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Even the most passionate
and thrilling sort. -
Glowing. vivid and enthulile'lic
rim? (my. the next—well. not quite
1 :inwiuc. vivid and enthusiastic.
a. E‘rtln list. a little tame, a little
nails-lying.
Expect love to have its ups “I!
Don't be alarmed when
ardent lover appears cold,
7 . fly and curiously indidetent. <
Kwp away from him 'ior a
:1!- spell.
a e e o q
l' the man you love is an ex-
.» j‘ngly jealous individual be
rmzsly suspicious of him.
- e 0 o g
u wry often happens that the
. inconstant people are in-
LOVE ehbs and flows.
n tl~.‘4
.1 to he the most jealous.
a e O O O .
\ :1 the bitternesses which
, love do not necessarily
;-,: up overnight like mush—
to upset the loving apple-
, no. They are the larger
.\"l‘.= trom petty balonsiee.
zuzpaticucee. greases. care~
manners. trivial . contents
.~ robin laulifln ngs. soon
. wiop into habits which be-
: - 'nsnparable companions. And
imi to the continuance oi
» mi affection.
,rr. your careless. ways now
Ezr‘rk the' thoughtless indul-
The older you get the less
~. =t is to sequin-e new and
mat traits of character.
is vital advice to a girl
,4 anxious to keep that cher-
~ i “mid on her lover's patience.
O O
.i-h how you criticize your
risks your opinions of his
l his work. his personality
:.-.-rhing that. is his. think
. Glad eye. , 9f
the
a Woman
' By. :m‘non ~.
—-°——
CM”. 1.”. 5'
The Realm Nmpopsr syndicate.
——°.-._
' Winsommtovs
the amour more of a man-—gen-
orally a highly ve being.
Whereas warn: app is like
magmah to his soul. inio
e 0 your on us are
celleld Kiln not cutting or
onto . /
tor us in spite of. our taulta.
and those we love best at all are
those who torget to warn us that
wc‘have any!
0 0 O O 0
Don’t get into the wretched
habit of arguing about things that
don’t really matter to either oi
you. '
Love conple‘re extraordinary
(or the way they raise the dust
when “comes to bothering their
heads about the most absurd and
outside triiies.
And why he argumentative It
all?
Arguments of all ducriptione
ruin conversation.
The two lovers will never get
on in their love it they haven't
the gift for conversing with each
other in a sane. inureeting and
absorbing way.
Give way. rather than argue.
O t O t O
A sense of humor is an excel-
lent thing and very necessaryrto
the lite-oi love.
But. for goodness sake. don't
overdo it.
Don't get' too personal. and
above all let it be kindly. .
torment the life out of each other
when visiting their iriends’ houses
by the stupid way in which they
hold each other up to gentle ridi-
cule.
To be made ludicrous in the
eyes of others is more than some
humor-mespecially masculine—-
can stand.
See the fun in everything.
. .l’ you wan: to be severe.
2" v.» much frosyiness chills an
. rmrs lrrctrievably woun
But don't be too loud at poking
un.
Quite a dlderent thing.
.v‘
l.
-
A
5
a.
By msz
THE FILM
F LAPPER
SAYS-
KLUMPH
News FROM THE s'ruulo’e.
“ HEAR that Gilda Gray is a
I ~ :1 find. so far as movies
cmccrned," remarked the
Elie was awfully good in
_. v2.1 larceny: of course. but she.
. ‘ . :4! a. bit or dancing that didn't
. i what she could do if the
7.—
All.
site's made a picture called
’ ' We ‘iilave So Bananas.’ accord-
" ‘\ runner. and it looks very
r": as: if she'd be appearing regu-
"u‘ -- in pictures.‘ She screens beau:
' ‘ or rourse~her eyes are espe-
‘ shod, And her face is the
tint. photographs very well-
9'. in. the. cheekbones and all
you know. so we'll have Gilda
* "T" screen right along. first thing
lcncrw. and I'll be pleased to
' v.4 'for I've never been able to
1- ‘rer: as often as I would have
r l '0‘
"2‘. you know that a real war
' is working in the Goldwyn
' .rw. 'The Day of Fulth.‘ His
w e is William Star. and he's just
h.\"h¢li. lie is an Austrian. and
"mi in the ambulance corps dur-
“we latter part of the war. Then
came in this country and sold
"wrap-rs in St. Paul for a. while
“"ire he went into pictures.
