. TUE
DWFEBRUARroLiié; ' . ,
, he Evening Sentmel’
Children ’s'Corner
Jack Daw in Toyland
Story by Hal Cochran
. ’. “ mt the little fire department could have to do with tho
. n, asked for. Then he began to. find out. he firemen
.m l ladder up against a drinking fountain and rapidly ran
lrstlniain to a glass which was on the floor.
' r was turned on and shortly the glass was filled.
”rm-m handed it to Jack and he had a fine cold drink. Soon
The chief
‘ packed ladders and hoses away and left. Jack then turned
.-én-the-box but found be had disappeared.
l
i"
M y .lepmimcct clock struck 12 and Jack decided that it must be
xr when the toy department ceased to be alive.
Teddy bears rc-
rounters and all of the dolls were where they 11: d been before
0 life. There was nothing but quiet. (Coatinued.)
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any others Inkwho t
But the to“ 3% Vb
, rarried thorn ofl‘and bi
.7 :1 lm osaiblo to 9
re for :n, l om-
.. crrl. a through. but wsro
- ”i this little rack up on
"s a.“
23(- t'rst one
‘~ ‘ . errccxd.
" e lizt‘o rack.
ously for a moment It
.“ walkodmtofiond
«1 at it After M Gt
". "v :eanut broke Ind “In,
vhf: ‘3 to p: cl: out tho Woo-Tho
”~” ‘ thing happened with tho
“"‘ n it wholo.
.ner Brown’s Boy Got the Best of Sammy Jag
By Thornton W. Burgess
’Tuquorhowoftish'nuolued
8m Water the created mod.
-—«I-'armer Brown’s Boy.
1% gr; .ng .
f/
g l
to
on 'In‘
anktho Rut-
rm'l B
7 of poanuY
.r Yank
as
\l
n he saw auk Yank
7.) that shall and vainly
eannt. Tint oat Par-tor ‘ .
2 thinking. no must
hit on a
‘ack in w ich to put tho
3 after thoy woro than
c The holes in this ~
7 small for a whole poa-
“r. ..gh for even as big a
r! Sammy Jay . .
.7. But as i so,” be oro. '
it b; enough to tub I
‘ meat through.
re‘f tilled it full of pen-
5 'l'len watched. Danny
thoro. That
Sammy look
r for peannu a look“
disappointed I: I.
Then ho iod tho
o oyod
and Yank
tho habit
at a peanut. n. aoulda‘t
lie lost his tapas oat
g enough to m
to hide, so ho ato thou.
No matter how he
tried Sammy could Io%‘
Ho kept silt .
l eaten all in mood.
away to think its tast- ”
b. had -
,' V“‘_ r‘lank tho Nutmm {:1
M—.. L .' 1ink Ylllk did i.“ as th.
if.» f.
. Q...
ta‘
Farm" Br
I‘v 0‘ "n
_1"J'*i had done. I!
"' Peanuts until ho “balm
file places whichho
“Hen hohadonmnnho
eflow.
““4“".
gran-ind.
no
‘starrcd. But the merit of the pic-
'uutoseekaphceat
mom-r 103A!
Gem-us Arllss and label I“ '
Mabel Julienne Scott's new picture.
"The Power of a Lie." comes to the
Regent Theatre today as a. pro-ro-
leaaa. The feature is a. Unlvorml and
is one of tho best productions in
which the beautiful" Xi. Scott has
ture does not depend entirely upon
her good looks. but rather upon the
splendid story’which has been can-
fully directed and act by a cast. out»
porting the star. that is mend to
npne. George Arliss feature. "The
Devil" will be the second production
of tho double bill. tangent patrons
will and the program to their liking
PALACE TODAY
Keith Vaudeville and Fox tenure
Gives Patrons Good
Five acts of Keith headline vaude-
ville and the Universal feature “'One
Wonderful Night." starring Herbert
Rawiinson make up, 'the, saturday
program for the Palace Theatre. The
vaudeville bill which closes tonight
has been the talk of the city since its
initial presentations last Thursday.
"One “’onderful Night" is the latat
Rowlinson release and surpasses the
splendid work which Rawllnson did
in "Don't Shoot.” -
Halibut and Oyster
BY BERTHA E. SHAPLEIGH
Of Columbia Clairol-sit:
Place three slices of bacon or fat
pork in a baking pan or dish. On it
lay a slice of halibut. weighing about
a pound. Sprinkle with salt and pep-
per and place. out of a pint, as many
oysters as possible on the ‘hallbut.
