. mSDAY, FEBRUARY 22, 1923. ,2: fl ;
Children’s Corner
Jack Daw in Toyland
Story by, Hal Cochran
\
\.
\\
IE: ,. y." ‘
l
m mor the doll queen finally decided that the little
\ ,.,..H.»..-1 to first prize. This carriage was wheeled close out“ into small pieces.
Sentinel’s {
. g- A... , ..
' 4
Good ~Monnerc ‘
s. reception—the guests quite prop]-
eriy chat with? one another; and»
evenestabllsh lasting acquaintance:
ship without the formality offs.
regular introduction. The very fact
that another. like one‘s well. has
been invited may be interpreted as
an endorsement by the host.
Spanish >0m’elet
BY BEItTHA E. snowmen
0! Columbia University
Take two tablespoons each of good
oil and chopped onion. 3 clove or bean
At a; large social gathering—8&1. ~ '7
0: garlic, chopped; twocups otvcan-
ued or four fresh tomatoes. peeled and.
one , teaspoon
. . i»..- illIW‘YI handed thellttlc doll baby a. beautiful new each of salt and paprika. a smarter
;. ‘i was given some sort of a prize so that none of them
‘ husk told the queen that this was a. line idea. as he
“w «long sorrowful. Then the queen's carriage drew up
. , she started back to her private car.
.Lf .m. lc
" a v-xm‘n had left a. band or clowns walked up to Jack
"Would you like to see a. great surprise box?" “I should
"w" ‘ ' .lmL.
and he was then told to follow the clowns.
4‘ s
i" .1 -l: wondered what was in store for him. (Continued)
pound or fresh mushrooms, eight
and salt and pepper.
Cook the Onion and garlic in the oil
for five minutes, being careful not to
brown. Add tomatoes, sugar, salt and
paprika. and cook slowly m: an
hour until quite thick. Wash. peel.‘
and cut into pieces the mushrooms and
cook in a. little bufter for five minutes:
Add’to the tomatoes, and at Lu same
time add the olives. .
When the tomato mixture is ready
make the omelet.
Beat the eggs very slightly with a
fork. add water or milk, salt and pep-
per. Heat the frying or omelet pan.
add oil. and pour into this the eggs.
Move the pan frequently as the eggs
set, and. with a knife. raise it from
the. bottom of the pan. allowing the
uncooked part of the egg to touch the
pan. In this way the egg does n6f be-
come hard, but remains creamy. when
only a very little egg remains in‘ a
liquid state loosen arfiun’d the edges
and fold over two or three times. Turn
into a hot platter and po‘dr the tomato
around it. Garnish the top of the.
omelet with a. few sprigs of parsley or
watercress.
AT mgnnnu
PALACE 'ronAY.
New Vaudeville Bill is Recruited
from Leading Broadway Houses.
The Palace vaudeville program
opening today for the last hall of the
week is recruited from the loading
Broadway houses and represents the
last wordi'in the entertainment and
Miachaua, the Brazilian wonder. is
the only wowman in the world wh'o
docs wire “hiking without the aid of
a pole or umbrella. This act alone
is nothing short of marvelous. The
Pesci Duo present a llarpist and a
singer who are recognized for their
talents and their natural abilities as
{1‘ he Uselesmoss of Rage
By Thornton W. Burgess
Faceless rm walvmthi'na gain,
But loam ”Mad (8 Median pain.
-—Oid Mother Nature.
M
Rm hwy. is foo”!
Ell" Umyq is foolish. rt. lzgolfi?‘
n." it 1a :z‘rjmint sense. It is
lAi‘vnys it has bun M.
.l. :kli'. b0 I0. Just “k.
tummy J . '
n Sammy ny (Ii-Wt!
lit-i “all boon Mint “1.
. mi hidden any he “I
mm either Ho Jock
infirm-er tho Emmi!“
izvnwly 89mm: flow into
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in“ Ciro of 1
AR film
| . Ch. Old
1'; ‘ > ‘r‘ “moored. st's what
0....;'_.‘ “A drive them out 01 the Old
rdiluted. to look for
{mri Chsttsrer. It didn‘t
V , m; {0 find them, for both
m... ; " (W1 Orchard. The in-
"? mied Happy Jack he
, m ,f‘Vhim. screaming at the
t-_... . ’ Whirl. “This“ Thiofl
~.. ..( “rained Bsmm . ”Thief!
3' “a dart. st Happy
is...) ‘ ’1” intended to ink out
around
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Q ."""""‘Hi” retested 8‘
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are stolen my "mml.
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trunk.
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kiwi (:3 3"“ knew I hswP'do-
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I 2.,f”.“.F‘T THE comm ' .
