Norwalk Chronicler

Norwalk gazette, Friday, August 21, 1896 · page 10

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n / p pages
 

 

 

IT SHOOTS A STREAM.

THE NEW NAVY MACHINE-GUN A
, VERtTABLE TERROR.

 

Four Hundred Shots a. Minna. Will be
Fired by a Single Piece, and It: Will Go
on Firing as Long as Alnmunltlon Is
Properly Supplied to Its I‘ll-tog Gear.
Within a few months the new navy

will be supplied with machine guns.

each capable of .firing 400 shots‘pcr
minute, or about seven per second:

The effect of such a fire on a bopy of
troops charging upon aforee firmed
with theSe weapons would be disas-
trous in the extreme, as they wool? be
able to rain bullets upon a territory ex-
tending at least 2,000 yards from their
muzzles.

The gun the navy has adopted is that
manufactured by the.Colt Patent Fire-
arms Manufacturing Company, of
Hartford, Conn, under Browning’s
patent. The design was decided upon
after exhaustive experiments intended
to perfect a method whereby the pow-
der gases are utilized to work auto-
matically the firing, ejecting and re-
loading mechanism. ~.

 

THE com NAVY GUN.

The gun weighs thirty-two pounds,
and with the tripod upon which it is
mounted the total weight of the ma-
chine is about fifty pounds. The tripod
when-the weapon is not in use, may be
detached and carried by one man,
while another takes charge of the gun

The arm consists of one barrel, at-
tached to a breech casing, in which
is contained the mechanism for charg-
ing, firing and ejecting. The automatic
action of the gun is effected by means
of the pressure of the powder gases
in the barrel, after the projectile has
received its maximum velocity, with-
out decreasing its range or penetration.
A small radial vent in the barrel, open-
ing downward from the bore, admits
the gas. The vent is closed by a piston.
which fits in the gas cylinder, sur-
rounding the outer edge of the vent.
and is pivoted to the gas lever, so that
it adjusts itself to the gas cylinder,
while the lever swings in a vertical
plane. The operation of the gun has
been thus described:

“The feed belt, containing for the
navy 250 cartridges, carried in boxes,
is entered, and the lever is thrown
down and rearward (once by hand) as
far as it will: go. This opens the
breech and feeds the first cartridge
from the belt to the carrier. The lever
is then released, and the spring causes
it to swing forward, closing the vent
and transferring the cartridge from the
carrier to the barrel, also cocking the
hammer and closing and locking the
breech. On pulling the trigger the shot
is fired, and after the bullet has passed
the vent and before its exit from the
muzzle, the powder gases expand
through the vent upon the piston and
gas lever, which in turn act on the
breech mechanism, opening the breech,
ejecting the shell and feeding to the
carrier another cartridge. The gas
lever, returning, forces home the cart-
ridge in the barrel, closing and locking
the breech. If instead of releasing the
trigger it is held back the same opera-
tion will be repeated so long as cart—
ridges are supplied, producing a con
tinuous fire at the rate of 400 shots
per minute.

Tests of the Colt weapon have satis-
fied the authoritiesof its usefulness
for the naval ervice. The gun fires a
cartridge of . 6-inch calibre, the same
size as that fired by the naval small
arm, so that the ammunition is inter-
changeable. =

Blackie, the Enthusiast.

John Stuart Blackle’s superabun~
dance of energy is evidenced by the
eagerness with which he entered into
whatever interested those with whom
he came in contact. In his biography
we find an extract from a character-
istic letter which he wrote while in
Rome to a sister who had remonstra.
ted with him for being so much addict-
ed to verse-writing.

“You see I em verse-mad,” he wrote.
“But you know I am subject to vari-
ous kinds of madness, and of frequent
recurrence. In Aberdeen I got re-
ligious-mad; then I got Latin-mad; now
I am verse-mall and drawing-mad, and
am fast getting antiquity-mad.

“Out of this never-ending fermenta-
tion may something good arise, that I
may not be eternally driven about by
every wind of doctrine. But as it is, I
have no mom command over my
whims and fancies than a henpecked
husband has over his wife.”

A QMJTIOUS WIFE.

 
 
 
 

4M
0110. Uncle Bulk“? '5
“with all those 1003,33}?
said if an ate 1‘
fiflhe take me,y too”:-

a.

 

such richness.

,nette.

WEE

NEXT SUMMER-’5 GARDEN.

Suggestions for Those Who Have Ideas 9:
What They Want.

~ Eben E. Rexford, in the Ladie='
World, says: A modern seed or plant
catalogue is a. veritable enlbar rassmen‘.
of riches. If there was less in it, ii
would be easier to make a selection. As
it is, one wants everything, while she
knoWs that she can only have a limiter»
quantity of the beauty it describes so

charmingly. How shall sl.a decide
what that little shall be?
Let me help you?

