RAIN AND SHINE?“ 'me ‘ i5? When the storm is blowin’ ‘ Do not curse your lot; If it wasn’t snowin' Might be blazin' 1101:! When the sun is peltin' Firebrands-don‘t scold l If it wasn’t meltin' Might be freezin’ coldl Take life as you find it— See'the rainbow curled l Trouble ? never mind it— Good Lord runs the world 3 THE TWO MORTONS. Dolly is the most maddening, tan- talizing, perverse and charming—l might as well admit it, you’d soon have found it out—young woman of my acquaintance. I’ve been in love with her for five years, and it’s a won- der my hair isn’t white; sometimes I think it is turning gray, but when I spoke to Dolly about it, she said, not to bother, I was old enough to be gray any way. Ah! that’s where 'Dolly hurts, and she knows it, for I am fif- teen years old than she is, and when that wilful young woman wishes to be particularly cruel she treats me with respect. One night I was desperate. I had sent her violets as usual—as he is par- ticularly fond of them, and most of my money goes that way. Sometimes she wears them, and often carries them, but this night they -were nowhere to be seen, and in her hand was one large red rose. I went to her; appearing to be sorry to see me was the particular form of torture which commended it- self to her on this especial night. “You here!” she said, lifting her eyebrows, in astonishment, and with- out a smile; all put on, of course, be- cause I am always where she is. “Oh, no, I’m not here, I’m some- where else,” I said, wittily. She laughed immoderately. “You’re—so—funny,” she remarked, choking. “Yes,” said I, severely, “I suppose ,I am funny, very funny—but where are my violets?” “Why, had you—any—violets?” said she. “I didn’t know—how should I know?” She said it seriously, but there was alook in her eyes that I was used to; I’d have liked to shake her. “Dolly, you know exactly what I mean; where are my violets?” “If you mean the violets you sent me,” she replied, with dignity, “I un- derstood that after they left you they belonged to me; do you want them back?” This freezingly. “Oh, Dolly,” I said, reduced once more to my usual condition of asinin- ity. “I didn’t mean it, dear, I don’t want the d—I beg your pardon, of course I don’t want them; I only want- ed you to wear them or carry them, you know, darling.” But she saw that she had the best of me, so carried’things with a high hand. I‘ 1 “The rose was sent me by a friend,” ~ she hesitated, “and I suppose I have a right to wear what I please; but sit down, don’t stand so long, you’ll be tired!” This was an illusion to my age, and it maddened me. “You are exceedingly rude!" I said, turning away and leaving her. It was the most severe speech I had ever made to Dolly, and I suffered at the thought of it. For four days I didn’t go near her or send her violets once. It was an awful four days. Finally I wrote to her, fully con- scious that it was a very silly letter, wherein I told her I was merely angry at myself for not knowing she cared for red roses, and I sent three dozen. The letter-I received was one charac- teristic of Dolly. A few days after I had been such a. card to Dolly I called upon her, and heaven favoring me, I found her alone. “Dolly, dearest,” I began, “I am so sorry—” "Don’t,” she said, “that incident is closed. There are so many nicer things to talk about; Jane Hunt, for instance.” 'I shivered; I was about to be pun- ished. “Is she nicer?” said I. “What dg,y_o,u really think of her?” said Dolly, with rather an anxious look, I thought; of course I was mis- taken. “0h, she’s a very good girl, very. good!” with a desperate desire to make Dolly jealous, if I could, which I could not. , "Is she?” Dolly tossed her head. “Well, Mr. Morton, do you want to know what I think she looks like?” The .i“Mr. Morton” was ominous; I shivered again. “I_think she. looks like a cook!” she declared triumphantly, while I, in- wardly agreeing, protested,— “Splendid wife she’s made!” said I, not meaning to rouse Dolly. But suddenly she turned and said the most terrible thing to me that she’d ever said since I’d known her. “Then you’d better marry her!” This from Dolly. "Oh-——” I began, but she was gone, and there was nothing for me to do, but to pickup my hat and go, which I did, calling myself a. beast and a brute as,I went. That night leaving the theatre we happened to meet a moment. She was radiant and scornful.