“was...“
e -...‘._~..~...., .- ~.. Aw‘ «w «. __ an...
._ -. gang-WW- .w-7~--H‘q.—~-~"r
a». 4» -. «~21
.g.»—-‘.m.g.
54W. . .. ‘
-the lines of d .evening gowns
. id‘lT'Clti
(AilNl .
Mic. 1.12. “‘eltern Newspaper Union.
c: -‘
i “Let future generations harvest the
' we in peace which shall rest in part
on today's discovery that war can nev-
. c be depended upon hereafter to K
«(her than make everybody'poor—some
I worse off than others, but long. heavy
.3 misery of taxation for all concerned."
2‘ MOR; TO EAT
A delicious llttlc. morsel found in a
faulty tea room is toasted bread and
butter spread“
with scraped
tnaple sugar and
cinnamon well
mixed.
Maple Sugar
Cream Cake.—
Mix one cupful of
maple sugar and
one egg. add one cupfnl obsour cream,
g level teaspoont'u! of soda, two cup-
his of pastry tlour, one-half teaspoon-
flli of cinnamon and a pinch of Stilt.
hllx wcil ntld bake itl iayt-r tins. top
catch with hollcd frosting. substituting
onehalf the quantity of maple sugar
tor the frosting. '
Cheese Cakes—Scam two and one-
Balf cupfuls of sour milk, strain
"trough a chccst- cloth and add on“
mzpfui of sugar to the drained curd,
four egg yolks slightly beaten, the
juice and gl'fllt'll rind of a lemon and
Que-fourth of a teaspoont'ul of salt.
I'Jtzo- small putty tins with pastry. fill
inth the mixture and sprinkle with
e‘ltopped almonds and nutmeg. Bake
until the mixture is firm ln-the cen-
fors.
Apple Foam.——Core and bake finely
Iiiavuretl apples. ilctnove the apple
from the skins and put through a
'cer and chili thoroughly. To the
film- of one egg: bcatcn stiff allow
unwiialf cupful of apple pulp and two
and one-half tablespoonfuls of 'fine
SPRING BLOUSES tN GAY
COLORS REEINED IN STYLES
_...._.. -s~—~ ‘.. ,—.. ..
”RIPE welcome are the newly-
arrived spring blouses. They are
mostly cheerful in color, to say
the least, and at the same time they
are refined in style. Above all they
have attributes that are distinctly
novel.
These new style-features Include the
Guitar; add to the pulp and mix ttntll
wit blended. Chill mixture and serve
to sherbet glasses with a rose of
whipped cream piped on top of each
with a candied cherry cut itl quarters
(tulip fashion on top.
Creoles.——Bcat three eggs until
fl/tlt’k. add gradually one cupful of
mm. light brown sugar. Mix and sift
whee-fourths, of a cupftil of flour with
mic—half teaspooni'ul of salt. one-fourth
«a tenspoonful of ginger. Add to the
first mixture and hunt three minutes.
Add one and ottobalf cupfuls of po.
«an out meats. Fill small liutcd tins
two-thirds full of the batter and bake
fifteen minutes. Spread with maple
”ting and decorate with one-half of
u. pecan meat pressed in the center
a! each.
combination of two different materials
in one blouse, an emphasis placed on
the peasant cuff (n more or loss nar‘
row wrist band) the ingenious em.
ploytm-nt of decorative slashes. espcc-
iniiy in alcoves. .inny-colorcd cur
hrolderies, of various kinds, put a rc-
source in the hands of designers that
is inexhaustible.
For {:lllt'y hlouscs the materials used
are crepe dc chino, cre-pc chem-tic.
crepe satin 71nd m-orgettc. Tin-so are
all lovely mcdiutns for the high colors
that nre gracefully guy, and therefore
destincd to be popular. Thosc colors
are pretty in cotton goods also and
so successful that they su-rvc fol
blouses patterned after those of silk.
a:
All this news of spring blouses is
welcome just now to those women who
forestall their summer needs, at this
season while they are spending much
time indoors. Blouses are among the
things that the home drossmaker is
most successful with.