"lnxi did you hear about Carmel
" '~ rs and her ankle bracelet? She
r-s it in 'The Magic Skin.' and
I nnrie of diamonds and is very
put it on mornings as part of her
costume it would be locked on. She
didn't wear any stocking underneath
it, either—that was part of her cos-
turns. . . -
"Well. one night when she got
ready to go home she couldn't find
the key to the bracelet. It fastened
with a. patent lock. and no other
key would do. so finally she went
home with the anklet on: and then
when she dressed for a dinner party
her troubles began—tor there was
the little matter of stockings to
consider.
“I'd have gone without stockings.
but she wouldn't do that. She wore
the ones that went with her frock.
and then spent the evening explain-
,ing the bulge in her stocking.
"She has changed a lot. you know
—-she was always awfully pretty. or
course. but now she's wonderfully
stunning: has changed her style,
and heme dashing rather than
debutantey. rm so eager to see
some of the new pictures that she a
made; I've plways liked her. and
new I expect to be wild about her
r .
wfid‘ut at the Goldwyn studios they
claim that Jane Mercer. an eleven-
year-old youngster. has broken
Gloria Swanson's crying record. She
was at it for three days straight. It
does seem as if they could have shot
that child's crying scenes in less
Erie. of course. so when she'd
than three days. doesn't it?"
F
ij The
v
Household '
l
,
as
THE susnnv mu HOUSE .
I
f: a certain college town‘thm ll
I a \‘t‘ry interesting 'srour “I
im’lscs, none of them lam and
"‘V Hf them built with much 9”"
a “Ii. which have become amas-
actractlve. These are “I.
; fairly old houses most of
' wm. that chanced to stand about
3. ., varnpus or the colleIO that m
Ewen much of late. mill-01"
‘1 friends of the college “'0
1:: rrti in get hall!“ in thll
.. . ‘lworhood and the ever increas-
: fist of fraternities and eocloti”
. i also sought this location. ‘
on what has happened ll 43“
iii“ houses, not long In Ill-Db!
‘: mmiiocre in appearance. hm
‘ v might have become converted
' . “imp lodging houses adult!
5 3“”KF'PPing fists. have been 81"“
‘ '“w lease on life. here ll Cr
3". while clapboard lion... ‘VO
‘ rm in height.‘ that stands too
f"'~’“ *0 the sidewukw T111! 59“..
Vern taken over by one of
" " l-‘mling professors. m:- bfld‘.
seen painted a more men.
F. '1 Va
the clapboard- r painted glistening
white. Red brie e have used
to make a pathway are to the.
side and back door. . A quaint white
picket fence has been used g the
back and white lattice encloses the
kitchen yard. Then across the trout ,
perch window boxes have Den
ranged and these bones contain
pink geraniurns with trailing green
foliage that matches in tone the
moss green of the bricks. There is
a brass vknOCklf that is always
polished bright. and though the
house is small there is an air or
perfect care about it that bespeaits
cultivated taste and the personal _
consequence of its inhabitants. _
There are dozens of other houses
or itinerant sorts thatv have gone
through something the same sort of
metamorphosis. Really the cit-ct is
enough to set all whooecm small.
shabby houses thinking. Whyflsould
ens dream only ;ot a new and.
larger house when a and! “while
shabby house can be given such
distinctionbyahitetcaretulre-
pairing and return-hing.
1
After all we love peopleuwho-
I know married couples who:
w‘. Paint Our M’ w. ‘or
'OurGlnna waeda ye.
Oeomepurlstsinthsueeo!
the expression “hand-
painted" in as .otlenltve an
“horseback riding.”
LEM! speaking, of course, to
ride is enough, since riding means
"being carried on a horse’s back.
Americans have in times past vastly
shocked their English cousins by w
speaking or “horseback riding les-
sons" and “horseback riding habits."
So with hand-painted. It a thing
is painted. presumably it is hand-
peinted. Even country houses. with
vast, end expensive 'expanse of white
cupboards. must be painted by
hand. and strictly painted china. like
taunted faces, is decorated by hand.
