emotion.
whether we shall curse our neighbor
or throw our arms about/his neck
sud bless him? f‘ ‘
'There is hidden somewhere to -
every heart a spark of divinity and
‘blenessandoftcnitisfoondw
the eyes of our neighbors while
I‘Lv
311.17,. a '/II D 37/1173».
Ilse warm Tunic Turns Its
Lice Side to the Back.
0 woman can afford to look
N only straight ahead in the
mirror nowadays. She must
contrive her looking—glasses so
tint they give as clear a vision of
her back-as of her from.
For womanflor st least the
women who dance—mast have
discovered that there is no time
when eyes are leveleled so criti-
cally at her as when she is danc-
ingfsnd it is‘the back of her frock.
the back of her head, the back of
her shoes that show pre-emminent—
ly on the dance floor. True her
psrtner may get a fleeting view of
the front of her face and the front
of her frock. but who cares for the
psrtner in hand? his the pos-
sible future partner at the other
side of the room. the partner who
has yet to beg for a dance. that
Is most worth impressing.
Some one even went so far the
other day as to say that a trim
ankle ands well-formed foot count
for more than a pretty face with
young girls today. Face-s may be
partly hidden beneath the low
drawn brims of cloches and pokes.
Foreheads have been forgotten.
But fashion insists remorseiy on
showing our-feet and ankles.
Quite as important are our
books. If it ever was possible for
women to go through. life like
psper doll creatures of two dimen-
sions. it certainly is so no longer.
As great attention must be spent
on the adjustment of one's frock
st the back as in the front. Strings
' of pearls and other neck trinkets
are sometimes hung with the
pendent at the back and one ven—
turesome young woman recently
placed a corage bouquet; at the
back of her frock. It became so
quickly crushed when she danced
with it in front.
So quite often dressmakers and
designers save their most ornate
fabrics for the backs of frocks.
The sketch shows s frock suitable
for afternoon dancing. It is built
over s block sstin and isce founda-
tion while the tonic is of half and
half construction. the lace section
being turned to the back.
appeal to the graceful young
girl of seventeen. eighteen or
theresbouts—this fashion of the
white lace or linen or organdie
cuffs and collar worn with the
very simple black velvet or satin
froc
.
IT is s fashion that makes strong
At tea the other’sfternoon at a
hotel that at present draws a very
smart but conservative crowd at
too time we counted no less than
five young girls wearing white
collars and cuffs on block frocks.
' They might ill of them have been
school girls. so slender and supple
were they. One of these young
afternoon dancers wore the
simplest of black frocks with very
boyish looking linen collar and
cuffs sll prim and starched. with
silver link buttons in the cuffs.
Another girl wore a frock of black
crepe with very short sleeves and
this was finished with a line cream
loco set—the cuffs being applied
E S°S
_ By MARY MARSHALL
~ Foreightyeuschiefesuhfl' toAneRittenhome.
mus. ImumlcclmNmWs (
s1 7/14 r-s Z" 737. D1 7/11 P“ 7/14 rm,
1
Block satin and lace {rock with
"half-cnd-le' tunic.
closely to the material of the
sleeve—and almost covering the
entire length of the very short
sleeves.
Perhaps the most interesting of
those collsr and cults sets was the
one sketched here. It was of
white lace, the cuffs being fulled
and somewhat puffed like the un-
dersleeves of the 1860's—and hasb
ing the same appearance save
that they were applied on top of
the sleeve of the frock. Further
to add to the straight. graceful
lines of the frock. there was a.
little Sir Walter Raleigh cape at
the back—made of black bound
with white.
momma or MA 11 JONGG
E who announces his intenp
tious of a trip to China now-
adays is deluged with re-
quests from friends, relatives and
more acquaintsnoes for msh jongg
sets. He carries innumerable corn-
misions for than sets from malt
jongg enthusiasts and those who
merely hope to become enthusi-
astic.
"But don't get a. new set.” in-
structs the real mah Jongg fun.
"We can get that sort here. Get
a nice. dirty. yellow one that has
been used by wicked old Chinese
gamblers. That would be so pic-
”turesque."
Doubtless the astute Chinese
merchants will find a way of
"exams" new nah ions: sets
overnight—leaving them out in
the rain might help. Because
after all there probably have not
been in all the ages as many
Chinese gamblers who played mah
jongg as there have been Amer-
iczn tyros of the game in the few
short months since it has become
the fad. '
Some enthusiasts over the game
have gone so far as to have special
nah jongg rooms. or to refurnlsh
a little room off the living room
or drawing room in a. way suitsble
for the astute old game of Chins.
Perhaps for most folk it would be
enough to have a “mah jongg cor-
ner" in one of the iivlhg rooms.
Usually one uses an ordinary
bridge table for playing the some.
but it is possible now to buy fold-
ing bridge tables with tops of
Chinese blue, lacquer red or jade
green with Chinese figures painted
sit the corners and on the legs of
the table. Chairs to go with this
should be in lacquer red and of
course the shade for the bridge
lamp shduld show some sort of
Chinese design. Chinese prints
or panels ‘bhould be used on the
will to furnish a suitsble sud
sympathetic background. ,
If one wants to complete the
picture then one must wear some-
thing Chinese when one plays. and
sssmatteroffactsomewomen.
following the craze for all things
Chinese; wear interesting Chinese
costumes consisting of
trousers and long. loose Chinese
costs with elaborate embroidery—-
red drag" ans. temples, etc. .
é
D
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MOW”!
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