One of the two blouses shown here
sounds familiar style notes. presenting
the over-the-skirt treatment and the
kimono sleeve, but it adopts a new
neckline and is gathered up along the
under arm slcew'. This blouse is made
of crepc satin and has an unusual pat-
and sleeve-s and defining ihl' neck linc,
'i‘he blquse at the right is one of
many tie-backs. it is made of black
crepe dc rhino and lace. the lace. ar-
ranged in panels at the back and
front. is caught in at the waist line in
front but falls free at the buck.
flaw;
made in about the some styles and en-
chanting “’10“ ‘ .Wm n vumu mum m
CHARGES FAIR WITH It‘ln‘fl‘“ diSl‘I’E'Vtiln(:ivs. in Part. fol-
lows?»~
turn in otnhroldcry adorning the front .
lilNGEliSKiiillS
Mltmclunwlt
Designers Achieving Flurposes by
Drapings, Flouncings, Panels,
Ruffles and Things. '
iSUME HAVE iiiiiiiliii illilll
[Arrangement is CEmbined With' the
Abbreviated Garment for Women
Who Insist Upon Having the
Now Waning Mode.
of the spring season'
crowd upon us frotn all (lil‘cclitlus.
l
i
! Harbingcl's
l
Front l'aris come the cables of the-
opt-tinxs there, while right bore in
New York, observes a fashion writer
in the Ngv York Times, we are bc~
ing trialled to fashion
1 the best of America's fashion crcntors
‘illg examples from
American women this spring.
While the dresses designed for the
wry moderate length—enot to say
short—those for afternoon and Qve~
ping are creeping iloorwnrd at no un-
('(l‘lalli pace.
see how variously the different de-
signers achieve their purposes by drap-
,ings and transparent fiouncings
and things.
3 For those women who will not ac-K
i ccpt the frankly long skirt (either be-
, cause their figures are too short or be-
; cause they want to remain youthful in
: appearance). there. are gowns with
L trailing trains to make them look long.
I while at other portions of their skirts
; the legs are allowed to Show almost to ,
i the knees. This style will continue to;
j please those husbands, too. who vowed
: they would not be parties to the re—
“nppcarnnce of the longer skirts. it
; took them a long while to come around
{to a “holehcnrlcd acceptance of the
ipolnt. thcy secttt-~~ttllm_v of tilctu——de-
I tel-mined to remain there.
l (but evening gown at the National
Garment Retailers"
‘ntnde of'a black lu-udcd
idmpcd about the figure in classic
lines, with straps of cut jet to hold
it in place over the shoulders. 0n the
i left side of the skirt the draping was
invent“! and made a short skirt line.
almost to the knees. while on the op-x
the iln‘cs of its draping
apostle side
. until it barely es.
‘ curved downward
[raped the floor.
l Made of Metal Cloth.
i films 74% hairline-at
gowns has made of some soft and il-
luslve shade of metal cloth—[hut is,
ione which had a color woven in with
1-.) my:
llnarms“ 1m
exhibits tiiat_
are truly: American in character. Only '
iparadcd their gowns for the fashion_
:pcoplc to revel in and to take shin»
the clopxes oh,
i
st rt-et have n tendency to remain at a ‘
And it is interesting toI
and E
'pancls and rumings and undcrskirtsi
shorter short; but having reached that '
fashion show was;
robe just‘
followed the cha ers ‘of the fabrics
used. Most ofrlhe colors were bril-
liant in the extreme, showing a marked
tendency to get away ‘ from black,
which has been so astonishingly pap-
uiar during the last season. Yellow
in the brighter shades appeared re-
. peatcdly, establishing a precedent for
its use during the coming spring and
summer. _ ,
Models for Different Types.
“’hon the draped evening gowns are
considered, then there is a distinctly
different type for the young and the
slim woman. It is draped, to be sure,
but it is’cxtcnded in some way at the
hip line, so that the gown assumes a
distinctly boufi’ant appearance. It .is
made, more usually. of the thinner ma-
terials and of taffeta which, of its own
accord, puffs out into distended lines.
One dress of this type was made
from heavy flowered taffeta, the tight
, little colorful bouquets of flowers be»
rill}: scattered over a background of
stiff cl‘ealtl~coiorcd silk. The skirt was
_ invested with full panniers over either
.hip nndffalling from that point. it
lrcached the ankles. There ans ~a
l
Late Creation: in Pure White.
siltflrl-Wflislt‘d bodice and little. old-
;fashloned puffed sleeves, giving the
cttect of lovely maidenllnen combined
_wlth a real old-time charm.