Sprinkle the oysters with salt and
pepper and lay a. second slice of
halibut over them Cover this with
a cup of buttered crumbo. Bake in a
moderate oven 20 to 30 minutes.
Heat the remaining oysters in a
sauce pan until their edges or gills
curl slightly. Drain of! the liquor and
use with enough milk to make a cup
and a. half of sauce. Season this with
salt. pepper and one tablespoon of
lemon Juice and add the oysters. Pour
around the halibut or pass separately.
Garnish the platter with parsley
and lemon slices.
Houeehold Suggestions
TO MAKE CREAM “111?.
When the cream Just won‘t whip for
the dessert. add the white of an e“
and chill thoroughly. Then the two
will whip easily.
WATER “1112!; HELP.
If you want t9 warm over biscuits.
rolls or muffins. so they" will be just
as delicious as when they were fresh.
put them in a pan and place in an—
" "Urnyr 23.1 e: Mg; then" W,
stay for a few minutes in a hot oven.
ADD 59MB SODA. .
Add a little soda to the water in
which you wash the greasy cooking
utensils and see how much labor you
save.
KEEPS FLOWERS FRESH.
Hothouse flowers will stay fresh for
a longer time than usual if you will
put a few thin slices of white soap
into the water in whlrh they stand.
YOU WON‘T TASTE IT.
When the egg beater or meat chop-
per work hard put a little glycerine
in the bearings. ‘This will act as a
lubricant, but it will not taste in the
food.
HATS FOR EVEVING.
Evening hats are said to be the rage
in Paris. worn with sleeveless. low-
cut frocks. They are of gold or silver
lace. satin or malines. and usually
have transparent brlms.
TIES AND SASEES.
Ties and sashes are the favorite
methods of closing the newest model
coats. Usually the bow comes far to
the side, over the hip. leaving the
front very flat and straight. Even the
short coats follow this formula.
seams.
Soft frills of chiffon or late mark
the neckline: of many of the season's
smartest frocks. Dark dresses of sat-
in orcrepe is almost sure to have
them. In width- 'i'Eey vary from an
inch to wide shawl effects. reaching to
the waistline.
, than DRAPEBY.
Front drapery is very stylish, and
now we even find sashes gathered
loosely over the Sips and tied directly
in the front.
SMLE mwcx.
A frock of unusual simplicity and
unusual chic is a bodice of black satin
joined to a. bonflnnt skirt of silver lace
and trimmed with a large cockado of
pink and silver ribbon.
l
BRIGHT BED JACKET.
A bright red jacket. closely belted.
is worn with a- skirt of black crepe.
accordion pleated. and a black capo
lined with blege. ‘
GODET MODm
els at one or both sides, and the am
pery gathered info a large rebou. ls
popular for spring. in spite at its win-
. ter vogue. It is particularly adapted
to satins and crepco. ._ .
JABO'I: 11W
Jabot draperies are f
many of the-frocks of printed
This drapery is quite ass.
from neckline to hem:1n_£b
on
monk;
torus
he
of
Coogan tom‘me.
B! med m
I walked into‘a room at the But.
more and pushed.” foot through a
pasteboard box containing a' jig."
puma. Dismantling myself from
that I stepped on;a. to! trolley. but
managed to clutch thfil‘m'of a sofa
before I went down.
“Well, he’s a. real kid anyhow,” I
mused. as I reflected on the dangers
that beset an interviewer in pursuit of
s cm with $10 a week to spend on
to!!-
This young Coozan person at tile
time was in the ”mm with his
nose in the feedbag. 1 his father put
it.- So I turned to the father. A red-
headed Irishman he is. with an
Hebraic nose.
..
Coogan Sr. told me 0; some of the
dramatic moments bemghe story of
Jackie 3 rise to a place where at eight
he commands a million 8' year. They
appear here in print for-1:55.43 first time.
0 “I '
In his first year in the films Jackie
earned $3.750. _ That. W‘for his work
in “The Kid" and "Puck’s Bad Boy."
Then “My Boy” was frauds; Jackie‘s
father and mother wrote2 the~ story.
Jackie's father dnisbed -~ths picture
with a gag man Who helped work out
situations as the picture. was filmed.
"I never had had much money."
