.2’4777Z'fl G‘J/LO
.s.) ‘ / ,.’ r"', I.» ‘1‘ F /_-:’
’0”; 1., c- : ' , , - .1 4&og/3/0a7W/‘m M00”
Never-(j1(.1t.r 3‘1. _ :1 . 1-1.5:1t Always Different, the
v» 4 i
11pp5.1-.;;1.:;.~_ tut 1'... Wo men of the Stage— —-Not 1
lniretguC-t gal 11;ttastofFutureFashions %
. . . :.1.-.1s. it it": excr becnI
“ l 1 1i m illl<>9ll .‘tl. ixino l‘leiottI
1. 1 1 i -1 1. in I." ‘lii'ttl sinud— in ”if?!
.r . ' . 11‘ t',1'r pnpulttiiiy-~f1)r theI
.. (1., . ' ' 1111. it is «(wally true
.'ir1. . t1 ‘ ~11 1" '."111.1cn of thc typo of Ethel:
I'i . “ ' 1 . 1 lflxm lfiri'iz'ikun. ironci
‘l1- 1 1 l .11: 2h» "wars" who have1
‘1, ,.- . j 1, ' . ..1: " 'li.1_\' rvlvr» ~(1nt the lit-I
In 1 .,11rn-1;.~1-111:r'.:itc modes
rvt' , 1., 1 1 w: '.\‘:Il11n.i'. oxi'r-piion, in
in 11-111 1‘- 1' 1 .1, .. 1,‘ :ii 1 r. i do, pt'n'sonting llic'
1,1 .; ,- - 1 . '1 1" f-11111.i';'u'.v it) tho tiit‘atre-‘
(If "1 1;. .; ' . '.i 1i' '1 Fiji I
11,-. ' ' 1:111:11‘, not only to the aC-i
a . 1': '.‘;:- Kgli‘flilill; rhino, but to?
ii in i 11." ilii' b.1Vl'l‘31ill‘t‘I. who have
\1.’ " .. . .'1 :in 11.1111 ul'v-ulvr opportunity
l 1 ~ ' 1 :1 1- fashion tiixin the wunwni
i"1 ' ‘ 2 1 . 1.1:1111. .'~.lli‘t‘ lhv‘y make a pic-
1111 . [JES (111 :1) .'umtiwr. requiring ‘
2: 1~ 1v »: if Hummus for every one. '
t] 1' ‘ 11 ' " " 1. - 111“.“2! biltillefl: m‘lrcss mnyI
n1‘1 .1 1' i 1 ' ‘ 1-411..._~r1:1.~.11-r'r:41r'.)inthe saline:
n: ' ' 1-1 1.111, 1.112. nf tours". wilhuuti
1.1M» r : 1 1:1 ' '1 - t' :1? .'1"- .~ .11 h11t'.i]~|uirv1l. lmt with cum-I
"1.1". '1 :v. ’ - ' " 1; .11 .1112} i'vw 12-1w frocks from the"
lions in '1.‘ ‘ ' 1 ' 1 1 ’ ' " ' - ‘l [(-Iilf I1f How. I
::“11In:“."‘ ‘ I ‘ . .. ‘\' ‘ \ llununs "Julit‘t" “'vars Satin. ‘
“1‘ ii» ‘p ‘ ‘ .. " .l1r-1 l'uw! brings a lovable and;
'0 ”m “1"»:er 11 | L up _\ 1.;1izl.~:.11 lliit‘l‘llrolflllou ut' Julivtl
1041"” .11.l 11: A , ‘ 1 z. -1 prawn: iizt} sing», and wcarsz
11111 ..1 (-t’ wril-lmloved hcroinei
Amcrit'un Ami-11». . \11111i1ly \‘l't'll- 1,. 1}} . 1::1 \1 “1.1.03.1,“(hm-”L W1: 3“,:
“Fl" (3 r' ;1 ‘:;:'«l lwl'u in frock of subtle]
“'0 arc. £11 :1 11 ;. _: . r . 1..- 1 1i ,11.‘ 11.1.1 11.:it-1rini .'t satin tlintI
of our wmfi":1 11: " - 1 7 1' 1- . 1» ‘..:1“ 1 llilll-l to .'L punt. and half
for their t:i‘-' , l - i in ho plain. ifs (listincllvcncssi
in dross. it 1111 11. 1 ,1 11m 1: :1 .11 illl‘ licyptlnn lirapc. the qtmintl
the bout Hit'WYH 1:11 -1 . ‘. .111 .t or iii-1 urnnmcnt that holdsI
their nnmo 1: :1: ; .'ll" 1' " 1 j- 1, i who 111111 1l-1ny lt-——ln the way}
as tho (111531111111.- ..r 1 1 ,- 1. '. ' 11.:vsvvmr1 \yuuror injects her own.