Some of the evcnlngdresses were
short, as far as'the foundation ma~
terial was concerned, and then had
low that line. which made the skirt.
long. and yet not long. it was a com.
TUESDAY, uMARCH 28,
1922 ‘
SCHOOL DA
km
118E
GRAI'WM'S Bouncing,
x ,
Wm!
/ .
COF‘rRlGHT
- ..,
WHY.
DO WE GET A BUMP
WHEN WE HIT
OUR HEADS?
quite as rigid as your head—a soft
leather ball, for example—and 5am
it against the corner at a table, a
distinct dent or hollow will appear. if
you strike a rubber ball or any other
resilient object against the same pro-
Jection. the dent will appear only for
a moment and the ball will then till
out and be as round as formerly.
WWhy, then. don‘t we get dents in our
i
i
l
l
l
{IF YOU would take something not
i
i
i
i
i
i
i
sheads instead of bumps?
; The answer-is that we do, but they
xiii] up so rapidlydhat we do not
;notlce them and are Conscious only of
’thc “blimp" which appears almost im-
ffntediat‘ely thereafter and remains for
gsomc tithe. This hump is caused by
éilte operations of the body in repair—
:llng the injury resulting from the
Ebiow. An increased supply of blood
is rushed to the spot and the sur—
3roundlng veins become distended in
3 taking care of this oversupply. Other
éhcailng fluids are also brought to the
iinjured plzne to assist in rapid re~
icovery and the presence of these, to-
lgetber with the blood, forces the skin
to rise. A blow on the head will
tcause a larger “bump" than elsewhere
on the body because the skin is
stretched. tightly over the skull and
Nile intervening space is very narrow.
FY7111 Tacoorgm‘u‘ lm’fioms bé‘THpnpé if]? 'gfii'n lung? [)9 pfighed fip
ifurther to make room for the heal-
iing agents which the body dispatches
'Jiillliilllllilliillllllillliliillil‘llm
l
IDDIES 51x
I; %lM Ma ' ‘3’
'§ ti . upma-
5 fiiillllllllilllililllllillllllllllllllllllllliué
l
.__ t
m: "1“:ng nut" l;.' , ‘
But "Lilllt' Matt" 5
I miss the "Rig litq's” tom} mad"
But rising sun-t :md dur
I hear the "l.ilill- Hang pawn
"\"llt‘il ”l'iltllig'th ‘7. H- iii «.5;
“I‘m papa‘s ou‘ne-st l :Hw .\i:-t.—
Givc me a l'w‘dli‘t)‘. ir‘.«'-..~'o«f"
The “Biggest no)" is tut
.-,t wine,
And though his Sli1~¢}’|,'. 2,...“
At least there‘s l't'l!-',I z'? ii (i l. 11.6
(‘lotm collars. smi‘s :l-i .. ms.
And Wit?“ I lil'tk :iitl'iii :iil‘: Ml,
The "Little Man" :1: ; .j-
Tiltlt ioncsonw fl-o~iil.;: >1; 1} 3:»; rt
Just somehow lull-s ..\\;.},
The “Biggest Boy" l:~ “‘ ‘t "it tr: ‘l,’
But "Lillitl lion" sail Vii“
Beside his “Daddy's" «my. .a, r
'And stretches out lis imlni‘;
He smiles and says “yd. ..,x. :1; Mic.
“'hile climbing: on :t._\ Lian: t
"I‘m papa's little lliizi‘i 1.43.2}:
Give me some (until. i":
...
\b ‘
One, boy has zone t. tux is will;
line boy l‘t’lllalns “31!
The “Biggest 11o)" “5th l---; awimi lip.
m "lfle Man" aged "v :-.._
And may the one \vlm‘s t;.r ::
'Midst life‘s hard toil .tid t .
Remain as fond of "1 ad" :~ to
fume A
, O -~t i‘t'gx'hf m infor'n you that “.0 promise that many women will likgias soon as the brain telegraphs the Who stands beside ”A 0“,.
