m w remnant! 2.1923. .
Children ’3 Corner
Jack Daw in Toyland
l. slin Elton Storyby Hal Cochran
J‘
Good Manners
L hurried. indistinct introduc-
tion almost always causes embar-
rassment. Names should be pro-
nounced distinctly.
'For the .persons introduced, na-
turalness is the right form.
Brevity and clearness in the in-
troduction and a note of sincerity
on the part of those presented to
one another gives by far the best
effect.
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. «uric from. and who are you?" asked the little doll. as
..g 1.17.1ng around them. “W'hy. I am a. little adventurer and
. "i“ i‘cpllt‘tl Jack. “Adventurer?" shouted the doll "'VVcll
f. \= ill have the real adventure of your life." i .
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l . ll l“ll down an aisle of the big department store and Jack
‘ - ..v\» at hvr licr'ls. Suddenly she stopped at a big bell and
\'..is n. grout commotlmr. All of toyland came to life and
.,w v-r' noisqs was nlnmst deafening. .
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mler the sun has happencrl?" shouted Jack. And he was
,i doll pnlu- ‘muu hopped off of a. counter and replied: “You are
y toyinnll. I'Iur‘ll duy, wht-n mw-ryhody leaves this store. toy~
(Tomi: with me and I will introduce you to all of the toys.
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Ulll Jed Thumper Leads the Way
By Thornton W. Burgess
If one plan. fails just try another
If you would win some way or other.
—-Old Jed Thumper.
Al
-~~;ur ran lip arty-lip-
,»i as he can d to the
wivr Rabbit was wait-
‘r r dunk have to ask
”mu-fled in fooling
ii »l by their trick in
' ' _: 5h: ilt,‘ knew by the
wt .lud Thumper was
‘..i: trick had failed.
. .1 HM Jed Thumper.
‘ "We have got to
. white robber wasn't.
' . it won‘t take him
‘v'r your trail or mine.
get. away from here
n.
m; (llll Jed Thumper.
away bounded Peter
ti rror which Peter
W meeting Old Jed
* '» ml to him. But it was
‘ H lime somebody with
rrvnt deal of conti-
l Th umper.
Weasel.
Ho chuckled and thonstarted of
along that trail a little faster
than before
--‘:uiow the
11w.- bramblo tangle.
: Juli Thumper’s trail.
moment His nose
:-..= wns not the trail
.- hull been following.
t'l?‘i that. this Rabbit
mm to run for a long
.. flow kf‘pt right on
WM.» tangle and pres-
trail of Peter Rab—
wl. mul then started
r_ ,, trail a little faster
~ .. had gone but a short
"I Mm trail of Old Jed
& . that of Peter. Again
. ‘ .nl With two Rabbits
. "r the scent was twice
... .‘ ' m Churse, just so much
NV
circle and pick it up again. But e'sch
little delay helped.
By and by Peter noticed that they
were running'in u big circle. They
were coming back to that brambls
tangle where‘tbey hid tried to fool
Shadow. It made him nervous. Sup-
posing Shadow hadn't kept on- after
them. Then they might run :1 ht into
him. Ho said as much to 1d Jed
Thumpcr.
"Don’t won-i." said Old Jed Thump-
er. “X know w at I am doing. Shadow
is following us you may be sure. filo .
will until he finds wears running.
in a circle.”
So Old Jed Thumper kept right on
.rmr ran and ran. and
“I“ " ~r ran and ran. Peter -
-. .1. . . into the brsmblo tangle and out of
r ;..,.‘;9';” “”db again. it again in just the some way they
M: ‘- V"? e“ in had left it before. "When he gets
; “.9 w;th Old Jed Thump-
' ivlvl .lwi Thumpcr didn't
. “,' m-ri he did he stopped
"w .nr Peter. "We'll I'OIt
'» m mites," said Old Jed
thy sat down on the
‘ ., :1 utii.l._ But they didn't
.._,r 4' 1‘ ‘3' didn't dare to. You
a? ‘.. ' ‘, way of knowing how
m w W.» Weasel might be!
'- (lid Jed Thumper would
here.” said Old Jed Thumpu'. “he'll
know that we are running in a circle.
Then he won't know not what: to do.
He won't know w er to keep on
behind us or to um and wait for
us to come around to him. or to cut
across and try to bond on 0.8. He’ll
think it our and that will gun as a
little more time. We'll go halfway
around min and than or lb another
I. a a direction.” I
.. mg leap of! t
.....°..i:;. is; w n .1!“ " 1 "' "‘"""
I . rims the trail. It wouldn't ‘ i i
, 12- long, {or they know that
as would limp” ‘93. 9 i
Marriage a LaMode
We got our custom of throwing rice
at weddings from the ‘ hineee. The
old Romans threw nuts and sweets.