We hardly ever
"handopainted china," though some
of us in our youth actually learned
the art as one or our "accomplish-
ments." . '
But though painted éblna seems
to be not much admired today.
painted—"hand-painte "—- hats and
'lrocks and accessories are in de-
mand. There is no fabric that does
not lend itself to the brush that car-
‘ rise 'paint. Knitted frocks and
bodices even show splashy and et-
rectivegtmotits applied with a. brush.
One‘wornan used to paint velvet
to make fire screens and table cov-
ers and "tidies," to throw over the
end of a. mantle shelf or the top of
a. piano. Now the trick at painting
on velvet has been tel-ten over by
the milliners, who solve the problem
of trimming by painting brilliant
flowers or conventional designs on
velvet hats. The sketch shows black
velvet bag and hat painted in green
and dull gold.
To let well enough alone is usually
a good motto in. the art and practice
Black velvét he: and boy band—
pointed in green and gold.
of dressing.
distinction.
it in some attractive design.
While the Present Generation
Lives High Collard “'lll Be an
Incident Rather Than the Rule.
us'r what combination‘ or influ-
ences led the women of one era
to go bare—necked and
tell. We have all at present lived
through a collared age or narrowly
escaped doing so. Our mothers even
had miniature collars on their night-
gowns. It was very reckless—not to
say rather immodest—not to do so.
It was a point of modesty with
the women of the early middle ages
that they were their necks swathed
with wimplee and other devices of
nun~like severity. For many 'years
before the adoption or the wide rut!
that we associate with Queen Elisa-
eveu mention
Still, if you have a. little
black velvet bag that seems to lack
and you are skilltul
enough in the use of a brush to
paint on velvet. then you might gain
the note of distinction by painting
the
women of another to swaths their
necks in runs and collars is hard to‘
.gu‘
Above, black astrokhan conci- fes-
tened with white gordenio. Is
center, narrow band flushed. with
two lace rumor. Below. high col-
lar of brown ribbon worn with
evening of beige worm.
Alongendfcnefrom backefool-
hr and lies on floor like trots.
beth women were as free from con-
stricting neck covering as they are
today. Why was it that during one
period early in the nineteqxth cen-
tury women went abroad with their
necks and bosoms even more ex-
posed than they are today. whereas
at another period they wore high
choker collars so extreme that they
had to tilt their chins upward above
them?
During the first few years of this
twentieth century high and very
snug collars were the only correct
thing for daytime wear. , No woman's
neck was really smartly covered un-
less it was a bit uncomfortable.
Didicult though it may be to trace
causes and effects ‘in this change of
collar fashion. it is easy enough to
prophesy that not within several
years to come will the high collar
return to taehion. It cannot come
again until the last woman who has
worn the old-time high. still collar
memory. So rest assured the high
collfi as an essential of smart day-
time dressing ian't even on its‘ way.
But nevertheless distinction and
smartness may be acquired by the
occ‘ionsl covering of the neck.
And though there seems no immedi-
ate danger of a collar that constricts
the neck. there is. nevertheless.
throughout the whole range at the
new clothes a. tendency to bring the
material closer in at the neckline
than formerly. The bug/an necks
line is. nocording to best an .
gone past all recall.
The loose collar to be worn on a,
low-necked evening gown has at
le'. the merit of striking contrast.
On an evening flock of beige gem-g-
-ette a. bro'n velvet ribbon is circled
round the neck: with ends hanging.
at back to form the narrowest‘eort
or train This is shown in the
sketch. along with of the new
eo-called cowl . pertectly
round and low. In this inshnce it
is of ballots, with two nan-ow utilise
of lace. Above it is a high collar o!
black astrakban fastened with
gas-dents. ‘
:3:
1,. 5? EVA-
Y way at comparing your pres-
ent position in lite with that
of other days. it will in vari-
' ous ways he found helptil to call
I
.inte review the eventful years that
have gone. By doing this every
little while and being quite impar-
tial in self-examination. you will
" with a.fair degree of certainty.
, discover whether you are march—
ing/ towards glorious victory or
humiliating detest.
An hour or two each month.
given to serious reflecting on your
past achievements would at the
end at a year prove hlshl! advan-
tageous and reveal to you whether
you had lost time or conserved it.
seized your opportunity or per-
mitted .it to escape. 4 '
It is good to turn backward and
recall the drab days when vaunt-
ing ambition played its tricks upon
you and led you deceptively among
delds.oi thorns to tantalize your
soul. prick your dosh. dull your
hope and "darken your vision.
uteri!!! to testiyour courage and
endurance.