‘ “Dolly,” I said, resolving not to no- tice the contretemps of the afternoon, “who are_,you going. to dance the co- tillion with at the Terrys’ to-morrow night?” ‘With Mr. Morton,” sweetly. “What a dear you are—I was afraid you’d promised, somebody else.” And-7 then she laughed. “With the ,pleasant, agreeable Mr. Morton,” she’ continued, “who never says the wrong thing." ' ' And then I knew she meant the oth- e’r,,9nei I’m afraid] said a. bad word; .I-.,-n"""'-’" ““* 9;: she answered _ ram—:1 w nanny - nonwAnk - GAZETTE- her mocking laugh followed me in the darkness, and echoed in my dreams that night. I wished I’d never seen her—and took it back immediately. I debated a long time within my— self whether or not I should go to the Terry’s, but as usual ended by going. I could dance stag and take Dolly out, and—lovely idea—perhaps she would take me out! Then as I thought of the way I had left her the night be- fore, this beautiful hope faded. What would she want with a brute like me? I never saw her look better than that night of the Terry’s dance; she was in White, which best became her, and she seemed to me like an angel. And that beastly Morton looked pretty well too. I had to admit to myself that he was rather a well appearing chap. Mrs. Floyd Hopkins, who aspires to be something of a belle herself, stood for a moment and followed the di- rection of my glance. “Miss Dalrymple is looking particu- larly well this evening,’ said she,a very gracious speech, indeed, for her. “Very!” I replied, having sense enough left not to discuss Dolly with a woman. “But what an awful flirt,” she went on; this left me gasping. “And engaged, I understand, to Mr. Morton all the time.” “Who said it?” I asked hoarsely. Dolly engaged—and to that—cad— with my name. . “0h, everybody says so,” and then she looked at me with such an un- pleasant smile. “That’s your name too, isn’t it?” ‘ “Yes, I believe it is,” I said brilliant- ly, moving away from her. Dolly engaged! I couldn’t grasp the full significance of it; the thought left me dazed and bewildered. This very night would decide it. I would go to her and ask her if there was any truth in it. Just then she came toward me as if she was going to take me out, but something in my face must have stop- ped her. “What is the matter?” she said, turning a little white. “Dolly,’ I said, sternly, “will you give me the first two dances after sup- per?” “Of course-——if you want them; but won’t you dance now?” I never saw Dolly so meek before. “No,” I answered almost roughly, “not now.” She left me with a strange look in her sweet face. It seemed centuries until supp-er; I tried to think of what I should say to her, but my mind was in such a cha- otic state that I decided to depend on the inspiration of the moment. At last supper was over and I found her, tucked her arm in mine, and marching off to a quiet nook, put her in the only seat, and stood; accusingly before her. “Dolly,” I began, “look at me!” This she did, a little timidly, I thought, and I almost forgot what I was going to say in the joy of looking ather. “My darling,” I went on, “I have loved you so long, so well, and hoped that in the course of years you might come to care—4’ she dropped her eyes; just then I remembered that hor- rible gossip, “but to-night, Dolly, I heard something that turned my heart to stone.” “What was it?” she asked. “That you were engaged to—-—-” “Who?" breathlessly. “Morton,” I grasped, “that wretched caddish—” "Stop!” she said, with dignity. “Tell me, you shall.” I grasped her wrists, “is it so?" If it had been any woman in the world but Dolly I should have said she was embarrassed. She actually blushed. “No,” she said, slowly, “it is not so, but —” her hands went up and cov- ered her face. My heavens! suppose she should cry. “But what?” I insisted cruelly; “you’re not engaged to him, but you’re in love with him?” ‘ She took her hands away and her face was very red; if it had not been such a serious moment I should have said she had been laughing. “Mr. Morton has—never—esked me to be his—wife—if he does—I shall I was beside myself. “And if he does?’ ’I hissed. “I shall say yes," very softly. A terrible silence ensued; the earth was-sinking beneath my feet. "You love Mr. Morton?’ sharply. And then the very queerest thing in the world happened; Dolly’s face whit- ened a little, as she rose and put out her band. “Yes, you old goose," she said, “I love this Mr. Morton!" It didn’t take me long to gather Dol— .f' int03my- arms. The next five min- tes are not to apepar in this narra- .ive. “Dolly,” said I blissfully, “did you ver know such a stupid old fool as am?" "Never in all my life,” said the weeest of. girls, her, voice coming "03?. the vicinity of my coat collar. “And do you suppose that woman iegznz'me when she told me that gos- ip, my darling?” “C. course she—did,” said the voice, in?" in. glad she said it—I don’t be- ;‘tu’d ever have asked me, other- I said. C‘tic . "newer would not look well on o you know, Dick, that you never we asked me before?” _: 1.6. when I came to think of it, I e. . er had—The Peterson Magazine. Ila—“llfhen you were abroad, Miss - 'fll'Vel’HJe, how did you like the Milt- “l horn?” , _ She—”i—l don’t believe I heard it." Harper’s Bazar- ‘ Jam-In ”f ‘— M’sm-QIW, l r SALTS-AND enemas, 7' A Great Increase in Width the Fetturo oi the Season. (By Special Arrangement with the N. Y.Sun.) In the width of the belt there is to be a decided increase. The narrow- est shown are two generous