In Scotland it is customary to throw
small oatmeal cakes. Throwing fruit.
especially figs. is the corresponding
ceremony in southern Europe, while
in Greece the breaking and scatte ng
of a pomegranate is the fa. rite
symbol.‘
Potato and Turnip
Croquettes
BY BER'QHA E. SHAPLEIGH
Of Columbia l‘nivcrstiy.
4 large potatoes.
2 medium—sized yellow turnips.
1 teaspoon salt. is teaspoon pepper. .
4 tablespoons butter.
2 eggs.
Bread crumbs.
Fat for frying.
\Vash. pure and cook the potatoes
and turnips in salted water. Drain
and mash; add salt. pepper and but-
ter. Add yolk of eggs. saving whites
for dipping the croqucttes. Beat the
potato mixture well. then place in a
pan to cool. Shape in cylinder form.
roll in flour. dip in bentcu whites of
eggs. diluted' with one-fourth cup:
cold water. Roll in sifted bread
crumbs and fry until delicately brown
in the hot fat. Drain thoroughly.
Garnish with parsley.
No Club Car for Wome
o
By NBA Service.
CHICAGO.—-—The time has not yet
come when womcn smokers have to
be provided with separate club coach—
es when they travel.
They've made no demand for such
accommodation as yet. Such women
smokers as do travel either eschew
their fags when they're on board train
or they go in the rcgula'r club car and .
smoke with the men.
“There's no truth in the report the
Pulmnn Company is planning special
smokers for Women." J. Keeley. editor
of Pullman News. official publication
’of the company. said today.
“The company for 50 years has
made a pructlce or anticipating public
demand. but there has been no de-
mand for women's club cars and there
is not likely to be right away";
____.__._.._.——-——————-
BRILLIANT COLORS.
At a. recent smart dance at the Ritz
Carlton it was noticed that practically
ml the gucsts wore vivid colors.
Orange. flamingo. rod, sapphire blue
and jade green costumes made a bril-
liant kall‘idoscope of color.
IIFTMLINES.
The uneven hcmllne is still featured
on youthful frocks of chiffon and lace.
'l‘hcse frocks are delightfully youthful,
but quite opposed to firippcrism.
Ill-DISTI'I‘CIHXG.
Hcmstitching is seen on many sport
and afternoon frocks of crepe dc chine
and voile. Frequently it is the only
trimming.
LACE AND BEADS.
A gown of Alice blue georgcttc is
trimmed with rows of narrow valen—
cienncs lace, outlined with rows of
sapphire-colored beads.
.1. .;.r.> L" GINGHADIS.
Gingham gowns arc embellished
Wit. cross-stitch embroidery and nar-
row edgings and frills of orgnndic.
The colors are as brilliant or subdued
as one desires.
MOI'N’I‘A‘IN HAZE.
Mfouniuin'haze is he name of a new
and very fashionable color. It is
sc‘” lu'tu‘ccn orchid and pink.
and is particularly effective in silken
mi... -,
he Evening- Sentinel’s Daily ' Magazi
ms AND run or TliE mono
’/,
CTER
NE\V
3
J. M. KERRIGAN. CHARA
ACTOR IN .“LITTLE OLD
YORK."
BY JAMES “2 DEAN
They told me that the leaves on the
trees in the mo‘yie production of "th-
tle Old New York" cost $7000. That's
a pretty good yarn, I thought. and so
I went over to the Brooklyn armory,
where scenes of the picturenre being
filmed.
There I saw the biggest interior
motion picture set ever erected. It was
a replica of the Bowling Green of
New York City of a century ago.
There were dozens of trees and each
one was luxuriant in thousands of
artificial leaves“. I believe they ac-
tually cost $7000.
The movie people in the past have
dealt in extravagant terms so much
that film commentators have become
a. class of Doubling ThomaSes. After
Visiting the set of “Little Old ,New
York" I am prepared to state the fol-
lowing facts on my own authority:
Marion Davies has actually out her
hair to boy-length for this picture.
She doesn't wear a wig.
Harrison Ford, Mohlon Hamilton.
Norvul Ix‘ccdwcll and J. M. Kerrigan
have grown natural sideburns for their
roles.
So many people take part in the pic-
ture that costumes of the period had
to be ordered in three cities. New
York. Boston and Philadelphia. In
addition. many were made at the
studio. They were designed by Mrs.
Grctl Thurlow, daughter of
Urban, who designed the sets.
The task of feeding and caring for
this army of actors is us great a! that
of provisioninga battalion of soldiers;
Sidney Oicott. the director, has
three assistant directors helping him.
William Randolph Hearst takes an
active hand in the supervision of film-
ing the picture.
0
I’ntil I saw Marion Davies in “The
Young Diana" and "\Vhen Knighthood
\Vns a i“l(’l\\‘vr." I did not think that
her ubilitics as an actress warranted
the vast expenditures on her pictures.
