Evening sentinel, Tuesday, September 18, 1923 · page 3

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'TEMBER 18, 1923. '

 
 
 
 
 

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GENT and PALACE 4%
cor moan max 10,000 muons i}
-EING AMERICA S JOY BOY "

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HAROLD LLOYD

:3- ms LATEST six—asst. inc-r
WHY WORR,Y”

,\ l \u‘x THE LAST TWO BIG DAYS!

AND TOMORROW

\\ nlnmhy at 4 P. M. at Both Houses for
ilw hitltlk‘wlo Cents. \

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m1 Friday ;Thnrsday. Friday, Saturday

AT m PALACE

one: 3"
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mill. 1.. RCENY’.“T0 THE LAST MAN” ‘

"qs'ssn",'=....,..m, . ,-, _

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1

' emodelng Sale ..
7-;— . 7; hammering and sawing and tearing out the
s to. Salespeople are striving to give all the
‘. .. etc to customers, and customers are surging
-' r~‘, gathering up the bargains that are found

,— ; .

a

a i r’soonse we have already received to our ad-
“ : that the public has faith in the honesty of
v- — , » This is a bargain opportunity that may never

S 'rolv you never saw such astonishing values 7.
cm, seqsomble merchandise. .

 
 
 
 
 

 

 
 

South Not-walk

 

553.35%

 

m THEATRES

““‘HY \VORRY.‘

 

 

w “on! ling!- Barrage Gives

Every Harold Lloyd feature com-
edy stands entirely on its own mer.
it. Starting with “A Sailor-Made
min." which was his first picture
to be as long as four reels, there has
not been a single Lloyd film that
could becompsred with any other.
for each has been distinctive and
varied in type and idea.

Xou may‘havn liked “Grandma's
Boy" b'etter than "Safety Last." yet
you cannot compare them and any
that. because you liked "Grandma's
Bro” best. :t. is the better comedy of
me two. Each comedy is in its own
class. and crtica and public apprOV-
Al luvs placed it at the tup‘of its

1.

Clau'
A: THE REGENT E VAUDEVILLE Now comes “Why Worry" and
fl . ‘1“.‘4 S“ a and. __ creates its own exclusive place
b“ I.“ "I" ‘ ”mmfigugm Grey among the Harold Lloyd Pathe

omedles. It is not like any of its
predeceoors. except insofar as it is
one hundred per cent. funny. having
South America as a backgrbund and
a revolution as the motif.

For chief partners-in-fun in "Why

nearly nine feet tall and a leading
lady five feet tall. These are. respec—
tively. John Aasen and Jobyna Rals.
ion. The giant Assen is making his
screen debut. and pretty little Joby-
na is making her first appearance as

Worry." Harold Lloyd has a giant

 

Harold's leading lady. su lan
Mildred Davis. who took mime ting
those "for-better-pr-worse" lite jobs
with Hirold.

"\V’hy “'orry” is the feature at.
traction remaining at the Regent
and Palace theatres today and to—
morrow. It was produced .:t the Hal
Roach studio with the usual Lloyd
staf! of experts in direction and
scenario writing.

—————§——____.
LASI' SHOtVING TUDAY
OF “A MAY OF ACTION"

Douglas MacLesn makes his final
appearance today in his famous mys-
tery-comedy. "A Man of Action." at
the Rialto theatre. Douglas Mac-
Lean has never been funnier than
in his characterization of Bruce Mac-
Allister. a poor little rich boy to
whom life has been just one darn

 

cee takes a hand in the name and
taunts him into becoming "A Man of
Action." His determination to step
out and see life as is. results in an
excursion into the underworld with

 

 
 
 
 

STE AM TRAPS
PRESSURE REGULATORS

GOVERNORS
ELECTRIC MOTORS

School i lollies

f‘.’ 11.n- ;;:\d (iiris

 
 
 
 

__. —v<-—-——

‘? 7:3 Suits

 

 

a sequence of adventure that are as
funny as they are startling.

 

 

HERE’S H0“? A MAS-MADE
MOVIE HURRICANE ls ltORN
Charles Steinmetz. the electrical
wizard. recently added to his fame
by nrtlfienlly creating a. thunder-
storm in his laboratory and hurling
lightning bolts to and fro. Now
comes D. W. Griffith With a new pic-
ture, "One Exciting Night." 3. l'nilcd
Artists release. beginning n .thrce-
«lay stay at the Rinlto theatre.
which an artificial storm is brought
into being. norm a’sntsli laboratory

 

 

under a glass case. but over an area

 

;- i 9»;- this
POLLEY
"10‘.“ 26 Monroe 8w
3- - Girls
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South Main Street.