Do you want a showy bed for the
front yard? One that will require but
little care, that will be brilliant with
color all the season? Then I would ad-
vise you to get one or the otherof these
two plants—Petunia and Phlox. Or,
what would be more satisfactory, some
of both. I know of no two plants that
will give better satisfaction for an all-
summer bed.

Do you want a plant to cover a low
fence, or a trellis? Then you should
get the Sweet Pea. It will give you
hundreds of flowers, and very beautiful
and fragrant ones. They will be
charming on the vines, and more
charming when you cut them for use
in the house.

Do you want a low bed for a sunny
spot Where the ground is so dry that you
fear nothing will do well in it? Then
the very plant you are looking for is the
Portulaca. It is a vegetable salaman-
der. It luxuriates in sunshine that re-
minds one of the tropics, and doesn’t
seem to mind in the least whether it
rains or doesn’t rain. And its flowers
are vivid bits of color, of many shades,
and all hues, and they will be sure to
give you great delight when you see
them flourishing in a time of drought
that tries the souls of more delicate
flowers.

Do you want a hedge? Or some-
thing that is 'strong enough of habit. to
take the place of a. hedge, or a sort of
division fence between the flower and
the vegetable garden? Then plant the
Zinnia. It is a great bloomer, is showy
in color, and is as easy to cultivate as a.
cabbage.

Are you fond of rich shades of yellow
and maroon? Then be sure to have a
bed of Nasturtiums. We have no other
flower that combines these colors in
You will find them ex
cellent for vases. One or two flowers
among three or four pale green leaves
will make the breakfast table attrac
tive, and throw about it a refining in-
fluence that will convince you of the
power of flowers in teaching sermons of
taste and beauty.

Of course you will want some migno-
No garden is complete without
it. It isn’t showy, but it is beautiful,
and so sweet.

And of. course you will want a pansy-
bed. Every garden should have one.
You will want it to give beauty to the
garden, and to supply you with flowers
for the house, for personal use, and for
little gifts to your flower-loving friends.
Who isn’t delighted with a bunch 0i
purple and gold, of blue, of white, or
yellow pansies?

If you are fond of yellow-and right
here let me say that this is one of the
most pleasing colors in the garden, for
it seems to heighten and intensify all
other colors—you will do well to have a
bed of Coreopsis. It will give you a
mass of richest color all summer long,
and you can cut from it every day dur-
ing the season without missing a single
flower. ,

For late flowering you will find noth-
ing superior to the Aster. It is the
rival, among the annuals, of the Chrys-
anthemum. It has not yet given us the
rich and glowing yellows which char-
acterize that popular flower, but it fur-
nishes us with crimsons and blues, and
pale delicate rosy tints that the Chrys-
anthemum cannot lay claim to.

Another fine, late-flowering plant, is
the old Gillyflower of grandmother‘s
garden—the Ten Weeks’ Stock of the
catalogues. It does not come into bloom
much before September, but it con-
tinues to the coming of cold weather.
It has a wide range of colors, and is de-
lightfully sweet. It is excellent for
cutting. ' ‘

If you care for more plants than I
have named above, you will find
Whitlavius, Scablosas, Balsama, Lu-
pines, Larkspurs and Lobelias among
the best for the amateur who has but
a. limited amount of time and labor at
her disposal.

You should have a bed of Gladiolus
by all means. We have no flower that
gives finer results with next to no care.
Plant the bulbs in a rich, light soil in
May, and that is about all you need do
to them. They will take care of them-
selves at’ter that, if you will pull the
weeds that start about them. Of course
they will appreciate it if you give them
so me sort of support, but this is not ab-
solutely necessary. Last year, I had
over six hundred, in one long bed, and
such a brilliant display of rich col-

 

; flower.
3 a blaze of color, and scores of persons
1 came to see it every day.
- bor expended on it was really less than
I that given to a small bed of annuals.
'. I would advise the woman who has but

 

oring I have never had from any other
For two months. that bed was

And the la.-

a. small amount of time to devote to
floriculture to concentrate her eiforts in
this line on a bed of Gladiolus. The
cost will be small, but the returns will
be great, and in the fall she can take up
bulbs enough to fill at least three times
as large a bed next season.

For training up about the window,
there is nothing better than the dear
old Morning Glory.

Marigolds ought to have been men-
tioned in the list. given above, and I
hasten to speak of them before‘ I reach
the end of my paper, with an apology
for the oversight. The African sorts,
with their dark; crimson-maroon petals,
that geem cut from thick pile velvet,
are deserving a place in any garden,
and the old double yellow sorts are not

to be despised.

 

 

a L Y -. a crew Arr- G 11st1713
MAKE THE BEST on IWHAT YOU’VE GOT. ,,

yaw-=3" ' v

m ,_ INTRODUCTION.
Moderato.

 

Piano.

W'z‘t/z lenderness.