inches in width. While the widest are deep gir- dles reaching half the distance between the arms and the waist line. Materi- als for belts are more varied than ever before. All sorts and colors of leath- er will be used, while-the fabric belts will include even those of velvet. Vel- vet belts are, as a rule, several inches in width, and fastened by leather straps and leather—covered buckles They are not particularly elegant, and certainly add to, rather than take from, the size of the waist. That one quality is considered by the dealers sufficient to prevent their wide popular- ity, though they are among the very latest things in belts. .H In leather black and the many shades of brown promise to almost su- persede the many bright shades of green, blue, and red that have been so popular. The buckles of these belts are likewise- much less conspicuous. The harness buckle in glaring silver or gilt Will not be used, and when not leather-covered to match the material of the belt, the buckle will be of metal and almost as inconspicuous. For fancy girdles satin and taffeta silk are the favorite materials. They are made with points, either before or behind, or both, while some are plain, fastening in front, just a little to the left, with a large upstanding bow. Other girdles, so deep as to only need .the addition of shoulder straps to serve as bodices, are made of bias silk or satin, fit as snugly to the waist as possible, and are closed at the seam un- der the arm. The walking gown in the illustration is of fancy gray cloth. The high Med- ici collar and long pointed revers are of white satin, and have silver and steel passementerie. The delicate braided pattern that is carried about the hem of the skirt and the basque is of a lighter tone of the blue gray. The vest is tucked across, and is of silk of the same shade as the braided pattern on the skirt. ll! . -.._~_fi~ Ill-fl A'— ' v V» F..-— — ’l..1!rl (lags E” I" a? \ Who can get along well without a tea gown? This model is made of cream silk gauze, with a flowered stripe through it. The flowers shade from mauve to a deep red, with touch- es of pale green. A broad taffeta rib- bon confines the gown at the waist and is of the green tone of the under- dress; long net scorres hang from a. lace collar. The‘ same net is used iii and the long tucked sleeves. Most of the gowns have a touch of black some- where about them. ' . I The revival of the old fashion of let.- tingfan-shaped pieces of silk into the gores of the skirts is finding great fa- th-e frill about the bottom of the skirt a h flu- Only One \Vhich the Queen Ever Dec- orated with the Iron Cross. One of the most interesting features )f the Jubilee procession was a small white" Arabian mare, which attracted is much attention as the Lord Mayor iimself. Her name is Tel-el-Kebir, she is 22 years old and was ridden by Field Marshal the Right Honorable Lord Roberts, who also rode her when are commanded the British troops in :he famous battle in Egypt, after which she is named. Around her neck was i. broad band of red, white and' blue ribbon, from which hung a gold medal )f honor and the iron, Victoria cross, :wo decorations which 'are bestowed 9y her Majesty only as a reward for icts of the greatest gallantry and mil- .tary service of unusual importance. General Roberts has ridden the mare :hrough three campaigns in Egypt and the Soudan, and she is said to have saved the life of this famous soldier, who is second only to Lord Wolseley, in two occasions. She is a very small mineral, and General Roberts is a very imall man. For the last four years I‘el-el-Kebir has been kept in the sta- bles of the Horse Guards and has .e- geived as much attention as her owner. She is the only horse that was ever iecorated by Queen Victoria, and it was, therefore, appropriate that she should have a place in the procession. —Chicago Herald. The Needs of the Negro. The power of the ballot, says W. E. B. Du Bois in the Atlantic, we need in sheer self-defense, and as a guarantee of good faith. We may misuse, it, but we can scarce do worse in this respect than our whilom msters. Freedom, too, the long—sought, we still seek,— the freedom of life and limb, the free— dom to work and think. Work, cul- ture, and liberty—all these we need, not singly but together; for to-day these ideas among the Negro people are gradually coalescing, and finding a higher meaning in the unifying ideal of race,——the ideal of fostering the trait and talents of the Negro, not in op- position to, but in conformity with, the greater ideals of the American re- public, in order that some day, on American soil, two world races may give each to each those characteristics which both so sadly lack. Already we come not altogether empty—handed; there is 3 to-day no true American music but the sweet wild melodies of the Negro slave; the American fairy tales are Indian and African; we are the sole oasis of simple faith and rev— erence