by Amcrl'wn i. 1.1. 1 r 111- .\ 111:1! *1. .1211. its m'vry line. i
t‘ ’ A [man .21-
fashions just .1 .- 11
W
of drizzzlit is sccn in thni
WW
Ole'iE BOUDOIR
HERE is lntenm intrrcst in tho cffcctivo. They are wool lined. as
ll””“.'<'(ll'i"'- of {ARM-.1111, (his 91"1- '.\'.1ll.
mm, :i1z1l .1 .1':»'-1.~ .1111 :11.!'. ’l::1 J'ipnncsc Honrl coats and the
\vhn'i'vr l‘ in f r ".1 Kim". H” .‘ .1r1n roots from China (‘all for
tho hmni 111', 11til .'iii ‘.‘ 11111 .1 111'); 11 chess flint are designed. if not
details .‘U‘I- 1-4:: .12.‘.v. . in thc (iticnt. Thcy may carry
possiifle tn 1:. 1 .111:.- 1-71 I110 5.1m:- motif in their embroid-
without ii'V-"t 11 (11:':. :1 “l“S as the coats themss-lvcs. and
ly” nrzv'l "1T1w " (1-— :I .11.. ~ 1: 11:11") in tnlor'. For nealigces of the
wmlin of 11.1' 1-: i it: v 111 1211-r't1r sort-—-lhe crcpcs. ('hiffons.
mcnt tlmt :1 1 1-1;':1i 1 1111 i~ i'ii- ~1’.r.~x and Gmirgettes. as well as the"
pornth'n. A1117» :1‘. :1: : lundrm'w 1i1il‘1‘1rn \'olveis-~—tho satin slipper. inI
of many [\ITWI‘ 411.1. 1 ‘i'im 1 111111.111 form or other is Correct. it}
have fun‘l'» 111:1 .. , :1rt, 1111: 1-7111. :1. 5- lm hccllcss or have French. Span-I
with f1i11I-1 lm' vans-1. {irztl i111 .11 or medium hccls. but it is a.
1t1i111ti in [1.0 [T 111:1; it is to cum‘ 1‘ wifv. lovcly thing in every respect. I
Dir-r11! nt. ' .‘11- type of shoe that has no back—
So it is th'i‘ ws invn n. .U‘rinrnil- 1illnd”mule.” perhaps because it is:
typo (if r:"‘ 5‘. 1‘_ yv,'.21- I1." >"‘;1'1l:‘ f0." *0 stubborn about staying 011—13 aI
lounrm r11111, . 11I.(:<' (1.11. 21.1 .zi'mrit u with many. and comes inr
coat and $1111 11 1. 1.111l 1..1‘ numy interesting materials
lat'n, 111:1?!r1i 1' 11'1111; 1.1111- 19. 1:11, i- 1- tlin type of boudolr apparelI
felt “mi 11:13' nut-l 11 .1 2. 'i‘iic ‘.h it is \cry close to an evening dress I
rm?!“ .1 -.._1~ ' r v 1 u". 1 11k 1 'l >1 s: mmwd, brocadcd slipper worn.’
shows 1; 1.1'2‘ 11-1 :1 1-1 1.-:.1 2h thr- lath-r is quite correct. Satin:
(m. .1..'.I . . .. 1.1.1 Tht‘ 111.11 \1 11-11: play their'part in the foot-3
)ngicn.‘ 1111.1 21.1 I .1 1‘111 11.1”11112111 \"1111r 111mb- ns related to boudolr cos-
it r1121.' :1 '1 11.111' ili‘.I‘I‘\' if n:1l limos aml thcrc should be many;
nr'tv 11 ml- '. nr 1 1: _1 .1 1-. ti. 11.111111 i‘hi‘sittiiis suggestions in a group oft
bomb :2: 111 n 1 111 hivm: ,1. ' 1 .11“ no»: "r at" shoes.
