The Evening
Sentinels V Daily
5", . _
Ma
V'u
“Children’s Corner
J A ("K DAVV IN CANDY LAND
Story by Hal cochran
1.
R
ililllil cl‘ cruuly Liner-s his handkerchief and as
«iron the lmnrlknrclilcl'. (‘ninmcl suggested that
it ill" l'lliriV Lanzi
dumtc hull, \vlwrc somc of
:i "Surv- l “"‘lllll.” rind of? Hwy \vcnt.
.. [w k‘ «.1;tlu\\il;il\\'iil4lllililt'f‘flilllll‘fi dance
E .9 ‘n l. m \xliiii- 1: l'lil)’ ll'llit'lug \\'Illl It hit: stick of
v t .. :lu y Hum-ml null tlivu. nuddcnly iln _v Hood in mo
i‘i !. 'lml :-l'.ii rounll.
h IA SIIVIC' I
iv i. .uwi iril‘.‘ mzi l-ll’wr .l.=<~l. nlmnl mm big!
of rm] and
“us that?"
This om slit-k “ml at mixtlllc
.lzu L,
vi. Mun.
"unlit klnil I r .'l lluncv-
will}. u L'ummv-l. Continued
' «limlll »l
|.. .qwl‘miut .‘lliltfl urw mmlv."
Johnny Chuck's Temper Is Bad
By Thornton W. Burgess
Do not your but in haste forsake
Lest nm’y fc'mprr I)!‘ awoke.
—Peter Rabbit.
&*
t, “as hurrying slang
' .n to the dear Old
llv' wns following his
l.‘ :‘ni. way led him pest
"u nrly ('llill‘k. All win-
'll hink mid i'orth pest
hour. and beceuse
.' Jim; ljhucl. but boon
“ Hi cvu‘uui i') think 0‘
llt‘ g l in the hnbit of
me» without even look-
‘M.’ ll’uisv.
w w pm this time when
lrl'u'il to glance over
'UPPf‘Ii short. end out
n thv lrwrwuy of Johnny
-~ (‘n“l'| his eyes he
tricks”? ’1 hcrc was in face
- . till Yrs, sir. there was
r doorway! Unless there 4 ‘\
wrong with his eyes “k
\l’iIAoy
-. .. of Johnny Chock.
lubr‘li his tan .0
“Hello, Johnny Chuck! My, but
I'm glad to us you!"
i l
:nj,’ t‘hurkl {. but
'~ gnu! When (i d you
t“ «wd and hopped over
. . ,.,.
~ ' . didn't ssy enything.
» ' Ziz't my I word. file
’ ' m be only shout hnlf
' ,. ',.~ look“d anything but
"No such thin l" sne ed Johnny
Chuck. "No snc thing But whet
Mistress Spring wonted to wake me
for now. I don‘t know."
“Come out in the sun Ind you'll
feel better." seid Peter.
“Won't neither!” retorted Johnny
Chuck. "Won't feel better! Dont
vent to feel better! Went to [o
beck end go to sleep!”
“Thee why don't you?" demnded
Peter. “Goodness knows, nobody
vents such e cross fellow so you
eronnd. ‘31: don't you to heck end
“Can’t." ’retortod Johnny Chock.
mistress 8 ring won't let me. I've
tried end t ed end tried end I cen't
to sleep.”
is hand outside his
”Johns: “Rake“ in
doemy. little by little he crept
‘ '. ,‘ rind spring has come?“
‘ * “l crrtninly em gled to
M. i should think you
‘ ' ii in be ou "
"‘1: lthnrk di n't sey enys
, .: c matter with you?
’ .l wvli?” Peter esked.
.- ny (‘huck didnt’ sey eny-
‘1 r hopped 1 few steps
Erin? Chuck. did you lose
- in while on were eels
, Pour e little sherply. “ on
must. be polite. Yes. sir.
_ . at least be polite. Is
I m ewnko yet? I should
‘ . would be tickled to «teeth out until finelly he use wholly ont-
:t this beeutiful sprinl side. Then he set down end (Mild
' ‘ end growled to himself. Peter couldn‘t
Kinny Chuck found his t entitle! word out of him. 3“
sold be fully left Johnny Cheek still gas-q
1'm not tickled,"
I , 'Whty tzhoni: I be txi‘ck: n‘: Minx old growling. “
Wm owseu. so so "I.