' "When ‘My Bowaas
\
The godet frock.<with circular pan;- .
completed we had just $600- Jackie
and I came ,on to New York with the
print. Mrs. Coogan Stayed in Califoro
nia. “’e couldn't finance the trip for
all three.
“When I got to New York I was
told the picture was no good. It
wasn't cut right and I was asked to
turn it over to professional cutters.
Jackie's future was at stake. If that
picture were put together wrongly he
would be ruined. The responsibility
was mine. If he were to be ruined
I would hold my self accountable.
"I never had cut a picture before.
but I got together the 90.000 feet of
negative and went to work. ‘My Boy’
has nosed 8600.000 and will gross
8700,0000 all told. Since then I have
cut every picture Jackie has made. I
have supervised the direction of every
picture except “Oliver Twist! Frank
Lloyd is the only director who has had
a tree reign'wlth Jackie."
O O 0
Jackie. eating his lunch. sitting
tailor-fashion on his chair. His Uncle
George tells htm‘ he had better out
more warm potato”. , "Hotpotatoesl"
Jackie cries as he drives the fork into
them. “Hot potato! Hot patootiei
“MMDAL u
to a song of oxt‘mporaneoua tune.
O O 0
"How do you handle such a boy?"
I asked Coogan.
"I make him think I’m the greatest
JACKIE COOGAN. SR.
The courtroom scene in ”trouble."
in which Jackie tells the judge about
the bully‘ 3 attack and the coming of
the police, is 170 feet long and as fine
an example of pantomime as the
screen has seen.
"We retool: that ocene after I had
bet the director. against his apparent
a
$719.. that Jackie couldn't do it as well
again. Jackie was to get half if I
won. “'hen he went through the
scene the second time it was 170 feet.
to the inch. of what it had been the
first time. The twa shots were iden-
tical. That stufl is apple sauce to him.
"We were taking a closeup in ‘Oliver
Twist.’ The episode required quite a
lot of emotions: acting on Jackie's
part. When Lloyd yelled ‘Cut!’
Jackie yelled ‘Sixty-two.’ The camera-
man looked at the camera. He had
turned the crank 62 omits. Jackie
was told he couldn' t do it again. He"
went through the scene with his whole
attention apparently on his acting.
When Lloyd yelled 'Cutl' Jackie turn;
ed and said. ‘What's the matter! Tty~
enough. the crank had gone around
58 times. The boy had been doing
two things at the some time. You see.
the business of acting is Just as much
apple sauce to him."
actor in the world." Coogan answered.
“I my to him. 'Now I‘ll go through
this scene the way I think it ought to
be. but I won 't not it. I‘d look foolish
trying to act a little boy's part. I’ll
show you the stuff. but you do the
acting.’
"The spirit of chance also gets the
boy. No matter how well he does a
scene. I never say more than '01:, that
was all right: When he finishes a
scene everyone walks away from him.
There is no putting on the back. I'll
say to the cameraman. 'I'll bet you he
can‘t do that good again.“
ears are always open. He hears and
then persuades me to bet that he can
do that well again—but he wafis half
of what I win."
i "Well.
' ous youngster like that from being
Jackie's .
0 0
how do you keep a precoci~
spoiled. 9" I asked.
Oh. I just give him the bums rush.
But sometimes he gets the best of me.
He has been wanting a bicyle. We
passed a. hardware store the other day.
‘ ‘Look. daddy. at the nice bicycle.’
he said. ‘Haven't tune to look,’ I an-
swered. 'But just see the bright paint.
Nickebplated handle bars. Bali-bear-
ing pedals. too! ‘That‘s allright, I'll
look.’ I answered. -'but that‘s all. Now
we'll go.’ He looked up‘at me without
saying anything for a moment' and
then said. ‘Daddy. do you remember
that knife I bought you at Catalina a
year ago?’ ”
anvsmss or run TWINS
The Magical Egg
By Olive Roberts Batten
Animus... Shaped
Ah’ke This Season
Suits decide blouse lines, so this
spring all blouses are about alike.
They're gathered on a wide belt.
fitting closely over the hips, and
sleeves are very short. or. it long, very
tight, to let a suit coat slip over them
easily.
model. ck in long box styles. entirely
covering the blouse, or, again, ex-
tremely short Eton jackets are worn,
displaying the waisf underneath.
Nearly all ‘suit blower are of print-
Clu'c Frock'For a »
MissWOf Six Years;
m
gm...