,\11 ll 11-h \I All: Quint-d Satin. Leather, Felt: One I
ii.1.~. Hun) (twice: 1'
High “Cris. [mu lll‘l'lh,
4
77/4)" m/V/A’f JFK/pr Ed‘fl/Véif .0094)"
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(Ar/4 /,4_ C‘M/Y&A 47? I)"
67 0£ZEC7¢9’4£‘ 1‘7?ch 9 ,
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announcement that Doris Kenyon will
soon appear in the leading feminine
role in "The Gift," in new play. Miss
Kenyon is a study in black and white,
Ifrom the close little but with its band-
ing feather fancy to the ermine scarf
with its blflCK tipped tails. the latter
fur a favorite of fashion this present
season. whether it be white or dyed,
and whether it wear its tails or dis-
card them.
Royal mink is the choice of Madge
Kennedy. whose mischievous charm is
dear to the hearts of both stage and
screen enthusiasts, for she never
wholly deserts the one for the other.
Just at present she is appearing in
"Poppy," and filming the scenes of
“Three Miles Out," her next photo-
piay. No lovelier model could be
chosen to wear this favorite fur fash-
ion. With its border of carefully se-
lected and arranged skins. its wide
sleeves and bolster collar.
Miss Inrres Court is shown in the
welcome simplicity of a typical jeuno
fiile frock! It is sure proof that a
thing need not be elaborate to be indi-
vidual. indeed it is proof to the con-
trary, for nothing could be simpler
than the straight little skirt and
”1.." 14/ flzllf‘_'7’/5’A:67/‘ 7' '
‘ ( )1
‘ 61:?
equally straight little overblouse of
char-moon. With a belt running half-
way round. cloth covered buttons
straight down the front and sheer
11inch collar and cuffs. Both the hat
and the footwear carry out the idea
of simplicity.
When Edith Day pursues her inde-
pendent way through "Wildflower"
she is lovable. delightful, unusual. In
tho pictured frock she is unusually
good to look at. since this particular
period style. gorgeous though it may
he. seems to have been designed with
her i'n mind. The gown itself is made
of Chantilly lace and sequins. the
latter making a. sparkling belt and
pointed panel over the former. the
tight littlebodice is quaintly old style.
and the bouffant effect is obtained
through the unusual medium of fluffy
white ostrich plumes. thus keeping
the whole frock white. Could any
evening frock be lovelier. more mag-
nificent—or more simple? 0r anyone
be found to wear it more naively?
The fashion of the tight- -bodiccd
bouffant frock can be used. but must
never be abused.
We Have Reason To Be Grateful To
France.
The American stage—and its ador-
r» ashions of
5 STAGE F OLK
Iiiordoni'
fthh
,thn pcrsonulxy of tho
1 layer)‘
ISUflilliy
it‘hoson
.l1‘rt nt‘ii.
i
//>’ 'éoéfl/OX: '
.\l iss
flilt‘tl
to
0X press
on the stage and off.
brought back runhs
beautiful clothes. (it-signed
“Miss illuubt-zird" and
actress
cliost-n pcr-
fashion.
frock
garment has hr‘cn
by Miss ilordoni and it was
in the atclicrs of the great.
so far :12. Paris fashions are concvrnmi.
l-‘nr Miss Bordon: inszsis that the
i1‘rcn1'h kllf‘r‘V has: how to cloths lilt‘
\tiiit‘h only svmtis rm:-
nnztly r":l\l‘l".3]|1t‘. hut
)Ii‘0\ 11:1 i'uziclushw-iy the case
mil
HS 11 tin-(try, is
(HlJfl in
\x x
1117/»:- COW4 I/f/A‘ffl/P/A’G‘ ’4
0/9/7204'& JWWfl/Vflflfz {Mi
x927? 77¢Zf/Y7‘r9/X0 5477a” 73
(P§/‘7’[0 flwgc/aA/fr " ’
ing public—has every reason to be
grateful to France. not only for the
charm of Irene Bordoni—appearing
on Broadway in "Little Miss Blue~
beard"—but for her contribution to
of Miss Bordoni herself. The coat
dress of oyster white crepe. which ap—
pears in the picture is only one of
the many delectable models worn in
the successful little song-play, and one
suspicions that no small share of its
success can be attributed to the
charmingly frocked little comedienne.
“'ith practically no exception the
clothes of the women of the stage are
individual. which argues effectively
that individuality is of the utmost im-
portance. And they are simple. with
a simplicitythat is, at times. deceiving,
but nevertheless a prevailing char-
acteristic. And they are original.
savoring of the known in fashion. but
hinting at the unknown, in a most
intriguing way. And they are the
color. the lines and the fine attention
to details that best suit the wearer.
They are, in brief. sermons on what
to wear. and these sermons are pre-
pared by clever designers in co-ope.
ration With the clever women who are
to WVI‘ them.
”/W 6.6—(‘0/‘7411‘ 77/4."