in a dusty desert of dollars and smartness. Will America he poorer if she replace her brutal, dyspeptic blundering Negro humility; or her coarse, cruel wit with loving, jovial good humor; or her Annie Rooney with Steal Away? Simply a stern concrete test of the underlying principles of the great re- public is the Negro problem, and the spiritual striving of the freedmen’s sons is the travail of souls whose bur~ den is almost beyond the measure of their strength, but who bear it in the name of an historic race, in the name of this the land of their fathers’ fathers, and in the name of human op. portunity. Women in Kansas Yet it is said that Kansas is gov- erned by petticoats, says William Allen White in the Atlantic. If by this it be meant that women shape the public sentiment of the Kansas town, the saying is true. In most towns in other States, the corners of the prin- cipal streets are occupied by dram- shops. In the town where the paper is written, the influence of women has been exerted so forcibly that three of the four corners where the two main Instead of Hogan’s Retreat on the fourth corner, stands a bookstore. There the boys and the young men of the town find a meeting-place. There “they make their appointments. There they browse through the weekly i1- lustrated papers and the magazines, and look through new beaks. In this bookstore the football games and bul- letined, the baseball games are talked over, and politics finds its forum. Among all the men and boys who fre- fuent this resort there is no habitual drinker; there is pot one whose name has been stained with scandal. These young fellbws are business men, clerks, professional men, real estate brokers, and college students. They are clean, shrewd, active young men, who have been brought up in a town where the women make public senti- ment, wherein a woman has never held an administrative municipal of- fice. It is a town of eight thousand inhabitants without a saloon, without a strange woman, without a town drunkard. Saved by His Wit. Needy Ned—Kind sir, would you give a' poor man 'a dime to help support a. wife and family? ' Mr. Worthy.———Why, I gave‘ you a dime yesterday to help bury a wife and family. Needy Ned.——Yes, sir. another wife and family. But. this is; WHEN TWO MEE . [WW filimllilhlpg ,1. , l :5?) - _..a . p - its}: MEIR. “Vi-‘79. “Charge nearly strangled me With kisses when I'accepted his p1‘0pOS;li." ’~-. . . vor. . I “Oh, he always .does that.” VlCTORlA HONORS A HORSE...“ streets cross are occupied by banks.- n'mve o‘Olm-k Tea. , No style of, dress offers such a wid field for the displayof- pesonal taste and fancy, as the five o’ciozk tea gown For the most part, Soft, clinging wcol- en materials are used for the purpose, and are richly trimmed with lace, rib- bon, or any other fashionable trim- ming. At present the Empire style is most favored and its flowing amplitude of material is very becaming to most figures. The robe is made of yellow crape, the bodice shows the short pos- tillion cut, and the sleeves are half long, and arranged in narrow over wrapping tucks; a dark red velvet jacket slashed back and front, and with rounded espaulette entirely bor- dered with gold braid, worn over the short waist. Wings broad lace are set direct on the high Medicis collar, and the becoming sleeve frills are of simil- ar lace. The finely plissed skirt is set direct on to the, waist, a loose sash of light blue crepe de chine with long ends and bows being tied over the joining. A tortoise shell comb inlaid with gold is stuck in the hair. Toilette \Vith I’lissed Basque. A model toilette of natural-colored crimped muslin, now so fashionable, is mounted on mauve taffetas. White machine-made embroidery is used on ‘Srdunwem-vmstefisbuc- full front. of bodice—also to be made by hand—composed of sprigs and sin- gle scattered leaves between. Famous Bed Hangings. The hangings of the bedstead indi» cated in the illustration come from the Phillipine Islands, and report has it that they were worked by the order of Don Alphonso XII. for presentation to his wife Mercedes, subsequently com- 747/ ii - ~‘ w; \ “‘ m... m -. 4‘;-;.$_ \‘ , . . . . ,. v 1 \ , . I L I II F ‘ . a I r ’ l‘ I y ‘ .rr/ . , . ' l J! ,, . . , r \ ., ,. i . ‘ l ’1 , , , ‘ I . . , i p r‘ .. . II I ,, "fMUSfED‘HANGmQ' ing into the possession of the Duchess of Santona. They are embroidered on cream satin with a floral design in colored silks, and amid the foliations are dragons worked in gold thread, showing a curious and happy wed- ding of Chinese and Spanish traditions. __——_.