 

of several acres of open land and a
hundred feet in the air. Stemmezl
shattered a block of wood with his
lightning bolts. Griffith hurls duvvn
a tree many feet in diameter and
blows away a house with his hurri-
cane. Steinmetz achieved his results
by science—Griffith by ingenuity.

oll

 

Just 119w he _ his spectaca
ular result was a difficult thing to
draw from Griffith. when it wt!
pointed out that any one can see an
ordinary storm from a window :‘xd
that a man-made storm h the great-
er curioslty. be counted to the rev-
elation of his secret.

Certain scenes in the picture are
advertised as having been taken dur-
ing a. tormdo which swept New
York. taking a heavy toll of lives
and property. and this is true.

Camera men we!) rushed out
from the studios of the company at
the height of the storm to record the
spectacle of mighty trees bowing be-
fore the biast or “crashing to the
earth. and obtained a remarkable
piece of film.

When it came to weaving a plot
around and introducing characters
into these scenes. however, the film
experts in the Griffith laboratories
confessed their limitations. It had
first been proposed to take a sep-
arate film and after recording the
action of the story on it. to super-
tmpose it on the storm film. thus
getting the background desired.
While this might have been done.
it would have restricted the plot in
many ways. It. therefore. became
necessary to devise an artificial
storm without the dividing line be-
ing discovered.

AWE BROADWAY

-Witli—- .
Dme Hines

3
NEW YORK. September. ‘11. ‘The:
Crooked Square." like the picture!
puzzle. which suggests its plot. seems;
wholly incomprehensible ’till all its
varigated pieces and radifications are l
fitted together in the highly c0-
lcred finale. The Fascination lies inI
the ingenuity that fits the whole tu—r

 

 

 

 

 

 

gether. and the surprised satisfac-,
tion of seeing seemingly impOSSllnlel
combinations work out.

In “The Crooked Square." all the”
old thrills and punches of popular
melodrama are cut up into new on-
gles and triangles. Crooks and tie-l
tectives. "frazod" maidens in dis-j
tress. lady adventurous, phllandcr-g
ing wife. jealous husband. spying:
scrvants. stolen jewels. fake aristo—i

,crals and royalty. threats of devastat-
Ecrvant after another. until his rian-‘

cd reputations. careers and romanv,
cps—all arc jumbled together in nov- 3
el and nmasing combinations that,
are as continuously entertaining as;
seemingly baffling. And the final-
solutions leaves everybody amuscdz
and ntlsfield. for the crooks are
punished. the villiany exposed. the

forced into seeming dishonor and
«lcgredation. finds the key to the

pressors and eventually straighten—
ing out the entire crookedncss that
had been endangering all.

is not really a new sort of higher
or theatrical mathematics as might
be inferred. It is only the name
which desperate "Babble."
wildered little southern girl who
comes from her small town safety
to "make a place for herself in the
sun" of Broadway‘s dazzling. gives
to Longacre Square after she has
vainly tried to make fame and for-
tune honestly in the hectic and
crowded vicinity.

To the central romance of "Bab-

 

brings her

hie" lmpetuous little Edna Hihhard
unfailing tempestous

istudcnts is lamentably

lportancc that there should be good

lovers reunited. and the plucky little;

. _ l -- .l ’
hermne “ho had been framed an _ tern controlled more than '1.000.000

‘ miles of wire, of which 64 per cent.
“double crosging" her villainous op-l

‘The Crooked Square." by the way, ;

 
 
 

charm and we vitality Ken-
nsth McKenna makes her ver a
gallant and ilk ble follow. To the
neglected and innocently philand-
ering wife. ‘ -
Gladys lends her rare beauty and
that. indescribable quality of the
thoroughbred which are part of her
own and always exquisite and corn;
pelllng personality. But to bewiteh-
ing Ruth Dennelly go most of the
laugh of the evening. The rest of
the cast are well chosen and give
capable performances. Especial mon-
tion should be given to C. Henry
Gordon and Georges Revennnt.

s s s

“The best way to give a cordial
welcome." Marie Shotwell. the dew
mistress of commerce. tells us. “is
to begin by giving some welcome
cordial.

C O O

“The subscription dances of the
past have been succeeded by the
prescription dances of the present."
Bessie Barriscale wittily observes.

s e s ._

According to one music critic in
New York. no less than 13.000 mu-
sic pupils-so called mostly by cour-
tesy-are turned loose upon the gen-
eral public by the "teachers” of the
Metropolis. What is happening in
New York is happening in every
other city in the United States in a
relative degree. and the music man—
agers. music critics and others are
seeking some way to reduce this
number.

There are many brilliant singers
developed each year. but the num-
ber developed to the number of
small. Har-
riet Van Emden. he young singer
who was trained‘ y Madame Sem-
hrich and who later achieved re-
markable successton the ceoncert
stage. principally in Europe where
she has beenOa favo lie for two
years. laments this condition.
She declares:

"the saddest thought of all must
ever be to consider how many ex-
cellent cooks and tailors human
society has been deprived of in this
way. For it is of infinitely more lin-

cooklng and tailoring than that we
should be furnished with bad music.