(“‘1 r' t
indicated. an (‘lark also alleges that
the number of stockholdcrs is incor-
rectly stated and that there is a dif-
' FLARE. UP
:. I‘lheer am married on old flame."
‘Vhe'g :mi she makes it pretty hot t't-rcnt'v of 339.9: between the; asso-
fi' m. station's statement and the. bank
,. - . VI i 6' statement.
‘30“. ”1'.- St-crctary chlcy's bill-r to E. G.
‘1: get I. wrinkle end then you fret
‘nd fretting tires the brain.
.n more you get the more you fret.
. . it In In endless chain.
Clark. secrctary oi t‘-~c Haddmn Neck
Fair Association. notifying him of the
.w
names of the articles for which the
aivurds were made. accompanied by
proper vouchers. preferably cancelled
checks. showing that the amounts as
totaled have been paid. I have noti-
fied »‘.\lr. A. T. :3. Clark that I am re-
questing _\'ou to be present with this
material at it!!! office on Thursday.
March 30. at l) a. m.” ' '
, Classical Difficulty.
. .3011 admit that you try to avoid
“cal music?” .
‘1: a rule." confessed Mr. Cumrox.
fl don't object 'to hearing it. but I
tat like to run the risk of getting
. conversation about it and being
died upon to pronounce some Rus-
"I composer's name."
Um
For Constipated .
The nicest cathartic-laxative ”to
physio your bowels when you'have
\.
." An Art Golfer.
, . "Bave you noticed that Dauber has
Md his style of painting lately?
Boweis-—~ Bilious- Liver '
VT»: Children love CASant- too.
tonight will empty your bowels com-
pletely by morning and you will feel
splendid.
sleep."
or gripelike Salts, Pills. Caiomehror
on and they cost only ten cents a”
1 WM his former meticulous method Headache >Biliousness :
b has turned to a sort of slapdash Colds Indigestion
' , ”unionism." candy-like Caecarets. One or two
“You. It's the influence of golf, I ””1"“ 80‘" Stomach
.‘flnk—he now tries. to do his work
in! the fewost number of strokes."
”h Thrifty m... ‘ . . ’
.fit you write verses advertising
up. soap and cosmetics you'll never
h known as one of the immortals.
“Probably not." said the commercial
“rd. "Neither will posterity write in-
:‘gnant letters to the press harause
‘ ~ present generation permitted me
. fi curve."
. “~—
, Now We Know.
:"Wh’ are they called ,pyramids.
‘ 1" asked George, who‘ was looking
‘ a picture of those wonders of
“I‘l'hey are called pyramids. m ' "
”I2!“ the father. without hesiytasti’;
.-.~ , use they “appear amid' the
gum desolation of the desert." ten. ’
Slenderz‘ze Your. Figure
Not Y aquum
Or Chemical Affection.
irons—Ham ts dreadfully in love
that blonde.
gum—Yes. and his tamarthtnn w- '
‘3‘" of notlsm, . W. B. .
1E.“ fim know but 1 think am : QUALITY
unusual—
!Odcl. \ :
‘M-JAM
If 'you are correctly corseted " ,
s. you. are perfectly gowned ”‘
»‘~
."They; work while your
Cancel-eta never stir you up.
i All the evening froeks had simple
1 straps for the shoulders. with as much
‘ neck showing as postdble. One was of
red velvet, and the shoulder straps
l
l
Embroidered comm of. Violet Purine
Velvet.
were composed of twistedlvelvet. mak-
ing a cord of about half an inch in di-
mosuy square across the" from, wit-b
some divergence in the back. according
to the design. or the‘gown in question.
What trimming there” was upbeat-ed, at
the waistline in the {Wot "a Birdie
misread bedded mean
ameter. But the lines at the neck were ,
ionrromeumes. a. more amt-em .
sandman: " . 2 .fi
. an
houses, but they are the sort of thing
that led up to those openings, and for
that reason they hold a real signli
licence. '
Simpliélty ie Notioeable.
The simplicity of the draping: of
these gowns is their most noticeable
characteristic. There seems to be only
a suggestion of a gathering of the full-
ness at a certain point. or at various
points, as the case may be. But in
the manner of that draping lies the
center of interest in the ,flock, and
around it the trimming. and all, of the
lines of the gown are grouped“: har-
mony. - . .