~ iill till"! you] pink 31' M
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w a. in illi‘lwntlne an“. em _
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. not nee the call so
u to worry align; gm"
Chatter-1'
Lostuluhsdflmn
m can move quickly.
Ho hadn’t tho [out trouble
Joy's way.
W
torn coiled Bonny
know-Chatter" delights to no other
mdse‘spoclsl'l'y does he
I
:1" s’s‘ho’iistonod
ht Bonny Jay and Chat.
made 1“ in
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to ’ hunt for more
on and must!
onnd. .' panels I
Wiz-
m Jul: ma crowd 0H.
Mainline
in hoop- _
In fact
mend that tree
his *
Jay names. * You
"KW-
Thoil he took
places.
at.
the story.
_ _ theat thoknlto flrltryw will
entertainers. Cook~Smith and Cook,
are happy though millionaires. A
huge fortune of travesty and comedy
is dispensed by these artists. A real
novelty surprise may be expected
from \Villie Smith. the double voiced
vocalist who will offer a program ,of
songs as you will like to hear. The
closing act will be The Barrys and tho
‘Wol'frcds. Both families have been
in vaudeville for many years and
their presentation, 'the past. present
and future of vaudeville will int'ro-
duce some unexpected surprises. The
feature picture for today and to-
morrow will be the Fox special.
“Lights of New York? It has gained
some unusual praise in many quart-
ers and will prove a hit here.
___-—A——-——
REGENT TODAY.
“The Town That Forgot God" Sweeps
In Town as Picture Sensation. '
For the past five years the critics
and the public have been ‘ shouting
mom the house tops for something
new in plctOrial entertainment. .
Virtually every picture released
_ boasted of having a. new plot. a. new
angle. a new star. 9. new author or
something else out 0: the ordinaary.
but still the critics howled for "some-
thing new." ,
At last the leading critics through-
out the United ‘States admit that
there’ is "something new under the
sun." It is the unusual theme oi!
“The Town That Forgot God," Wil-
liam Fox' latest sensational photo~
drama.whlch opened a. three .days'
engagement at the Regent Theatre
yesterday.
rooted by Harry Mlliarde, who staged
the other William Fox supreme suc—
cess, ”Over the Hill." ‘
I o
HOLIDAY FEATURES. 5‘
At Riskto Theatre for May and
Week-End Showings. « 1
The last showings of “The Light in
the Dark" will,be held at the Rialto’
Theatre today. This picture deals
with 'an uniquesubject. and one that
has rarely been seen either on the
sdreen or .the disses. It is‘handied in
a manner thatwbrtngs Iavorabls com-
ment. Hope 'Hampton and Lon
Chaney are the _i’és.tured players in
Audiences who viewed it
yesterday werefiap‘preciative or til
story, actingand‘ direction. '; ,
Tomorrow and Saturday the photo-'
play “My W'lld Irish Rose” is to be,
shown, 1nd it is expected that this
since a- genuine Irish. photoplay has
been shown in. Romans. and Manager
' Hamilton feels'th‘at he. has been for-
duction tor mundane“;
E
i.
i
,wné'n *ent’un flesh lax-ego. its
olives. stoned and cut into strips, rive above all the others in the room. 8
eggs, five tablespoons water or milk veritable mountain 0! ll. man. Victor
, Stroke 0: Midnight."
The production was di- ‘
picture will. have“: large appeal m
. local audiences. . It is a long; time '
innate. in beingable to book this pro; ,
19er new A
BY JASIES “7. DEAN .
Victor Seastrom’s tawny head rears‘
Seas‘trom. sebking a compromise bo~
tyre n dais art and the commerce oi’
America. Ah. now I place him: The
Colossus of Rhodes!
A‘ colossus trying to traddle the en-
trance to that harbor. where few men,
can go to make art pay. ‘
-“Look at this." Seastrom hands me
an exhibitor's report on his “The
The exhibitor
reports that he showed that picture
two days and that it took two weeks
to get his business back to .normal.
Many. this writer among them. con-
sider “The Stroke of Midnight" one or
the three most artistic pictures or the
past two years. (The others are "One
Glorious Day" and “The Cabinet or Dr.
Caligari.")
\Vhy aren't such pictures great box-
oll‘lce successes? Because 0! the
mechanical limitations of the motion
picture industry. Not because the pub-
lic doesn’t appreciate art.
If a director keeps his picture within
the banal and stereotyped limits with-
in which 90 per cent of films fail the
industry is organized to baliyhoo them
into financial success.
But once lot a director rise above
the petty limitations or the trade and
his films do not fit into the Ordained
scheme of things. The industrial
machine has no way of reaching that
vast host of discriminating persons
who would gladly go to see a. really
artistic picture. Very often those dis-
criminating ones stay away from
theatres because they have. been baily-
hoocd into seeing a film that was so
much ciaptrap.