2“ .‘ .vnuiher. lwsnu’d to sleep.~ .,:"&,.”3..5’?fl, J: g; I
h ' ’ " .10; sround hero bothering I W ’.h., Chuck '1” be be“
' "7 .“"‘y7" entered the next time I see him."
Tu. ; ”Y Chuck we! “I.“ (we. ms. It ‘1'. W. Dupe.) .
0. .. " il in! hilli: movnenth‘fiey.
.. l ”1‘3"." Pu" m. . . . .
l r .i . ‘7 2 201.:1“ “ eh. m ‘ n. “a WI “I“, “IO
M or. Mr bed this perm- ,W
B
Il-‘nx f-ilpt'r
l
'.
,it- in
lll‘l’l
l
l
l
i
l
¢
By Jock Jungmcyfr
HOLLY‘VOOD, April 2.—William
C. De Millc has closed his script "re-
jection" department. saying he will
consider no more amateur scrccds be-
cause from many thousands examined
in the past 10 ycars he has not found
one screenable story.
Cccii B. De Mille at the same time
is doubling his reading dcpartmcnt
and will continue to give careful at-
tention to all manuscripts sub-
mitted.
Thcsé' diverse announcements from
the equally famous picture producers
will not alone inlcrcst building auth-
ors and scenario nmiccs the country
over. but will also scrvc. to contrast
the dramatic viewpoints the lirothcr:
so strikingly personify.
\VII.LIA.\I Dl'l BULLE. the cider
and mo. in thc mllkmnn and strcct
car conductor. in cvcry individual.
sufficient to fashion gripping plays.
Cecil maintains that it requires the
composite of about 5mm humans to
crcntc a. unixnrsnllj.‘ intwrcstiug scrcru
character. adding and subtracting
(‘l‘ZF‘I l. I'll-I
)lacl'illilflfl’LV.
l'llONi'l.
Jl~2.\Nll-l
'AT THE THEATRES
IKE“ I". NT TODAY
SCENARIO
"My l-‘llcmi the luau." Fox Supt-r
l’rcM'nmtkm of “Tim Pilgrim"
Playing Tun Days.
\\'iliinm 'l‘oolwr. who has
an im-
portant rolc in tho “'iliium i-‘ux pro—
duction, "My i-‘wu-l [ilf' Dmil,” lil-
gint 'i'luliiri, tulnv zixnl lomu'rmv
ii: 5 a imlilw. his .1. mun-$1.2" lull-L).
to.) lie dollrzlils during .nvs Spurn
hm is away item :itugc and norm-u to
Halt llw Tombs prison in va York
imun who irrs
.Lestie's tsther was also somewhet
: skeptical of the bustnem.
and loud it hvlpin: l‘niz-i and sonn-
anl llll\l('(' to tllu~e who llt'lll hrlp
llll'sl,
"ii is l.lrl in lr- 'I' Kr." .\lr. 'i‘imki-r
“ill'l (im- iin)‘ ilciiilly. "luzl mum of
illw mom to “horn l l‘.t\c lull‘ul linu-
lnllnw-Al my :thct- lvll li;-- lrlllll
zin»l lny filling lili’ tilii‘l lulu wrap-.1
I!» f Lair
"1 (lo not lN'llI'\v- li.::l m.m :lmvild
not ln- llllllihluvl li‘. l.l.‘= ('l'll‘ll‘. l'ui i
(ll! lull- u; Hull. V." slinlllrl lliip llli
nu? not crucify lzxm
lu nidlllon to this
ll‘nlllir- ll‘t‘. ltcuuil pro
In
\vii h our scorn.
Lrnm lIIr to
illilll- RIS .I.
(‘liuilvs
l'nnlriiy
3p “’1! lliillhii- tuililla
i'lmyvilll's lutvsl lUlli‘
rcnnm "'I‘lw i’llgrim."
says there is dramatic material in you_
IIVEN FOR EATING Till“. I‘DEMILJJ-IS
.\l[l.l.l'3 (l'l‘lNl‘lClt)
my 1H,! iolllrllr-w'; \'.i‘l 1’1»-
NEWS AND NOTES‘OE- us moms
something from each.
Hence Cecil's thematic spectacular
presentations and caricaturcs of life.
with brilliant color and movement
and mobs, while “'iliiam W‘.‘kg in
lower tones. vignetting the 'individunl
exploring and exploiting the subjec-
ive.