Look into the past. me it the
looking should cause "pining and
h Do not be discouh
a“? it you have strayed tre-
dae’ntly mm the high-read you
The ‘lners we seek. to ammo.
push. the more in
True success cornea from the slow
discovery or errors and using the
hnowledgethus obtainedeto avoid
their-recurrence.
Each blunder we make. it we
have within us the right spirit.
sharpens our wits. improves our
Judgment and gives us strength to
forge with certainty thegnext link
in the'chain which is to hold'our
ship. secure in beating storms
which at some period of our ex-
istence are surd to overtake ua‘.
In whatever position we may
occupy in society. in busiam or
in the professions. it is good tor.
“’ 2.3;? “fit ”“1 “m ‘
the soon e pan 7 ,
Turning backward. paradox!”
as 'it may seem. inspires one to
move forwardimWemil'nd hits these
retrospective ug , w ere our
test have slipped. for we see With
new eyes, get a deeper under-
standing and clearer conception or
our treatises-we proceed m
by step to in comparisons
And it appears as, we W
along. as it
heard or tel:
that up to thisinement we
have misunderstood ourselves and
had elected to choose as your own.
placed a tales valuation on our
has testbed her last or lost her .
we make. «3
O
:5
Something to Think Aboiii 4- e
'Turnlng Backward / -
l:
e, warm virmooo. L.
7 "imam Flight
’
my, use. as m ligature NW1!" W
l
“Winnie
I» Baldwin horn, _ etat the' news
Ammmbremt. -
“What sort at
oasis Kate. ‘
“An 113th all, as a girl. who
Weathedeortomeandsaidas
who’d adopted her. I tell‘you. I
gave them both a tongue- i”
“And heaven knows how many
'. thousand dollars he makes from his
paintings." said Aunt Anne.
_ The plan of campaign was quickly
arrangr ed. Meanwhile-
‘ Uncle Timothy was Very happy in
Mature-room nab Howls a famous
painter. but none of his nmlly cared
very much about that. They did
know he made a great deal of
money. But why did he choose to
live like that?
It was a bare old place, and there
,ynre canvases all expand the walls.
Frequently a purchaser came to
look at Uncle Timothy‘s paintings.
He would ofler 85.000. and the old
man would shake his head and
man. for he would ,never beat- to
part with any. or his works. The
purchaser would carry it oi! by
stereo or strategy. and Uncle Timo-
thy would thrust the check inside
the cover of his tattered armchair
and forget about it.
Sometimes when he
perstely hard it for rent or food
he would prowlp about. wondering
where his money was. He would
shake out some of his books and
than a. check would gy out. and he
would b it at the grocery store.
where he was known. and all would
be well for weeks.
One day a pale, thin girl of about
seventeen tapped at his door. "Do
you want a model?” she asked.
“Get out!" snapped Uncle Timo-
was des-
thy. "Here! Come here! In that
hair real? Come here! ' Sit over
there! I! you dare to move I’ll
strangle you!"
Annlce. the gutter-waif. stayed
She looked after the old man. 'she
occupied the next room. and their
relationship was that of grandfather
and grandchild. Annice cooked for
him. collected his money. took his
clothes out or the hamlet-l and hung
them on books. and had a hat in
every corner so that he should know
where to find one when he went out.
The Baldwin family descended one
morning en masse. Annice was
flung out of the studio. and be-
wildered Uncle Timothy packed into
a “xi. His paintings were removed
by apron the same snot-noon.
It» at: weekg Uncle Timothy. sat
in a neatly moored room with
brand new ' instalment furniture.
trying to paint. Sometimes a. visitor
was shown in. The Baldwins were
very proud cit-Uncle Timothy. Be-
sides. they had found $4,000, which
they had invented for him.
Uncle Timothy felt like a captive
bear. They ted him on grape-Juice
and bacon and eggs for breakfast
”but Joints to:- dinner; and nice little
suppers. His stomach could not
stand regular meals. Uncle Tim-
othy had chewed bread when he
was hungry.
They gave him sheets. and he
missed the .warm feel of blankets
next to him. They bought him
passions. and Uncle Timothy was
airdld of thew-they reminded him
of grave-clothes. ~Aunt Kate‘msee
him wear them. too.