The exhibitor is no more to blame
than the distributon \Theieilow who
just what his product is and how it
should be presented. '
Thus we find Seastro‘m. recognized
as a great artist by all who are able to
recognize art. trying to find a. niche in
the film business into which he may
i‘lt. . .
“\Ylmt will your first picture he?"
I ask him.
“I don't) know yet,” he answers. "I
am studying‘nbout it very much. 1
must first find the story. It will be
; behind the race.
sells to the exhibitor ought to lgnrowhjqoting for stardom than Dinky!
.V‘Ic'ron SEASTROM
4
V O
—"somethlng here. behind the face."
He taps his temple with his finger.
.Just over tron: Sweden. he has not
yet mastered our language. but I un—
derstand the gesture. He doesn’t'care .
for pretty faces. What he wants to ‘
show on the screen is what goes on
Something, should be said to the'
lasting glory of the Goldwyn company.
They have given Seastrom a free hand
in selecting his. stories. casts and
method of. story treatment.
8 t O
Dinky Dean is zooming toward cine-
ma fame: under the same impetus that
projected Jackie Coogan into the mil—
lion-dollar class-of screen stars. The
impetus is Charlie Chaplin.
The Coogan kid was four when
Chaplin gave him the title role in "The
Kid." That was four years ago. and it
was just about that time that Dinky
Dean was born. Dinky is the 'son' of
Chuck Reisner.'who has beén the vil-
lain in several Chaplin pictures. His
real name is Dean Franklin Reisner.
Chaplin called at tho Reisner home.
tickled the youngster’s toes and promo
lsed Reisner he would put the boy in
pictures. . ‘
soda-k Goldwynh
When Chaplin started ”The PiL.
grim" Reisner brought the boy to the
studio. Chaplin put him in the picture
and it presents the unusual. spectacle
ot the boy slamming the comic king
in‘ the race. .
Now Dinky Dean is to be starred
in two-reel comedies. He, had a slap-
stick roie in- '~‘The Pilgrim}? > .
Jackie Coogan had an emotional
role in "The Kid." It seems to me to
have given him a more substantial
smart‘alcck role.
0 C O .
rMarcia Manon is to he starred in
"‘Thc Dice Woman."
. U C ‘
Three of the old Chaplin comedies
son to he released are~“Dough ‘and
Dynamite.“ “Caught in a. Cabaret"
and “His Trysting Place." ‘
Doug Fairbanks is planning to film
a Grecial story laid in the time of
Periclars. Edward Knoblock is work-
something—f he, pauses {or the word
ing on the script.
alantvsn'ru‘ass
k
A Bread-Pill General
3 By Olive Roberts Bart
or was. Twins.”—
0n—-——-—r—'—"
Nick met in Grids-Cross City in Mix-
Up Land was a soldier. -
“Hellol”. said Nick.
"Hellolf‘ said the soldier.
are you going??? .
“Where
palace. ‘11 i'yqur'please- We’d dike" to
see it."
".‘I don't;_ples.se."_’ growled the sol-
ti-yxto's'eeTit I’ll have to shoot you." ’ I
“Then." sighed Nancy, “I suppose
we'd better not try. hadrwe "
"Listen!" whisperedthe soldier. "Go
ahead it you want to. It I shoot you
it won't hurt. My bullets are only
bread-pills, and my sword is made of
rubber. It-
rub you ou‘ " V ' , .
"We don’t wish to- be rubbed out.
either." 8‘an Nick. “'_We had a. hard.
enough timergettlng here. ,Aro you a
private soldier or a corporal ?" ~ '
":Neitheafflsald the soldier. '
£ _ "rm
0113' a. poor general. . and _. I have :to
sweeper to , see that
run overthegchildren-
‘That’s- ' ' ' ‘
V'Tigeons
children.".
‘wa ." '
y wouldn’t; any;
., '
If‘fiellol” said the soldier. “Where are you: going?"'.'
. . The next person that Nancy and
"W‘s are—goingjto see Jack Straw‘s ,
dier. ”"It's’ {scene so it is; and it you‘
’t cutyou...lt would only
stand here all day ‘like a. crossing-7 ’
the plgeonsdon't _
Elongh to hurt
general. "Only don't tell anybody. He
lives in a housemadé oi dominees.
-; and thedoor is the domino, with the
double five on it. Then _. isn't any
handle.- Ail'you this to; push." ' .
: 20h, .thanl: you? . ried _ Nancy.
“Thank ‘you'so much for telling. And
here is the house}, We can’t go in.
untilwe find it. ‘ v '
“It moves around. so I forget,” said
the general. "But it ‘I think ot'it.
-ru send you word." ;, » 7 5 , ' .