In peisonal characteristics the De
Milles differ as sharply as they do
professionally. Cecil always immacu.
lately dressed: \Villiam saying "what's
a. wrinkle more or less between a.
friendly coat and vest?"
(.‘ccil dynamic. electrifying his or-
ganization. making vivid pictorial
illustrations in his speech; his
brother. epigrammuiic. unobtrusive,
and more the artist than the show-
mgm. Cecil. the capitalist: William,
9. sin-sic. iuxcr. married to the daugh—
tcr of Henry Gt-orgc. his idea. of a
“good time" snouding $3000 in ad-
vrrtising the lost cause at last year's
California Nation. Cn'cil relishing the
sm-spumcfrmn n spccdiix )ilC’IY,
Ilill rumnuuilg; to the swing of
leisurely golf.
'l‘hv-si-suggcstivc flashcs of per-
sonulity may some in givc the road-
lcrs :l. clinrcr concr-pllou of what the
IS ltl-IAlllNG A _
\Ylil'l‘l-Iil, Altl‘l I.l$’l‘l‘2.\'l.\G.
assembled for any produc-
lm found :it the Palace
i'l‘litatrc today and tomorrow
“Quincy Adams Sawyer." the-greatest
home folks story that has ever been
Written and that is now found
mlnpiel :or the rcrccn us one of the
most IlOl-‘lilll‘ tilm plays that has
made its :ippcuranco- m :1 long period.
John liowcrs. lllnnoli Sweet. Len
Chan”); Unrlulrli l.ii.\lill‘l‘. Elmo Lin-
coln, Louirc Fuzcnriu. .lolin howling,
Cluivo )icilowcll. Jl'nc l-Zlvidgc, lizttc
Lost: r and scvvn villi-r first line
pin): is will he found in tlm most it'l-
porlunt rolcs and thc supporting roles
are» wished-also to vscl} km nnd
capable playcrs. It is a bold state-
,mcnt. but it is a true statement that
:llll‘ moments of "Quincy Adams Salv-
i'ust C“ l‘
vtiou will
;_\I:r" and then: urn many. cannot lc
‘l'UIL‘U‘llU. In addition to this high
frillss :iltmciion lhc I‘nlucc will pre-
lmnl also (‘harlcs Chaplin's {our Mil
:prmtm-tiou. “’l'llo l'ilziim" “hich
:l'l‘l :il'ii an avalanche of mirth when
fills lllll ill this city opcncil u! til“
El.‘.ll.lff:; 'l‘lltalrc lust night.
I “THE PILGBISI"
I'l.‘ liut ()nc of lhc Doublc l-‘catun-s at
I Ihc Ilinlto Today and Tulllt'lnrn'
—-"llroi.t'n Chains" is I'uwrr-
! ful Play.
i Lili‘rully DLOle’ \vr‘n: "lurucd
unziy" from the llinllo 'i‘hcntrc lust
('AN SPARE N0 TIME FRO hi “'Olllx'.
SCENARIO,\\’IIILE
in
two are driving at in pictures as wide
apart no William's ”Only 38” end
Cecil's forthcoming "Ten Command-
ments." or the farmer’s “Grumpy"
end. Cecil’s "Adams Rib."
Fraternal admiration and respect
for each other'e talents in in no wise
minimized. however. by their oppos-
ing concepts ideals and methods.
Working side by side on the Loch
lot. they are an exceptionally devoted
pair—two typical straws in the wind
of picture movements.
Curiously enough. it is William.
asserting that life in its everyday ex-
pressions is dramatic enough for plays
who has-not found one screenable
sccnario in 10.000 amateurs' efforts,
while Cecil. saying that. life must be
improved upon for drama. still looks
hopefully to the untutored for mater-
ial.
Eugene Pallette. one of the mus-
keteers in Doug Fairbanks ”The
Three Musketeers." has been engaged
to play in Tom Mix's new picture,
"The Journey of Death," now being
made at Hollywood.
S. L. Rethafel. director general of
the big Capitol Theatre, New York.
just can’t get away from his show-
houee. Even while on the ocean.
Pick-up microphones Installed in the
thcntre wafted the music played there
iliy radio, and S. L. listened in while
.021 route to‘ Europe.