 

I. It’s a
2. Then take mat-tors . as

oft - on I a
se - crct the heart

(2 pp.)-2.

clouds shut out the light,
night you reach your home,

ev - er
find as you grow old -

 

man" ssssss oooooooo-oo

man..........-........

if you fall

wor~ry

fight the bat - tle th

 

 

Make the Best of what

 

gold-en rule to iol-low,make the
they come,

Fin - est
To

coat that’s torn

for one mo-ment think of

Chorus.

. ‘ ‘

 

SONG .AND CHORUS.

,Words by H. S. PHILLIPS.

make the

lin - ens, silks, and sat - ins

be hap- py is a

and
of

and not

best of what you’ve got;
best of what you’ve got, ,

may

the sky

 

Music by MATT. MILLER.

Author of “ IN SILENT Rsross Sun’s DREAMING.".

Each

a smile for

Copyright, 1894, by The New York Musical Echo Co.

And in
Hold your head

luck you seem to fall
e - rect and do

giv-ing up the fight,

er, lit - tle mat -tcr where you roam,

To make do best of what you’ve got, is

be - hind the van, ...............

turn-ing in the

rough, There’s a.
‘ t

You’ve Got-3.

be- bind the
the best you

hide an ach- ing
prize which can be neith - er sold nor

a - bove seems glooming,
wife and ~ba- by

van,...
can,....

oooooooooooo

”‘5

Re - mem-ber all that glit-ters is
cloud is lined with sil - ver, we

heart,
bought, \_

Just
It’s

-- .nooooa-o

 
 

not
are

115
a

 

and the
when at

 

Don’t you
And you’ll

It’s the heart and not the coat that makes the
It’s the‘lieart and not the coat that makes the

best that you can do,

mem- ber, life’s a.

tide for ev - ’ry

strug- gle

man ............... o

 

 

Nev - er

_.a

if you

 

 

FASHION’S ‘FANClFUL sway.

odd Waitis Must Now Conzorm in Tone
and Color to Skirts. _ ,

(By Special Arrangement with N. Y. Sun.)
The prettiest, most poetic evening
gown is made of tulle and crowned
with success by the most radiant smile,
It is made with three skirts in three
diiferent colors, one each of pale green,
mauve and pink in the softest, most
undecided shades, u‘hlich make a charm-
ing effect. .The sleeves of all the

 

new evening dresses are either very ,
short or just long enough to reach 'the I
elbow, and quite close to the arm, fin? '
ished with a little frill. Other new
evening gowns are made of lace trim-
med with, flounces, a very significant
fashion, since it portends the trim-
ming'of all skirts and the downfall of
the pretty plain ones so' much in favor
just at present. '

 

Pretty evening dresses, too, are made
of white silk muslin, in some simple
style, with broad sashes of ribbon for
the finish. White glace silk is also a
very popular material, trimmed with
sequined embroidery or lace. White
moire velours is another fashionable
fabric for skirts, with chiffon waists
and ”sleeves. Matronly women wear
soft brocadcs, made with a. short train.
but the skirt which just clears the
floor all around is the proper length
for young women. A black net even-
ing gown,.over white silk and trimmed
with white applique lace, \is very strik-
ing with the bodice well covered with
the applique, a band of it around the
bottom and bolted around the waist
with pink ribbon.

 

Odd waists may be counted by the
dozen in the average woman’s outfit,
and they are made of every grade of
material from gingham to brocaded
silk, but the latest advices from Paris
are decidedly against the waist which
is distinctly ’in contrast to the skirt.
To be absolutely correct style it must
bear some little relationship to the rest
of the gown. For example, a. black or
white chiffon bodice is the proper thing
with a black and white striped silk

' skirt, and if a white chiffon bodice is

worn with a black satin skirt it should
have a wide corselet belt of jet, to 884
tablish a connecting link between the

black skirt and the white waist.

Something in Their Power.

“Wasn’t it dreadful to listen to the
whistling of the bullets in battle?”

“Oh, not so very. You see the
oullets never whistled any of the popu-
lar airs of the day.”—New York Sun.

The Dog Was Dead.

Magistrate (to complainant)—“Your
dog was poisoned on the North side,
you say?”,

Complainant—“Why, your honor, I
think he was poisoned all over.’.’—Chi-'\
cago Inter-Ocean. ,

. .1“

His War Record.

Mrs. Farmer—You say you was a
soldier in the late war?

Truthful .Tompkins—Yes’m;
killed at Antietam.

Mrs. Farmer—Killed?

Truthful ' Tomkins—Theoretically
killed, ma’am; I wuz. never heard uv
afterward. , 4

I W33

The Season Over. ,
Chollie (singingl—“How can I leave-
thee ?” 'éJ . I» I
Ethel (coldly)-.--“T
still doing,bu“sl es
Try ,th No

no trust" doc}: is ,

 

 

 

 

 
 
 

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