Cherult’s gown. illustrator that. regu-
larity. of beaded trimming which has
proved itself» acceptable, and «in this
case the cross lines o! bead tubes and
circles follow the line established by.
the draping about the lowered waist-
line. . ’
The gown from Martial ,et Anni/ad
has a somewhathigher waistline. That
is, a second tier of“ velvet ribbon es-
tablishes a more normal line, While
the lowered one remains there. as
thoughvto demonstrate its willingness
to be pushed from- the center 01"“:-
terest, which“ has held’imlnterrupt-
arderdress of silver that shows charm-
ingly on the bodice under the arms.
Then the overdress is made of a
beautifully soft piece of’pann’e velvet;
embroidered by hand over its entire
“I surface with designs in silver thread.
The velvet is a light violet in tint. and
the velvet stripes of ribbonabonr the
i waist. along with the velvet and "silt:
i bowel-s grouped at ohe‘uide. are in a
deep toneof purple. Incorporated in
«the making of the blossoms are petals
or silver cloth. and the straps over
. the shoulders are made of this same
3 material. ‘ , ‘ .
Cherult's gown is all '. white-Lune
satin which forms its foundation and
the various sizesfit beadstmm which
the embroidery is made. White. they
; My, will be One or the popular tones
b-ror spring. and. iteeemsle be-‘the rule“
Meatless,
1min whiten m1 1 *
ediy. Thls‘ifrock- is made with an un- . ‘
, color of mixed shading, it is an indica-
tion of a combative nutum, which de-
lights in contests of bodily, strength
or mental agility. Note whether the
, nail of the finger of Saturn. or second
tanner. bears a white mark. This is
3held by some authorities to indicate
'3 a voyage to be undertaken by the sub- ’ cupful 0f ht‘flw vremn illlu
:Ject. If a nail shows black marks. it
tie an indication of sorrow and trou-.
gble. 0n the thumb nail the black
imark shows a faulty, passionate na-
.ture. On the nail of the finger of
Mercury, the little linger. a white spot
{means a successful business enter-
. prise. and a black spot means the op:
'poelté, a ré\‘éne‘ or disaster in busi~
'ness.’ ‘ - .
If therein-a white. star-shaped mark
on the pall,‘ it‘ls a sign of aifectlon
that is not reciprocated. except when
”the ”mark ‘eppears ion the thumb nail,
when it means the opposite, or re-
...t—o as.
r. ..__-_
quited' infection. .
Nails of medium length and width;
and of‘ a bluish, tint. :show that the
circulation of the blood is faulty. and
there is ' a tendency- toward— extreme
nervousness; '
’ . (CopyrighL)
lllE Clififllilll. than
‘ “minerals?“-
I’dmya ve. ,
. ,._i!wc.gined that.
It. ltycd- e. (land
“Wm- ‘ y '
, on » waxed paper.
CHEAT STATE lunc had a protvst lcuaiiy executed ‘ the silver lilrentis. “5 SM" was because it forms an easy transition b3 i injury. (Co wugit l
, ,rmm Mr. A. 11 3. pink progpsung. draped in one 0‘ ”I059 irregular “'3!" .tween the long and the short and 81-. tCofl‘yflxht.) 1' 3
Continued from First Page. :illiilillsl llu- payment (if slate >1lppr0—' "1’“ bmught it “‘r-‘I low on one side. lows them to gradually become used? 0
'prlulinn to your association. A copy “11""? it spread out into a graceful. to the longer lines. 1!
