Evening sentinel, Tuesday, May 22, 1923 · page 11

 
 

 
 
 

 

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KE ELY
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Aaron Kohn

oad Ave. Distributor South Nornlk

 

Get Ready for Fly Time

We have s big stock of Window Screen and Screen Doors
tandem sizes. They are durably put together,_nisde from
'°d grade of well seasoned lumber.

All tizes of “Pearl" W Screen m '
‘50:: in and look over our lam stock 017‘" mowers.

OUBPIICIB'ABIRIGET. “f

ROSENFIELD “BROS. “

Wuhingioasc, Phone w Fresnelivry"

 

 
 

 

- 0:15 P. l-JHome Garden Hints"

_ mander Foster. U.~8. N.. of the Na-

1

American RI. 8 Tel. Oo.. New York

4
4
4

 

 

armor '03 *m

supplied by the National Garden

lureau. ~ . ‘

0:10 P. IL—Bafes Ball Scores.

0:10 P. ism—eons- by Helen Gray
.(15 years old) the em little girl
who sang over radio. "

0:80 P. IL-—“Man in the Noon Iter-
ies". for the children. confirm or
the Newark Sunday all.

7:00 P. X. by'rhelnasIARue.
the world's only colored cantor. in
a clasdc program ot English sense.
Jewish tolls songs. Russian folk
songs and Hebrew sacred songs.

7:30 P. M.—‘rhe third lesson in a.
series entitled ‘meerning to Swim in
Three lessons" by Com. Benjamtn
H. Scholmberg. Secretary of the U.
8. Vol. Life Saving Corps.

STATION «w J 1"

Broadcast Central Aeolian Hall. N. Y..

City—400 Meters. '

Special leatures at W. J. z. to-night
are given below:—

NAVY NIGHT—Rear Admiral Will-
iam B. Xoflstt. U. B. N.. Chis! o! the
Bureau of Naval Aeronautics. "will

make a. special trip from Washington
to addrua the radio audience. Ad-
miral Hoflett is a noted authority on
naval aeronautics.

AEOIJAN’ EMPLOYEE! 188°C!-
ATION—The a-ociation will otter a
rich musical program. including such
noted artists as lime. Harguerita
Sylva. of the Chicago Opera and the
Opera Comlque: Robert Armbruster.
the youthful but already noted Duo.
Art recorder: Madeleine Mule-ah.

who has been recently appearing at '

the Strand Theatre with the Duo-Art

piano as her accompanist: and in

lighter vein will be Billy Jones and

Ernest Bare. who need no introduc-

tion. since they have already achieved

tame through their phonograph re-
cording-s. The Aeolian pipe organ. the
best organ in New York. will also be

a feature of the program.

4:00 to 6:00 P. M. —To be announced
by radio.

7: 30 P. M. —Violln Solo by Hans Pop-
per. Soprano Solo by Daisy Popper.
Duets by Mr. and Miss Popper.

8:15 P. M.—Aeolian Employeee' As-
sociation Concert. (Direct from
Aeolian Hall.) Solos by Mme. Mar-
guerite. Sylva. Robert Armbruater.
Madeleine MacGuigan. Mendelssohn
Male Quartette. Billy Jones and
Ernest Hare. Aeolian Pipe Organ
Recital.

10:00 P. M.-—-Piano Solo by Marguer-
ite Finch.

11:00 P. M. —-Piano Solo by Marguer-
ite Finch.

STATION “W J Y"
Broadcast Central. Aeolian Hall. N. Y..
City—465 Meters.

4:80 P. M.—Houl Commodore Or-

chestra.

5:45 P. M. —8tory by the Youth's
Companion.

6:00 P. M.—Songs from Great Poets.
by Edna Miller. (Courtesy 0: Mac-
Millan Company.)

7:30 P. M.—-Concert arranged by
Charles D. Isaacson. — .
8:00 P. M.—Violin Solos by doors.

Loving-er.

8:15 P. M.—Soprano Solos by Boss
.152. Parry.

8:30 P. hL—Addrese. “You and Your
Bank.“ by Leo Grundlinger.

8:45 P. M.—Soprano Solo by Bees 1!.
Perry.

9:00 P. M. ——l\'avy Night Program-—
Address by Rear-Admiral Wm. A.

reau or Naval Aeronautics. Concert.
by the Navy Band. Address by Com—
val Recruiting Bureau. Solos
Ruth Roland.
1:00 P. M. —Barltone 8010 by Joseph
Davies.

WEA!‘ (b9! Motel-5)

by

:00 p. m.--Dance music by Dan
Gregory and his orchestra.