‘-('I‘o- Be Otrllrltilnued)w ., >
(Copyright. 1923, NEAL Service)-
«sums "your: was- . ,
When Water “opined on a. book the
leaves may be‘slwcdtromxarping or
side or thegwet pages. and, pruning.
., 7. . ed 1'09.
statically :7 " tags or gray
m!" ‘99“! _., 33:. zen
To Be
Household : Suggestions "
crinkling’ by slipping}. blotter on each ;
“.Wbifianidnd the Hm“
: r- >1. ‘
”J .
A TRIO OF SELLNER EMPLOYEE W’HO HAVE TAKEN TO KNICK-
ERS. FROM LEFT TO RIGHT: KAY WALSH. HELEN GOKEY . AND
MARGLTE RITE SCHZiIELZ.
BY MARIAN HALE i
“When all women wear knickers")
the Retail Clothers" Association. pro-
prietor of stores in New York,’ Phila—
delphia. Newark and Trenton, "there’li
be fewer accidents.
"Girls will save Grab-Eating to work
in the morning.
> "Because of their greater bodily
freedom they'll be more efficient.
.f‘Legs will cease to be any novelty
to men."
At the clothiers‘ recent convention
Sellner announced that he was going
to put all his stenographers into
knickerbockers. He has done so. and
the girls say they’re pleased with the
change.
Save Lots of Time.
"They're a great time saver.” re‘
ports Marguerite Schmelz. stenogra-
pher in the Seliner Newark office. "I
wear them at work, and world like to
wear them on the street. too. but I'm
waiting until they're a. little more gen-
erally adopted." i
51? Good Wife, ..
Knickers
says Vice President Harry Seilner or’ ers. in search of ' the
"As a student of the history or cos-
tume. in knowing the grotesque, in-
convenient abominations that design—
bimrre. have
forced upon women." declares Victor
Perard, the New York utist. “I’m
glad someone has had the courage to
encourage improvement. infiheir attire.
“A woman in a natty knicker suit
has more freedom of movement. and
so is more graceiui and enjoys better
health than her sister who’s hamper-
ed by skirts. She'll make a better wife
and. ‘companion." .
Speaks Tor 3:611.
, “I hope.“ indorses Charles Keller.
the big Brooklyn mcahant, “that the
knicker pie. succeeds and spreads
over the can try. I‘d like to see men
dress the same way." _
‘ But Mrs. George W’. Reid of Nyack.
N. Y., prominent in. feminist circlia.
dissents. "The Bible," she insists.
“tells women how to dre‘s's. Instead
of] compelling modern girls to attire
themselves wrongly, we should try to
get them back to right ideas, so that
they may lead' normal lives and be
worthy to become real men's wives."
,. r..-
,...ar
unfunny
, copyrlg-mlmwm oervico
There is much objection to rouge;
the women of Paris decree rouge is
not to be worn on the face: and—
have the American women paid any
attention to it? No. we are thankful
to say they have not.‘
The American woman,
isn't even yet up to the
in improving herself, is extremely
sensible in what she does, and mere
fashion does not mean anything to
her. unless it offers an improvement.
That is why the skirts. even though
they are decreed to be worn long, will
not rezfch the ground.
So rouge on the cheeks is going to
remain. But not for brightness-of
the lips and pallor of the’cheeks, but
rather brightness of cheek and dell-
cgte cola: on the lips! Too high a
color on the lips makes 'one look ill.
We should try to simulate the na-
tural and healthy.
It‘seems to be a. fad with the wo;
men, particularly of the younger set
in' New York.and through ihe east,
to use a very dark powder all over
though she
DRAWTNGS BY. BILL HOLM’AN
last minute -
HO‘V TO LOOK NATURAL, WW.
I
Draw in the missing lines and then color the picture
that of an oriental womauz .
It is appalling to me to see this.
Sensible women should not indulge
in this freak of fashion.
After all. the beautiful part of
charm is to be as clean and fresh—
iooking always as an orchard of
peach trees in blossom.
Speaking of colors do you ever
notiQ whether the colors you wear
are really becoming to you, or do .
you just go in and buy a suit be-
cause it is a conservative blue, and
you know blue always looks well on
you?
- Change the color. and you will see
a. brightness in the eyes of s the
friends you meet. It has been oc-
casioned by your change. -
Never allow your friends to ac.
you look the same all the time. It‘
gets monotonous. '
i Study your personality, and if you
‘are pleasantly flaitracted to
> various
colors, you can be. sure these would
be good colors to wear. ,
Contrast your colors. Lighten I.
somber color with a cheery color,
the face. .neck and arms, WhiCh gives . and you will be surprised at the exect
them a. high, brown snout. similar to'it‘ will have upon you physically.
- DRAWFUNNIES v .
.
VERSE; BY HAL oceans!
3! a “W1
tar -
Norwalk Chronicler