——— \ < (t. ' ' ', «t, . .. A Foseorfan Fasslosuvf No Stone to Man]: the Resting Place of John Tyler. With monuments costing thousands cf dollars adorning the graves of some of the most obscure individuals, it.is hard to realize that a man once Presi- dent of the United States lies buried in Hollywood Cemetery here. without even a mark for his grave. But such is the case. John Tyler, of “Tippe— canoe and Tyler, Too” fame, lies sleep- ing in an obscure place, and the only way in which the place he rests is known is that it is in the same lot with the grave of his daughter, who died before he did, and over whom a “figure” monument was erected. There is an interesting mystery sur- rounding the neglect to memorialize. this man who was the honored Chief Executive of or country for nearly four years. John Tyler, whose father was known as the “bosom friend” of Thomas Jefierson, died in 1862, and in his will, dated October 10, 1859; was the following provision: “I empower my dear wife to make out of my estate suitable provision for my burial, and let my body be consigned to the tomb in the earth of the country where I was born, there to repose until the day of resurrection, My wife will select the spot in Sher- wood Forest (his residence) and mark It by an uncostly monument of granite or marble. An inscription will be found in the paper inclosing this." Little did the ex-President dream that after this modest request for the disposal of his body his grave would be so wretchedly neglected by his ad- miring countrymen, and it evidently was not the intention, for the General Assembly of Virginia, immediately af- ter his death, adopted a suitable testi- monial, which closed as follows:~ “Resolved, That, with the consent of his family, his remains be deposited in Hollyw00d Cemetery, in the city of Richmond, near the remains of James Monroe, and that the Governor of this State be authorized to cause a suitable monument to be erected to his mem- ory.” This explains how President Tyler’s .r ‘ body came to be placed in Hollywood ‘ Cemetery, though he requested other- wise, and the explanation for the neglect of his grave probably lies in the fact that about that time the Gov- ernor of the Old‘ Dominion State had his hands full. with Rebellion—Cor. Pittsburg Dispatch. ‘ GOPHERS DESTROY A CANAL. An Oklahoma City Enterprise Ruined by the Pesky Animals. Gophers have destroyed a $10,000 canal at Oklahoma City. The recent filling up of the canal where it passes through the southern part of the town is the end of what once promised to be the most remunerative enterprise in Oklahoma. Public-spirited capitalists believed that the waters of the rapidly flowing North Canadian river could be used to operate all the mills that could be placed on its banks at Oklahoma City. Engineers were employed to make a survey, and it was said that a canal five miles long could be made to carry the water that ran a distance of twen< ty miles by the sinuous course of the river. The fall was nearly thirty feet, enough, it was believed, to develop 2000 horse power. *- More than $40,000 was expended in constructing the canal. It was diked part of the way and the river was crossed twice. The canal was twenty— five feet wide and four feet deep. Its completion was an occasion of import- ance: in Oklahoma City. Four inches of water were let in the head-gate and the electric light plant and a large flouring mill was run as if by magic. Auunsuspected enemy, small in size, but prodigious in industry, soon over- whelmed the enterprise in disaster. The banks of the canal were of por- ous, sandy soil. Gophers attacked the dike. A hole no larger than a. man's wrist, burrowed by these animals, widened into a. crevice in half an hour, and the water easily swept away the sandy dikes. The repairs were con- stant and costly. The promoters grew discouraged. The money panic swept over the country and the canal was a. wreck. Its flood gates are gone and the masonry is'a pile of debris—New York Sun. —.—————-——— CLLAY’S REMARKABLE MEMORY. Know the Man Who Had Given Him a Verdict as Juror 21 Years Before. It is said that no man ever had a more marvelous memory for faces than Henry Clay. The instances given to prove this are numberless. On one occasion he was on his way to Jackson, Miss, and the cars stopped for a short time at Clinton. Among the crowd who pressed forward was one vigorous old man who insisted that Mr. Clay would recognize him He had lost one eye.. “Where did I know you?” asked Mr. Clay, fixing a keen glance on this man. “In Kentucky,” was the reply. “Had you lost your eye before then, or have you lost it since?" was the next question. ’ ’ “Since,” answered the old man. “Turn the sound side of ydur face to me so I can see your profile,” said Mr. Clay, peremptorily, and the man obeyed. “I have it!” said Mr. Clay, after a moment’s scrutiny of the pro» file. “Didn’t you give me a verdict as juror. at Frankfort. Ky., in the fa- mous, case of the United .States versus Innis, twenty-one years ago?” “Yes, sir!” cried the old man, tremb- ling with delight. “And isn’t your name Hardwicke queried Mr. Clay, after another min-- ute 0” 4' “-I told you he’d remember me: "', cried the old man, turning "to the crowd. “He never forgets a face, nev- er forgets a ,face!’?e¥outh’s Compan- ion; «.- ' .g