St.atm)mn,t, showsthtlt it 13:118- received 01 tho- pious is enclosed. 1t is‘thcrm; train. and from “If? “UN? side "19 {35‘ From Paris we gather the first news 3 OUR How .. Reade 5‘. > fl
m... ..., '.'”” MM...“ 5 l..il.i.:n. Wm”, . 10'»... mt 1'8“in fill mo, “Ham. ”(lion i tic came from a higher point. to fasten of the spring openings there. 01' course . , Characteristics 0 e , 00
. up; o wt; ”1...“..5 ”1m ”1.. trm-,-1~-- of tln- (wneral Statutes. to rc-.under the drapery of the train. The it is as vet onlv snatched information. I I i -
.tmntirll dors not rxcw-d slot». The uuirc additional information from you interesting part about this grm‘n'wfl transported. bv cable but it serves toii T a —.h. ;
mum-Litton slalc‘s that it has paid as secretary of the association. rela— ’ that when its lovely wearer stood still lve an idea, of “.il ‘ th p r! i “ . W "w“. v ~ -« w at "wt ”W
Il’l‘lililiillh‘ oi r. hili'la i‘ swim. z '. til’c to thc doin t' v i. ‘ f - L g a e a sun‘ \‘lith weights and mw‘mt j, d
l \ i u t u. gs 0 .our soc ct,» or in one spot it had eyery appearance lessee That Make forSueceu or
“Punting ”urn-four hm” whim \tr ,‘hp pas! war . couturiers will sanction for forthcom-t -. » Oven of even heat; t
(‘lark “wars that ”KIO‘WQI‘C no ex. "The idditional inform lion i th 1. 0' being quite amply full. Then when lag styles. l Fdlm u Sh." “ Your PJI, Well-buttered tins and owe: licrzt'. i
- . ,- .: . a o a ‘ ‘ - 'i’l‘
mm; or this ”Mun; “.hamoflen Vanmdy submitted to us is this: The ::nt“:fpll:eg baolgng‘ thefpathesh‘; naive- TWO frocks, which are the latest cre- NGE ”- Success will be tonifij’ c ”mm i
According“ to Mr. (dark. the state- ‘ names of all exhibitors in each class.’ h akie Sh ”m; orm ‘ e 4:. It“)!!! of Martial et Armand and Che— THE Fl R NA 5 . . l
limit should show stock sold to the the amount of premiums paid each as of ' e rt so l at ‘ ey followed r "I". are “0" of saline, included int v -- CANDIES FOR THE CHILDREN 6
li'lit.liill or $30". but no such sales are well as tho amount in total and the figure exactly. the 397m! showings 0‘ “1039 two 8:113: she moo: atShthe “£02.25 — 5
e. tiger an 8 our:
'1‘ ALL times of ill!‘ Mar tie tini-
'dl‘l‘n clamor for rand); lint :iimn‘
the cold weather it is ilinl‘v {Twinrhllx
made in the home. i
. _
l Opera Fondant. l
3 Put two cupfuls of sugar 8'3“ "4"
a saw-cl 9|
and stir until the sugar is disscltc‘
and the boiling point is reached. tilt‘l
add one-eighth of a teaspoonful of
cream of tartar and boil until the sin)“
makes a soft ball when dropped int.
cold water or until the candy merino-4
eter registers :238 Four at once Wiih‘
out Scraping the dish on to a niarbifl
slab or large platter lightly [1‘68 .
with butter.) When cold wmrk “ill!
«wooden spoon or broad spatula until
it forms a ball. Cover “illl a dam.
“ cloth and leave for half an hour. Th"!
knead and mold with the hands 11ml
smooth, adding such flavoring and ul-
01‘ing as desired and pat-k in a no:
Cover closely and leave until am at
Opera Bonbons. 1:
Divide opera fondant into mt.
POTGOflS. flavor each and {14011 ti‘t‘l
add different kinds of chopped {lett-
Shape into balls or press into a “:1
lined with waxed paper {:l'd “MD
‘ firm cut into cubes. '
Cream Mints. ‘ 1
Put one and one—half cupinh u
SUL'W‘IOIle-fourth of a cupful iii“!!-
ter and twoxffiblespoonfuls of I";
sit-up into a saucepan. Boil tn tlw f
hail stage and pour out on a humid}
platter to cool. When cool. work “in
u wooden spoon until cream, :tdy
away covered with a cloth. When rt“
1'9 O’er hot water. «i
to prepa , melt \ “Pom“!!!
.e rmin: flu] dr‘ép by te ‘
r We \Villteml‘ecll pant“;
may be prelmrod by addim: a hair:
pink coloring and Wintergreen fiat :
lug.
-
f
_ ' ion.
Gunfight. 1922. Weltern Neuspfll‘" L“
#
Norwalk Chronicler