‘He Jumped when the steam radia—
tor hissed. and above all he hated
the furniture.
No. he‘ hated the bathtub worse
than that. Every morning they led
him there and locked him in for ten
minutes, and he had to put his head
[under the facet.-
Uncle Timothy grew crafty. "I
don't knew how I’ ever endured 0
before I iived’ like ciVIlised talks.“
he said. .
After that they stopped locking
L him in at- night. He was allowed
to go ‘ out for walks. with little
Emanuel to head him or! the disc-lot
where he used to live. On one of
these walks a. taxi stopped near
them. and a young girl got out.
"Oh. please, can you tell me the
'way to Sharpless Street?” she asked
Uncle Tim.
Uncle Timothy awakened from a
trance. "mat did you say. my
dear?” he muttered vaguely. Little
Emanuel began to be suspicious.
and pulled at Uncle Timothy’s arm.
“Come away. uncle!” he pleaded.
“Here, you!” snapped Uncle Tim-
othy. "Where did you get that hair?
Sit still. or I’ll murder you! Where's
my paint brushes?"
And. shaking on: little Emanuel.
he out down in the taxi.
"Here! The studio's moving!
Bless rue—what? Why. it's you.
Annice ! " ‘-
Annice was crying with delight.
“I've got a studio for you—a. new
one." she whispered. “And $3.000
out of your chair. Arid we can get
your paintings back if—you like to
marry me. just so that I can look
after you." '
"All right. don't/bother me!” said
Uncle Timothy. "Don’t move your
head: Where's that d——-_ turpen-
tine?"
s
f
TO' Day’ Jewel
1...... ill.
Br MILDREWARSHALL
. PEARL.
age of those who wear today‘-
talismanic gem, the pearl. They
will also be gifted with imagination
and possess a. poetic temperament
of today shopld happen to be their
birth anniversary, since the pear? in
also a. natal gem on this date. The
mystery and grace and beauty in:-
plied by a perfect pearl. will be
theirs, according to an old legend.
an inanimate gem to the ancient.
particularly the Persians. They be-
lieved that the jewel was formed
from a bit of a mmnbeam im-
prisoned in the shell of the oyster
which came to the surface of the
water every night and opened its
shell in adoration of the moon god~
dose. A charming {army and one
which satisfactorily accounts for
the loveliness of the gem and its
significance of beauty.
Yellow is a fortunate color today.
An old Hindu superstition makes it
lucky for those who seek love and
happy marriage.
..The clemafls blossom reigns su-
preme among flowers on this date.
It is read to signify the presence of
.youth and happiness.
AITIIFUL friends are the herlt- ,
'Indeed. the pearl was more than -
PLAY‘I’ODAYTOWIN.
Neda'ysbehindnsneedhflllll.
Nodaysahseddm.
Noteardmeemem.
Needmakeusweepm.
New elm clung. your
chance.
nachdaynewaysbegln:
Invehummhdm
lessee-
Newplaytodnytowlnl
The past forgetting. not w
Remembernow.insbad.
Thathere’sanotherdsy.wm.
Its results-tasted.
Again tho arrow- 3
Int nothing daunt you, bid you.
haunt you.
Butplay today to winl
mu: new-adamant”
Thedaythat'satthedswn.
Nethedmwhhh‘.“
‘ Fermi-abacus.
Nombehlndmmulu
you.
Nomtmmmmg :
M'netmorrawneedyeubu-
row-— '
Jestplaytedeybwhl
W. _
Howsvsa Loud °
onioegtheyearssnddewhehye
, ,
AndyeLdearheartJdndam
Ourwearyheadstorabe‘ :
Great time has always
brought,
Bowevu'slowthedm
melowthehysandhngthem
When . tswayn'we'a.
Shannever meceedthomf
Yes, aomethingblismeoe.
Ouraoulsatlastslnnriseanm
e'ersloubtsandtooli‘htars.
Muhammtbm
Howeverlcngtheyears. -
By PERCY cit‘ossv
mmhmmm.m ' r!
—‘
._——.._ ~
7 Shoremé Max:533.
.L- ic‘klng'fhe emptyaletejhru'
‘ “‘
“mm—m,“
m
Norwalk Chronicler