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arm/acte— wwz’fl/ Jzflfl/P/Aff
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4-5/77/ 0/424 77/: [450/94ng ..
3.572%? or Mica/20144179 V/‘A’flC
ZW/J: marry/74 [VAT/Y/A’é‘éz—‘éf/r
i' ll: 11‘ of a picascri acceptance
.111 full} and thoughtfully chosen.
.‘l. .11 a rv :il do‘l itht to select the
gift of lingcric and by linzcrie
one moans not on. 'y the dainty under~
things that arc so adorably attractive.
but the many fashions in boudolr ap-
parel both practical and beautifully
'iniprm I:\' 1i .\'o maticr how many
'1111: c. one has she is. sure to lose her
111.111: '1» )(t nnmhcr and another as
tho“; rim-bur in the shops. for design-
;crs nrn prolific. and ingcnious, follow-
ing the successful launr'hin:
mode» with
ccssi’ul.
,1.
as a
,dvrtliztzgs were most unusual.
1indc-11i. that most
.i'or color and delicate
.'er
(nitric mode as lfnthcr
:t‘no slznc mode (inc
‘uuiiq-rthings to hcr frock or keep them
itilwuys in her favorite shades, or she
fimny hold to the luxury of spotless
11111:».
in the silken fabrics crepe do chine
rmliurn szlk, satin and Georgette are
like favorites. and in the cottons voile
1:1ml ha:.~ste, and there are. of course.
lincns. “'ith the fabric chosen, the
‘color is a matter of preference. and
'the trimmings may be elaborate or
\\it(\. '" missing. indeed. some of the
lcuolitisz triflos are vcry strictly tail-
1ort-d with ci'thcr hcmstitching or
Icntrthdvux to them. and théy
ido not even boast a wee Frcnch rose.
silken fabrics
Boudoir Apparel May Be A One 0! A
Two Piece Affair, 'lhe Latter m
Choice Of The Pictured Lady.
ILaces and ribbons are favorite trim-
Imings and pleatings come in for their
share of attention, but they are hardly
practical.
lnumerous and varied as ever.
At times white combines with the
ldelicate shades of pink, blue. maize
Iand green, but color is introduced
ionly as narrow piping: or wee inserts.
new idea and embroider-lea are as'
of a.
yet another equally suc-T
Imv was when lingerie was whit8.3
nttcr of Course. and silken un-1
Gonefl,
uninteresting day.;
now as much a part of the lin-;
is a part of
may match her
i
l
‘ wrapper.
(726.2 0‘27? 0/3?
WHOM/l
most charming‘ y cffcc" ..... There is
no argument against the {1:21:03 of
white in Lingerie. for it LS.
tulnblc. and is always more {:31
q
a
and easier to cars for than even the
familiar flash and pink Ehrlics
ma‘cr‘. l
q.“
The
is
b"
latter. even when the
sturdy, must be “tinted
if thwy are to keep thoir t1
Boudoir apparel is as cut.
I" o.
i.. .
'An Entire Sct Fashioncd 0! Society
Satin And Trimmed “'itli Lacc.
Narrow Ribbons And
French Roses.
sive a mode as the frock mode. for
it includes the blanket bathrobe. the
velveteen lounging robe. the boudcir
the chiffon negligee. the
the kimono and the
tea gOWn in its list and there are
many adaptations of them all. What-
ever one's need or ore's WlSh in this
apparel. it is a certain possib; lity. for
materials range from warm wool:
through supple velvets and velvc tents
to misty chiffons and rich brocaded
satins. All the fabrics of the mode——
at. least all the supple adap. able
fabrics—are utilized, and simpli 113'.
sophistication. magnificence and home-
ly practicality are all characteristic:
of boudolr fashions.
Colors are gorgeous—the purple
shades. apricot. American beauty red.
French blue, coral. and the paste!
shades—and China and Japan through
the Mandarin robes and Hoari coats
give us the lovely ambers. blues and
reds of the Orient. The lines of tho
silhouette in the general mode apply
to boudolr apparel. and we have the
tiered effects. the flounces the drapes
and the circular flares that are so
fashionable just now. There is no
line too subtle or too elaborate to be
excluded from this type of garment.
breakfast coat.
Handpainted glove silk is a‘ , with the tailored
yet. the modes elaborate share honors
mode.
So one may make certain of a gift
practical or a. gift luxurious: a usable
gift and a sure-of-a-welcome gift; O
mere remembrance or a truly royal
offering: all chosen in the lingerie
department.
Norwalk Chronicler