To make music has become a de-
cided form of\ lsease. As one has
the measles formerly. so one has
piano playing nowadays The modern
concert life is the genuine nursery
of incompetence.

 

(Q of the Telephone.
There are approximately 14.100.-
000 telephones in use in the United
States and about 39.000.000 chnvcr-
sniions daily. in other words. one
out of every three persons in the
i‘nited States utilizes the telephone
at least once daily throughout the
year.
New Bellowncd telephones added
yearly average about 600.000.
At the end of 19:: the Well sys-

Public Relations
of Insurance
Busine— would be as landfill
it insurance should goon a strike.
Not a train would move: not a ship

would sell. The ‘ in fac-
torles would be stillul:

 
 

banker’s hand would be -
‘hewould not know whl.
the better policy: to call loan. the
collateral support of_ which- is un-
protected by «insurance. or pile the
money in vaults deprived of- burg-
lary protection incuranee. Indeed
the sense of security ,gainst miaior-
tone. which the public enjoys: is giv-
en to it by insurance. The linen-
table feature of it. however. is that
the public in general is not acquaint-
ed with the fact.

The insurance busineu is perform.
ing another service invaluable to the
public. The stocks and bonds of the
railroads you ride on are owned In
part by the insurance companies. The
insurance companies are today hold-
ing 81.000.000.000 worth of railroad
securities in trust for' the benefit of
50.000.000policyholders—4from an ad
dress by Albert N. \Vald. Assistant

Secretary. Insurance Federation of
America.

It has been well said that insur}
ance is the basis of credit. An analy-
sis of the situation proves this fact.
Any action which injures a man's
credit. limits his opportunity to do
business. An injury to the insurance
industry automatically effects the
business credit of the nation.

A

 

A civil action. returnable to the
Court of Common Pleas the first
Tuesday in October has been brought
by Henrietta H. Finney of Stamford.
against Frank Chiapetta, Charles E.
Jessup. Joseph Brush. Ezra B. Pren-
tice and The Stamford Lumber Com-
pany. all of Stamford. to foreclose a
mortgage given to the plaintiff by
the defendant, Frank Chlapetta.
Sept. 20, 1:09.

The property on which the inert-
gage was given is two lots with a
frontage of fifty feet. on Grcnhart

 

Road. The law firm of Mend. Mead

and Melvin represent the plaintiff.

 

u as in underground cables.

The Bell system offers one of the
her illustrations of the results of
private initiative and ‘ncentive.

In the United States the telephone
ii: a household necessity. In Europe
!{the average person does not know
‘ Low to use it and as for having an in-
lstrument in the home of a. working
mun o: farmer. it is almost unheard
of. '

l
I

____________._...__—-—

The king kleagle of the K. K. K.
in Maine. Famsworth. was at one
tlmc a. hypnotist. who exhibited his
patiPn‘s in store windows. where

they slept :4 hours until he waited .

them up. He may be the very same
fellow who gave exhibitions of this
power here in “'atcrbury.

 

 

 

JACOBY’S

1214)"

FALL TERM
mom scnoon

 
 
 

l‘vliin St.
"Ir;- ‘V"'Hli\ Opened)

 

Monday Night, Sept. 10th
mom. NOW

 

BUSINESS

 

clonal
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CLO(,:K§

: OPENS ~

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SEE’ - '
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am his 3”.” I“
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ANNOUNCI‘NG!

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‘FOR HOME HEATING

 

' It has been generally admitted, for several years, that b one
heating with oil would solve the coal problem. With this in mind, I
have examined, tested and compared practically every kn own oil
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LOVE ! LAUGHTER ! MYSTERY ! TERILIB

Matinee 2:15 owing to length of production (12 reek).
1’ and 9—30 Advance in Prices.

LAST 'rnta TODAY .
DOUGLAS MACLEAN

IN

“A MAN OF ACTION"

A BOWL 01" JO)? 1
and
"l’sging Love” a two rec! hurricane of laughter.

NO ADVANCE IN PRICES

 

 

 

 

 

WGRIEH'III’: '-

l".
Evening-e

 
 

 

PIGGYWIGG’LY

NATIONALLY ADVERTISED FOOD
PRODUCTS

Lower Prices
Cleanest Stores in the World

 

 

 

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WE DON’T MEET PRICES, WE MAKE THEM

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OPENING DAY

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SAT. SEPT. 22, 1923
l MUSIC—FLOWERS—VISHORS WELCO ME 3‘ ‘

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: plenty moon? and are

Doitsaturdayl Bfiugyourgroe'ery list! 'All prices will be
- right where you can see them, without havingto'ask. ._

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These adding used exclusively by_us.’ ;
immunitie'olel _ _ ,_‘g. l
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quartet: and half cents?
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‘Yon anwus‘gei'uie‘maintaining

prides at PIGGLY WIGQLY?‘D9. 17911.21 8 all!!! ‘3.
'Ooznpufi, our prices!

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