Joseph
0 O
the first time before the camera
ZMARION DAVIES AS SHE AP-
PEARS IN "LITI‘LE OLD' NEW
YORK.”
her improvement was brought about
Seeing her for
in
"Little Old New York." I come to the
belief that: the improvement is hers
alone, a natural growth of one ambi-
tious and enthusiastic to succeed in a
certain line of endeavor. She played
her role in “Little Old New York"
with but little coaching from the side-
lines. She chose her own line of at-
tack.
by adroit direction.
C
The most interesting figure in “Lit-
tle Old New York" to me is J. M. Ker-
rigan. I do not remember of having
seen him on the Screen. but I have
been fascinated by his character act-
ing on the stage. The fascination lay
in his pantomime. That. it seems to
me. is the "amount requisite for
successful screen acting.
I t I
O O
Rodolph Valentino in his absence
from the screen occupies himself with
a pen. In the February issue of The
Bookman he writes on-“The Motion
Picture Novel."
He considers the precarious posi-
tion of screen favorites saying that
one or two unsuitable roles may end,
the career of a star. He says the only
hope for screen players is a novelist
who can create "characters real
enough and big enough to rise trium-
phant over the onslaught of the con-
tinuity writer. film editor. title man.
director. film cutter. producer. and
one’s own convictions."
“\Ve have worn out the complexities
of situation." Valentino writes. "W’e
are forced. willingly olr not. to delve
into subtleties of characterization.
Naturally no star actor is adverse to
that. He can readily be. persuaded
that his profile holds infinitely more
dramatic possibilities than a battle
scene."
Ruddy said a mouthful. speaking
vulgarly. If writing paid as well as
acting he would have. little to worry
aboutén his prolonged vacation from
liven nftcr those pictures I felt that
the screen.
ADVENTURES OF T‘H’E TWINS
M0012 Man’s Valentine
By Olive Roberts Barton ,
fabrics.
Oyster ,, Stew
3 Q,¢:—————.
the moon.
“'Will you please make me n. val-
entine In rend to Mr.. Peorabout. the
Man-imthe-Moon?" asked Nancy.
“Certainly?“ said Forget-bIe—Not.
the'fairy. "What {shall it be about?"
Nancy thought a minute. “Just
about nice things." she decided.
“He's so old and kind and always
thinking or other people. He lives
alone on the moon in a. golden Ior-
est, in a funny little but with the
rlckctiest furniture. And he wears
old clothes and his hair is pure
white. what there is of it. for he’s
mostly bald-headed. 5; ‘
Then Nancy told the fairy all about
the time sheand Nick had been to
the moon ant! what they saw there.
After that Forgetfue-Not wrote
and wrote and wrote.‘__._ And this is
the valentine Isho howl-handed to
the little girl. and which the Twins
flew on: to the mountain and, tucked
under Mr. Peerabout's grout “door. ,
“My syeetheart's the Man-in-the~
Moon. 1.. f i S - '
. 1 - .- .
I’m going to visit him soon.
\
Then Nancy told the fairy all about the time she and Nick hurl been 10
“W11 walk in the forest of gold,
Mr. Moon Man‘and L in the cold,
And wherever we go. _
We’ll keep watching. you know.
‘To see that the earth -goes quite
smoothly below, 7
Where for thousands or years it has
rolled.
"Mr. Peerabout's hide. and so kind!
People'thlnk that he‘s going quit.
' blind! .
But his eyes are so sharp.
He can see in the dark.
And his carol My. oh'rny! They hear
. every remark.
And he has s. most wonderful mind!
“Yes. myesweetheart’s
the-Moon,
He keepsiwatch from
Sces.every”'mll’ heed. '
Tucked Quite safely lubed.
Then turn; on fhe Moon like a lamp
overhead, ‘v f . “
Till the sky is as brighgasiatfinoou.
’ "‘From'Glioss,Wlidl”‘ '
the 11.3.1...
4 ,
ifuly unto June: ’
he and Home
Page
'Woman and the ’Home _.
It is interesting to note how many
spring models show all 0 nearly all of
the trimming used. on th front of the
gown. "
Two of the frocks sketched have
modifications of the jabot drapery—
one in a genuine. jabot of sheer fabric
' FRONT TRIM'MING POPULAR
falling Prom the throat to the waist-
,line. the other in a less usual circular
panel that drops from the point of the
yoke to the hem.
Thethird dress shows an oddly out
front panel with the jabot drapery at
one side.
COLOR VALENTINE .
From a Boy to His Mother
(For you to color and send to. your dad)
I'll take that
DRA‘VINGS BY BILL HOLRIAN
’
‘ \
Say. dad. you've been so good to me.
asasign
That you will now be good enough
To be my Valentine. .
DRAW Fl 1 NNIES
VERSES BY HAL COCH'RAR
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Draw in the missing lines and then color the picture
, s
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The waitress is a; willing lass:
. She's always on the hike.
You sit down at the table 3an
f She brings you what you like.
When on. _ mung: {found its? hi
Up there than sky’s , .
Where the starlets goéjby.’
And little light: challenge on:
‘ lea fly by. i: ' E
r11 can in a'inotgic balloon.
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Norwalk Chronicler