:30 p. m.—-Baritone solos by Frank
H. Hunter.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

and flesh Altai.
mwhelssebeaddsdmthehdet
It has been said that encode is
'dead. as an art-form. These festivals
prove die contention wrong. In three
outdovexyfoerfesuvalprogramu

included the famous ‘Rallclujah 010-. _

rus' from Handel’s 'l‘he Wealth.”
Of course. the Oratorio Society of New
York never fails to sing this '
composition once each _year, unin-
tsliible sign of the Christmas season.
“'4 ”“33? °‘ “”- We?

us I: apprecia er
a fryer lovers of oranorio—but the

'ficently rousing f‘lialleluiah,"
Why the most triumphant of tone
that has ever been composed, still
brings the audience so its feet with
one sword.

That is an old custom, one of the
traditions :fgusical hfiistory. On th;
omasion o e very rst singing o
the “Hallelujah,” the Ki George II
of England, and the who e assembly,
leaped and stood standingthroughout
the whole performance—end the eficct
is as spontaneous on audiences of to-
day. Just the same, it isqfrsteful to
have choruses single the alleluiah“
out of the long oranorio—end it is
equally grateful to have such excellent
recordings of it as Howard Brochway
made for the Ampico. For this is
indeed the pearl in a dup sea of soi-
enmity.

Another work of evidently undying
po ularity on spring festival programs
—- or it is bein sung in two choral
cities this springois Seint-Saens‘s

 
 
 

 
 

 

mm ‘
SoloistetCmnnnats—" ‘1'.“ «1.400

mdsoughthey. heard, itasan
oramrio long beforetheysaw itas a
Metropolitan opera. But the bee
offiemusicsnrgseeut.

moresed .mesep ,
inconeertform thaninoperatic.
lsaworkrcpleuwuh' memorandu-
mostbeauty. -

Luckily the composer h' if
corded o’r rpctuity one ofmtlsee no:
beautiful

these moments. This is
the finale of the first act of “Samson"o
the scene in front of Dsgon’s temple.
when Dalila and the Phihstine women
enter. bearing garlands of flowers and
llflm of Spring. Then follows the
voluptuous music of the dance of the
pnestesses of Dagun, and Dalila’s
glorious song of Spnng‘ and love.

But even more adcctingis the famous
love duet from the work’s second act—
thoufh it is more honestly an stiffer
Dali a than a duet. Samson's feverish
voice enters only into the last of it.
Thrilling and sensuous in every nose.
it_ has been called the most passionate
piece of music ever promo] ted. In-
deed. Mr. Brock'way’s recs ' 3 makes
it seen: so. On hearing that, one can
understand why it always makes the
tremendous cfiect it does. either in the

 

“Samson et Dalila." New Yorkers

opera house or across the more m

 
 
 

 

1:80 p. Ill-4010.7

8:05 p. m.—Corn and Its tiles. Dr.
, -- . 9 ~ S
8:15' p. m.-—-Concert by fin Palms.
8:40 p. m.—Vlolln solos by Louis B.

8:50 p. m.—-—Concvrt by Judith Roth.
Moflett. U. B. N.. Chief of the Bu. .

0:05 p. m.—Dance music by the Care-

9:25 p. m.—Conccrt by Judith Roth.

9:40 p. m.—Blemd be Humor. Jet.

9:65 p. m.——Dance music by the Care-

 

:60 p. m.-Plano recital by Pasqual-

Gen. Electric 00.. Schenectady. N. Y.
5:00 p. m.—Produce and stock mar-

Trefts. dwnatic soprano.

by Jane Conway.
contralto. '-

Willlsm P. Cutler, secretary Asso-
elated Corn Products Manutactur-

E11. 4,

baritone. Antonio de Penis. tenor,
and Alberto Blmbonl. pianist.

Hoffman.

soprano: Al “'ilson. tenor: James
Brennan. pianist. and Herbert Spen-
cer. pianist.

llnlnns.

Al \Vileon. James Brennan and Her-
bert Spencer.

lemon L. Harbour.

lln lens.
“‘GY (300 Meters!

know this better as an opera. of rcachesofachoralfssfival.
inc A. Scognamigllo. ket quotations: news bulletins;
5:10 p. m.--Soloa by rMinnie M. baseball results.

mission.
7:40 p. m.--Baseball scores.
1:45 p. nth—Musical

tra.

Georgia Minstrel Boys.

Was in Dixie. Foster.

7:35 p. m.—dAdreu Those Feathers ‘
on Your Hat. by Helen R Hainea.
New York State Conservation com-

progrem by
n Georgia Minstrel Boys. ---
Medley of old Southland Melodies.

Melodies. Clarkeon WGY orches-

Introducing some Darktown Humor.

Male Quartette selection. I Wish I

 

Humorous dialogue. Elihu: Jack.
son and Washington .

Baritone ‘solo, Georgia Cabin Deer. '

Young-Squires Washington John-
son Lee.

Medley or recent popular southern
songs including Bwanee Smiles.
The Heart o! Virginia. mesons
Mannie. Blues: orchestra.

Orcheural selection—My southern
Home. Polak: orchestra.

more "Black Trash," Georgia mm
strel Boy!-

 

 
 
 
 
 
 
 
 

 

 
 

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