Suit coats are designed on the same.
Muslin unbleached good. sturdy stun.
Is used for this chic frock.
In cut and general lines as straight
And simple as an artists’ ' smock.
To make it for a girl of six
You‘ll need of yards just three.
0" twice the length of finished dreeu.
Plus hem, belt, sleeves—you see?
Embroidery in green and blue and
red.
On a strip of muslin done.
With finest. softest of minlin done.
ed or brocaded silk.
Gives this wee frock bon ton!
BY GENE COB!
NEA Staff Correspondent
SAN FRANCISCO.——Sole heiress to
a. fortune of 33.000.000. Lydia Hop-
kins neverthelese works as a. sales-
woman is a San Francisco department
store. ‘
Millinery is her specialty.
There’s no make~belleve, no ama-
teurtabness about it. In fact, Miss
Hopkins disapprove; strongly of so-
clcty young women who enter the
working girls‘ field just temporarily.
491: tun. curiosity origsia fad. ‘
isn't fair." she says.
“Sometimes It
imam Horm’s
"on, look, swat" cried Nancy. M
The Twins left the “cutout" lady
and her chocolate-oaks dog with the
pink-icing ears and succeeded toward
the fiery mountain.
Between them they carried the has.
ket of eggs that the old woman had
given them.» - ‘
Bye and by. they came so close to
the mountain that their eye-balls be.
zanlosunsrtwlththeccatheat'mae I
damesleapedsofarannto theokyr,
that it seemed Mongol.“ touching 1.»
them 1--
“Letswlshouraehupvorwith our";
fizzic Green noes. said Nancy.
” is, yes. let's.
retail: (hiya-ll!
0
MM
is Jack Straw’s domino palace."
Atheir‘ ,
e little
inn hizhoi- ..‘.a yet htgher ..
hot breath fairly ocorohed
travelers.
Each time that the Twins wished
Wires higher, the .hnteo seemed
to follow.
“Oh!" cried Nahum, W shall
we do? We'll never 39% our!”
Suddenly Kick thoughts: his bas-
keeps a. girl from a pofltion she
needs." , ‘
. Asks No Favors
Miss fiopkins asks no fr: hrs. no ex-
ceptional treatment. She rises at S
a. 111.. to the tinkie of a. tin alarm
clock. She dons a. plain black uni-2
form. She hurries to the store where
She’s Worth Millions, Yet Works
As Shopgirl
she is employed. She straign' ’tens out
her stock of hats and is ready for the
torenoon'a trade. At noon she "puncfi-
es the clock" and takes but an hour
for a 24-cent lunch in the store cafe-
teria, and maybe a short visit to the
rest room. All the afternoon she sells
hats. At 7 ojclock she's home again.
pretty tired.
Sometimes she feels equal. in the
evening. to attending one of the social
affairs of the “400." to which she ai-
ms has a stack of invitations on
m but more often she doesn’t. ‘
She wants
Why does she do all this?
does it. she says. for experience. and
emphatically not for more amusement.
Incidentally, she recognises that
she' 3 getting much information which"
will be of value to her in employing
her fortune later in the interests of
social welfare, but that isn't a point
she cares to discuss yet. “I twanted,”
she explains. "to work and learn, not
to play, and I found it was necessary
to start at the bottom."
When an: Hopkins began selling
bats she introduced herself to her fel-
low salcswomen as one. in every re-
spect. of their own sisterhood. fiery
now and then. however. some woman
high in San Francisco society drops in
and greet: her as a member of the
same "set."
Not Entlrcly Belles-ed.
"At film” she says ."I told the gfils
I was a poor relation. Lut I don't
think they believe me entirely." Some.
times these incidents cause her embar-
Iament. but she's personally popular
in tho workera' circle. Perhaps be-
cause of her own democratic views.
“We' re all women in the same world.‘
she points out. “I discovered that
when I was with the fled Cross during
the war."
Mark Hopkins. who helped to make
early American western history.
DRAWEGS BY BILL BOLMAN
Draw in the Wu: “nu
DRAWFUNNIES
VERSE: BY HAL OOCEBA!
and then color the picture
3’
,L'Thisfoliow'spamomynotbosm. " .. ,1”
‘ :Iiowever.ju§ttbeaamsi , , . 3
.7 r, remarking-balm!“ . ,- '
She”
‘ Miss Hopkins is a. granddaughter of-
Norwalk Chronicler