. NOTICE THE TELE-
\V’ILLIA1\I (LI‘I b'l‘) AND
itlmt is simple and at the same time
igrippiug. It is the story of the it-
generation of an eastern youth who
all his life has proved a coward. lie
goes west following an unpleasant
episode at his home. and there meets
and falls in loxe with. Mercy Boone.
the pitiful young wife of Iioykan
Boonc. a brutal giant who keeps inr
chained in his lonely cabin. The
youth champions the girl although he
is brutally beaten by her husband. Iic
returns for a final conflict with Boone,
who mes-ts his death in the trap that
he had set for the youthful champion.
__________.__._—
STRA‘VBEBBY CAKE
BY Ill-ZR’I‘HA I42. SHAPLEIGH
of Columbia. l'nivcrsily
Sl-pill‘z‘lle the whites and yolks of
ihn-p - figs. ill at tho yolks until thick
and light’colorcd. then add one cup of
sugar and boat well. Sift one cup of
flour with one and one-half tcaspoons
of linking powder and one-fourth tca-
spoon of suit. and add this to the
hcutvn em»; yolks and sugar. stirring it
in lightly.
Add one tablespoon of hot water
and two teaspoons of lemon juice, put
into a \vcll-huttcrcd pan and bake 30
minuics in a modc-ratc OVCn. Cool.
‘plit and fill “ith strawberries swcct-
i ncd to tzntc. On top place stiffly
lbcaicn cream. swcctcncd and flavored.
Another nitractitc way to serve this
This pqndllclion has lulu-ii the coun- W“ hing “hen thcy “cut to attunl lh" .cnkc is to cut a piccc from the center.
try ll; 51mm nnd lit llzc {uncut lilrl
night il l‘lilll" .‘i tr: luv-minus liil.
'i‘lu-rn Mill lir lllrlt' oomph-la: prurwl»
'lutinns to l'tV :mil lcmorrow cf liolll
attractions iii 2:15, 7 11ml 9.
PALACE TODAY
mvm Array of Talent in “Quincy
Adams Nnvycr" “hich l.~ I’rcwuf—
1'” with “Tho I’llgrrinl."
lly all odds lhc most mill-mun]
ill
in lllf‘.
Pilgrim."
“as estimated that over two litm-
ldrml people \vcre rcfusui admittance
to the first show because of lack of
r001".
“lirokcn Chains" the other photo-
plny feature which is being shown at
tl;-- lliulto tngcthi-r with "Tito l‘il-
prim" today and tomorrow. also drew
it large portion of the nudicncc,
Thrn story of this photopiay is onc
showing of Charles Chaplin
illi'vsi coincdy fcuturc "Thc
firming a wall one inch thick on the
sides and one-linlf inch on the bot-
.tom. Fill the ccntc‘r with the straw-
bcrrics and cover with stiffly beaten
cream.
EMPIRE LINE
The Empire line is not frequently
soon. but when it is. it is distinctive.
In evening frocks. particularly in
satins and combinations of satin and
lacs. “'0 find it at its lovlicst.
”—— .
AGE)
Lettcr From Ilentricc (irimshnw To
llcr I‘rlcml. Millie Atlncrtou
M Y DEA l'. HALL] E:
“'0. ilaxc iH'i'n having all sorts of
nclivc pll-usurcs mid conditions of
mind since last I Wrote :xou.
Just two weeks before the core-
mony, tho KrOOlil-tO-iit‘. John l‘rcs-
cott. was called ilii"k to Albany on
husincss. Simultaneously his ln-st
l'rlontl urriud. You know that Syd-
ney Carton was his host mun.
I thought Carton looked rather
worricd. cspccinilv when Leslie lic-
izan to rail about "a firm that would
bring a. man back to his office at the
time of his wedding."
"I do not hclievc." she said. “that
I would marry John if I thought he
would worship business as the usual
successful American man. ilut my
John. I am sure, will not be like
this."
It struck me, Sallie. that one of
Carton's eyebrows, which. by the way.
are a vcry speaking feature of his
face. took on a. rather quizzical ex-
pression at this. Some way I had an
ides. that John's best friend was try-
ing to hold the fort for him at a. very
critical moment.
I presume I ought not say this to
anyone, for you and I both know
how much havoc the conjectures ’bf
41 third person will work in tho lives
of men and women. But this I kno .
The day‘beforc John came hand I
went with Leslie to her WI of-
flu end. elthoozh I am Mm to
—
Sallie. I did not intend to read it. but
sl-cing John's name I could not. help
it. for I had become slightly suspicions
that there was a. strong undercurrent
of something sinister to Leslie's hap-
piness in the air.
The wire was evidently from. some
member of John‘s firm and read.-
Joscph Graves Hamilton.
Sharon. Pennsylvania.
Your wire to our John Aldon I‘rcs-
Cott was opened in this office and
duly forwarded to him. Prescott is
now in Sharon. Pennsylvania. where
he will be married on the twenty.
second of this month.
ACME ADVERTISING (‘0.
“When Mr. Hamilton came back
into the room—he had gone with
Leslie to get a. check cashed in the
outer office (this has seemed to be
his moat important business for the
last two weeks)—his eyes rested on
the telegram and he quickly folded
The morning John Prescott came
it and tossed it in an open drawer
in his desk. ,
home We were all down at the train.
Even Mr. Hamilton left his business
to go with us. _
Mr. Prescott is certainly a. splen-
did iooking young mun. nnd I did
not blame Leslie for being proud
of him. Leslie's {other likes him.
too. but I land all the while I. feeling
that he wanted to net e word in
privnto with his future eon-In~lew
so soon es poedbie. I do not know
my
pry in norm. on Iii-6*!”
morn m VM
3
mfle@4
amps ‘
Caps/rife! [925 HEA source m;
whylmwsltlnl"thue things -to-.
mptthet of at;
\
1
__c , n
s A.
ougii confldantes of each other.
I saw him look at. Leslie and a
little worried wrinkle came between
his eyes. I would not have thought
anything about the matter if that
evening Mr. Carton. John's best
friend. had not volunteered the in-
formation when someone was saying
how sorry he was for John to have
to be. away from the Karl \Vhitncy
costume party: "He brought it on
himself." Then he shut up like a.
clam. closing his lips in a. way that
made me think he was sorry he
spoke.
I have not a. thing against John
Prescott. On the contrary. he strikes
me as’ being an average man.
neither better nor worse than those
you me about: you.
He is very much in love with ‘ Les—
lie and if they‘begln in the rixht
way I‘ , sureythey will be very
hamyébut, (you know, destryou ore
always saying that I the]; that .little
word. “but". on » everythingaxl say).
well to reheat—but I hm ntreid they
have begun on wrong premises.
No human being could be u .nn-
colic es John line's-ins Insulin to be
and no man was ever so. perfect no
Leslie thinks John is. . .;
They are culling me. dear. I with
continue this some other time.
Afloetionnteiy yours.‘
Woman and the Home
MORNING FRDCKS, INTENDED FOR USE,
ORNAMENTAL TOO
\
\li‘
A "m
3'». .
n. i“
This trio of frocks was cspccially designed for early morning wcar. In
any one of these three a. woman may plant or water a garden. iced the chick-
ens, do her marketing or start spring houscclcaniug. They are intended for
use. not ornament, but manage to qualify for both.
ireep them active and vigorous through the early
danger period. . ‘
WIRTHMORE Buttermilk Baby Chick Food 3‘
a New England product-designed and prepared
from tested formulas. to meet the conditions and re-
quiremcnts of New England poultrymcn. its use
will positively increase vitality and decrease '
in your
W'rife for FREE Wirllzmorc Egg Record $00k:
Fillediromcovsrtoeoverwith helpiol iniomslion for 11*».
eble poultry rising.
mm. M. Co: Co. WW Bonus
59- Albens Groin CD- Mb-o SI. Alb-3!. VI.
COST OF LIVING
is a problem that has vcxcd many
families in moderate circumstances.
but our customers have not felt the
pinch of rising prices so far as meats
arc conccrncd. Our extensive trade
and markcting facilities enables us to
soil the best grades of meat on n.
modcst profit basis. Just compare
our prices and qualities with others.
CEABNOK’B MARKET
Free Delivery
19 Railroad Avenue So. Sour-1k
Phone 1583-2.
CQAL—Anthracite and Bituminous—CBAL
MASON’S BUILDING MATERIAL
Delivered Anywhere
'The Norwalk Coal 69’ Supply “Go.
Phone 113 108 Wntor 3t.
gazine and “Home, Page.
THE MERMAN SHOE
Police, Army and Navy Styles.
For fthe man on his feet all day there is no other shoe that will
give him the service and comfort that is found '
in Herman Shoes.
5&00 ‘ $6.50 $7.00
woo
Norwalk Chronicler